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Chamber
PERFORMER AS PROMOTER: CLARA SCHUMANN AND MUSICAL SALONS CLOSE VOM FESTIVAL
by Pamela Hicks Gailey
Sunday, July 28, 2019
The July 28 closing performance of the Valley of the Moon Chamber Music Festival could have been subtitled "Friends", as it was devoted to works by both Clara and Robert Schumann, and those of their friends and protégés Brahms and virtuoso violinist Joseph Joachim, with whom Clara toured extensively...
Chamber
ROMANTIC CHAMBER WORKS HIGHLIGHT VOM FESTIVAL AT HANNA CENTER
by Sonia Morse Tubridy
Saturday, July 27, 2019
Now in its 5th season the Valley of the Moon Chamber Music Festival presented July 27 a concert titled “My Brilliant Sister,” featuring Fanny Mendelssohn Hensel’s compositions for combinations of voice, fortepiano and strings. Fanny and her brother Felix were close, and Felix occasionally published ...
Symphony
ROMANTIC DREAMS AT THE MENDOCINO MUSIC FESTIVAL
by Kayleen Asbo
Wednesday, July 24, 2019
Romanticism, contrary to many popular perceptions, wasn’t simply about diving into the habitat of the heart. Romanticism began as a literary movement that elevated the power of nature as a transcendent force and sought with keen nostalgia to rediscover the wisdom of the past. The Romantics in both l...
Chamber
CHAUSSON CONCERTO SHINES IN A VISIONARY'S SALON
by Steve Osborn
Sunday, July 21, 2019
Ernest Chausson’s four-movement Concerto in D Major for Violin, Piano, and String Quartet (1891) is neither concerto nor sonata nor symphony, but it somehow manages to be all three, especially when played with fire and conviction by an accomplished soloist. Those incendiary and emotional elements w...
Chamber
EUROPEAN SALON MUSIC CAPTIVATES AT VOM FESTIVAL CONCERT
by Pamela Hicks Gailey
Sunday, July 21, 2019
Two stunning programs of 19th and 20th century chamber music were presented on July 21 and 28 as part of the Valley of the Moon Music Festival at the Hanna Center in Sonoma. Festival founders and directors pianist Eric Zivian and cellist Tanya Tompkins were both on hand to contribute brilliantly at ...
Chamber
ECLECTIC INSTRUMENTAL COMBINATIONS IN VOM FESTIVAL CONCERT
by Sonia Morse Tubridy
Saturday, July 20, 2019
A Lovely summer afternoon in Sonoma Valley, an excellent small concert hall, enthusiastic audience, exciting musicians and creative programming with interesting story lines. All these were combined July 20 at a Valley of the Moon Festival concert titled “An Italian in Paris.” This is the fifth seaso...
Opera
'ELIXIR' A WELCOME TONIC IN SPRIGHTLY ANNUAL MMF OPERA
by Terry McNeill
Friday, July 19, 2019
In most of the Mendocino Music Festival’s 33 seasons a single evening is given over to a staged opera, with bare bones sets, lighting, costumes, minimal cast and short length. No Wagner or Verdi here, no multiple acts and complicated production demands. Light and frothy are the usual, and so it wa...
Recital
PUNGENT WALTZES AND VIRTUOSITY IN LADEUR'S SLV RECITAL
by Terry McNeill
Wednesday, July 17, 2019
San Francisco based pianist Jeffrey LaDeur has become one of the most sought-after North Bay virtuosi, and cemented that reputation July 17 in a short but eclectic recital in Santa Rosa’s Spring Lake Village Chamber Music Series. Before 140 in the Village’s auditorium Mr. LaDeur began with Schubert...
Choral and Vocal
NOBLE BRAHMS REQUIEM PERFORMANCE CLOSES SONOMA BACH'S SEASON
by Pamela Hicks Gailey
Saturday, June 01, 2019
Sonoma Bach, conducted by Robert Worth, presented a truly grand finale to their 2018-19 "Light Out of Darkness" season in two sold out Schroeder Hall performances June 1 and 2. The program "A Human Requiem" was received rapturously with a well-deserved standing ovation for the main work, Brahms' ...
Chamber
THREE SONG CYCLES HIGHLIGHT VIBRANT SLV RECITAL
by Pamela Hicks-Gailey
Wednesday, May 08, 2019
An ambitious recital of vocal and piano music was presented May 8 at Santa Rosa’s Spring Lake Village by mezzo-soprano Kindra Scharich and pianist Jeffrey LaDeur. The duo engaged the enthusiastic audience with scholarly friendliness and artistry in performances of Beethoven's short cycle of six song...
SYMPHONY REVIEW
Sonoma County Philharmonic / Saturday, February 14, 2015
Reginald Nasciemento, conductor. Dylan McKinstry, mandolin

Conductor Reginaldo Nacimento

LENGTH? HEAVENLY LENGTH AT SO CO PHIL CONCERT

by Terry McNeill
Saturday, February 14, 2015

A Bruckner Symphony performance can be a demanding task for both the orchestra and audience, as each of the nine are long and musically wandering. But not all that wander are lost, as the Sonoma County Philharmonic proved in their Feb. 15 concert in the Santa Rosa High School Performing Arts Center.

Led by guest conductor Reginaldo Nascimento the SCP took on the E Major 7th (“Lyric”) Symphony in a performance that lasted 63 minutes. The work is long but it’s a heavenly length, the conductor crafting a beguiling opening and controlling the pace throughout. Bruckner’s symphonies have protracted climaxes, often even more extended than in similar Sibelius and Tchaikovsky works, and here they had heft and fervor without bombast. Solos from Debra Scheuerman (flute) and clarinetist Jeff Chan were elegant. There is a grand and majestic arch in the first movement that was arrestingly played, and the theme in the cellos was aptly supported by the horns and violas.

In the Adagio the great C Major climax in upward steps was thunderous and the SCP gave the finale the needed solemnity and even festive humor. As often with this orchestra the releases were cleaner than the attacks. Floyd Reinhart’s tuba playing was outstanding, as were the short solo segments from trumpeter Tom Hyde. A long ovation ensued for a performance that for most of the 400 attending didn’t seem all that extended.

Israeli composer Avner Dorman’s Mandolin Concerto with Dylan McKinstry opened the concert, and was a curious mixture of pungent orchestra motives, strong tremolo projection from the solo instrument and stretches of silence. There was an esoteric shimmer to the mandolin’s sound, often in 2nds and 3rds, and the Orchestra’s strings sounded well in pizzicato and with minimal vibrato. Violist Pam Otsuka played a chaste solo.

In this music that has strains of David Diamond and Rodrigo’s Aranjuez Fantasy the soloist mounted a short cadenza that grew in volume and intensity, his right hand a blur and his artistic focus palpable.

At intermission SCP resident conductor Norman Gamboa presented Mr. McKinstry with the organization’s 2014-2015 Young’s Artist Award, and the customary raffle found two delighted winners.