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Choral and Vocal
SOMBER GERMAN POETRY IN SONG AT ROSCHMANN RECITAL
by Terry McNeill
Sunday, February 18, 2018
Two weeks does make a hefty difference. Feb. 3 saw the diva Renée Fleming beguile a full Weill Hall house in a mix of Brahms, Broadway show songs and Dvorak chestnuts. It was a gala event with couture gowns and colorful extra-musical communication between singer and her rapt audience. Dorothea Rösc...
Chamber
KIM-PETERSEN DUO SHINE IN MILL VALLEY CHAMBER RECITAL
by Abby Wasserman
Sunday, February 18, 2018
“Bomsori” means “the sound of spring” in Korean, and violinist Bomsori Kim’s sound is like spring - fresh, clarion, and nuanced. Her expressiveness and obvious pleasure in engaging with audiences is substantial, and she partnered with pianist Drew Petersen in a Feb. 18 recital for the Mill Valley C...
Recital
ROMANTIC MUSIC AND AMBIANCE AT SEB ARTS RECITAL
by Nicki Bell
Sunday, February 18, 2018
Sebastopol had is own musical salon Feb. 18 with visits to Paris of the 1830s, and side trips to Wales and Germany. Pianist Robyn Carmichael presented a concert of favorite romantic masters and their muses, loves and inspirations, with music of Chopin, Liszt Mendelssohn and Schumann. This was no c...
Chamber
POWERHOUSE TANEYEV QUARTET IN TRIO NAVARRO CONCERT
by Sonia Tubridy
Sunday, February 18, 2018
Now in their 26th year of presenting chamber music as artists in residence at Sonoma State University, members of the Navarro Trio have performed, over the years, piano trios both famous and rarely performed, including many contemporary works. Mozart’s Piano Quartet in G Minor, K. 478 opened the Fe...
Chamber
NOVEL AND FAMILIAR WORKS FROM THE TILDEN TRIO
by Terry McNeill
Sunday, February 11, 2018
North Coast chamber music fans have the luxury of two fine resident piano trios, with the frequently performing Trio Navarro at Sonoma State, and the Tilden Trio at San Rafael’s Dominican University. The Tilden plays less often, but their Feb. 11 performance brought several hundred to Angelico Hall ...
Symphony
A FIFTH CONTENDER ENTERS THE RING FOR THE SANTA ROSA SYMPHONY
by Steve Osborn
Saturday, February 10, 2018
In these international times, what makes a piece of music American? For Michael Christie, the answer is that it needs to have at least premiered on these shores, if not been composed here. Thus the rationale for the “all American” program that Christie--the fifth and final conducting candidate for t...
Chamber
BERLIN WIND QUINTET'S NOVEL PROGRAM SCORES IN WEILL CONCERT
by nicholas xenelis
Friday, February 09, 2018
Driving into the Green Music Center parking lot Feb. 10 I knew there was something unusual taking place since the lot was nearly full. Was another event going on this same night? A large crowd in Weill Hall isn’t expected for chamber music, in this case with the Berlin Philharmonic Wind Quintet. S...
Recital
HAUNTING RACHMANINOFF WORKS IN HU'S MAO RECITAL
by Terry McNeill
Thursday, February 08, 2018
Ching-Yun Hu made a return Music at Oakmont appearance Feb. 8 in Berger Auditorium, reprising a recital she made in the same hall four years ago. Many of the recital’s trappings were the same, but the music Ms. Hu chose to play was decidedly different. All afternoon the pianist was in an aggressiv...
Chamber
A COMPLETE ARTISTIC PACKAGE IN FLEMING'S WEILL HALL RECITAL
by Vaida Falconbridge and Mary Beard
Saturday, February 03, 2018
The diva Renée Fleming strode on the Weill Hall stage Feb. 2 in her first couture gown of the evening, a gray and swirling cream strapless sheath with flamboyant coordinating stole. For this concert, Ms. Fleming stayed to somewhat lighter fare, foregoing heavier dramatic and coloratura arias for a v...
Recital
ZNAIDER-KULEK DUO CHARMS AND CHALLANGES WEILL AUDIENCE FEB. 2
by Terry McNeill
Friday, February 02, 2018
Weill hall has mounted several exceptional piano recitals, with Garrick Ohlsson’s titanic Liszt concert, and of course Lang Lang’s two insouciant but also compelling performances topping the list since 2013. But arguably the virtuoso violinists have on balance been more impressive, and thoughts g...
SYMPHONY REVIEW
Sonoma County Philharmonic / Saturday, February 14, 2015
Reginald Nasciemento, conductor. Dylan McKinstry, mandolin

Conductor Reginaldo Nacimento

LENGTH? HEAVENLY LENGTH AT SO CO PHIL CONCERT

by Terry McNeill
Saturday, February 14, 2015

A Bruckner Symphony performance can be a demanding task for both the orchestra and audience, as each of the nine are long and musically wandering. But not all that wander are lost, as the Sonoma County Philharmonic proved in their Feb. 15 concert in the Santa Rosa High School Performing Arts Center.

Led by guest conductor Reginaldo Nascimento the SCP took on the E Major 7th (“Lyric”) Symphony in a performance that lasted 63 minutes. The work is long but it’s a heavenly length, the conductor crafting a beguiling opening and controlling the pace throughout. Bruckner’s symphonies have protracted climaxes, often even more extended than in similar Sibelius and Tchaikovsky works, and here they had heft and fervor without bombast. Solos from Debra Scheuerman (flute) and clarinetist Jeff Chan were elegant. There is a grand and majestic arch in the first movement that was arrestingly played, and the theme in the cellos was aptly supported by the horns and violas.

In the Adagio the great C Major climax in upward steps was thunderous and the SCP gave the finale the needed solemnity and even festive humor. As often with this orchestra the releases were cleaner than the attacks. Floyd Reinhart’s tuba playing was outstanding, as were the short solo segments from trumpeter Tom Hyde. A long ovation ensued for a performance that for most of the 400 attending didn’t seem all that extended.

Israeli composer Avner Dorman’s Mandolin Concerto with Dylan McKinstry opened the concert, and was a curious mixture of pungent orchestra motives, strong tremolo projection from the solo instrument and stretches of silence. There was an esoteric shimmer to the mandolin’s sound, often in 2nds and 3rds, and the Orchestra’s strings sounded well in pizzicato and with minimal vibrato. Violist Pam Otsuka played a chaste solo.

In this music that has strains of David Diamond and Rodrigo’s Aranjuez Fantasy the soloist mounted a short cadenza that grew in volume and intensity, his right hand a blur and his artistic focus palpable.

At intermission SCP resident conductor Norman Gamboa presented Mr. McKinstry with the organization’s 2014-2015 Young’s Artist Award, and the customary raffle found two delighted winners.