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Chamber
YOUNG MUSICIANS SHINE AT PIANO SONOMA CONCERT
by Lee Ormasa
Tuesday, August 01, 2017
The third in a series of four concerts by Piano Sonoma artists in residence, part of the Vino and Vibrato Series, was held August 1 in Schroeder Hall at the Green Music Center. Entitled “The Masters,” the program included works by Bach, Beethoven, Mozart and Haydn. Piano Sonoma is a summer artist-in...
Chamber
THRILLING PROGRAM CLOSES VOM CHAMBER FESTIVAL AT HANNA CENTER
by Lee Ormasa
Sunday, July 30, 2017
The finale of the two-week Valley of the Moon Music Festival closed July 30 with “The Age of Bravura” concert at the Sonoma’s Hanna Boys Center. The musical selections held to this year’s Festival theme “Schumann’s World - His Music and the Music He Loved.“ This summer Festival features chamber mus...
Chamber
PERIOD INSTRUMENTAL SOUND AT PENULTIMATE VOM FESTIVAL CONCERT
by Terry McNeill
Sunday, July 30, 2017
In the Valley of the Moon Chamber Music Festival’s penultimate concert July 30 the perennial issue of period and modern instruments was apparent. But only in the concluding Mendelssohn Trio, as the performances in the two first half works easily avoided instrumental comparisons. Clara Schumann’s t...
Chamber
ECLECTIC REPERTOIRE IN FETCHING VOM FESTIVAL CONCERT
by Terry McNeill
Saturday, July 22, 2017
One of the purposes of summer music festivals is to present unfamiliar music in an attractive and often small audience setting. The Valley of the Moon Music Festival delightfully met these requirements July 22 and 23 with two concerts in the small hall at Sonoma’s Hanna Boys Center. Classical Sono...
Recital
ADAMS' PHRYGIAN GATES HIGHLIGHTS MORKOSKI FESTIVAL PERFORMANCE
by Lee Ormasa
Saturday, July 22, 2017
Attendees at the Molly Morkoski Mendocino Music Festival recital July 22 were in for a treat, both pianistically and if they happened to buy a tasty cookie during intermission. The program included Beethoven’s Op. 27 Moonlight Sonata, Adams’ Phrygian Gates, a surprise add-on of Grieg’s Holberg Suit...
Symphony
SOARING VERDI REQUIEM CLOSES 31ST MENDOCINO FESTIVAL
by Lee Ormasa
Saturday, July 22, 2017
We speak frequently about how there is nothing like the experience of a live performance. Seldom was this truer than at the July 22 closing performance of the two-week Mendocino Music Festival. The Festival Orchestra, conducted by of Allan Pollack, joined with the Festival Chorus in a moving renderi...
Recital
ORGAN REGISTRATION MASTERY HEARD IN WALHAIN'S RECITAL
by Robert Young
Tuesday, July 18, 2017
A group of 65 lucky attendees July 18 had the pleasure of hearing Etienne Walhain’s recital at the Church of the Incarnation in Santa Rosa. Mr. Walhain is organist at the Cathedral of Notre Dame in Tournai, Belgium, and played to a varied program Bach, Franck, and Reger. He used the tonal resource...
Opera
DONIZETTI'S DON PASQUALE HAS LYRICAL CHARM IN MENDOCINO FESTIVAL PRODUCTION
by Elly Lichenstein
Friday, July 14, 2017
Mendocino Music Festival's production of Donizetti's beloved opera buffa Don Pasquale - a one-night affair July 15 that was presented in an enormous tent on a greensward overlooking the Pacific Ocean - delighted an audience of more than 600 while doing some real justice to this frothy gem of commedi...
Recital
NOVACEK'S 2ND HALF TRIFECTA SCORES AT MENDO MUSIC FESTIVAL
by Terry McNeill
Thursday, July 13, 2017
Modern classical piano recitals are in two parts, with longer and perhaps more profound music proceeding perhaps shorter and usually stimulating lighter fare. In John Novacek’s July 13 Mendocino Music Festival recital the best playing came unexpectedly in the eight abbreviated works comprising the ...
Recital
STYLUS AND PLAYING FANTASTICUS IN YOUNG'S ORGAN RECITAL
by Paul Blanchard
Sunday, June 25, 2017
Organist Robert Young gave a wonderful tour through the stylus fantasticus (fantastic style) organ literature June 25 playing a recital on the Casavant organ at Church of the Incarnation in Santa Rosa. Mr. Young recently became the organist at the Church and previously served for 20 years as Music D...
SYMPHONY REVIEW
Sonoma County Philharmonic / Saturday, February 14, 2015
Reginald Nasciemento, conductor. Dylan McKinstry, mandolin

Conductor Reginaldo Nacimento

LENGTH? HEAVENLY LENGTH AT SO CO PHIL CONCERT

by Terry McNeill
Saturday, February 14, 2015

A Bruckner Symphony performance can be a demanding task for both the orchestra and audience, as each of the nine are long and musically wandering. But not all that wander are lost, as the Sonoma County Philharmonic proved in their Feb. 15 concert in the Santa Rosa High School Performing Arts Center.

Led by guest conductor Reginaldo Nascimento the SCP took on the E Major 7th (“Lyric”) Symphony in a performance that lasted 63 minutes. The work is long but it’s a heavenly length, the conductor crafting a beguiling opening and controlling the pace throughout. Bruckner’s symphonies have protracted climaxes, often even more extended than in similar Sibelius and Tchaikovsky works, and here they had heft and fervor without bombast. Solos from Debra Scheuerman (flute) and clarinetist Jeff Chan were elegant. There is a grand and majestic arch in the first movement that was arrestingly played, and the theme in the cellos was aptly supported by the horns and violas.

In the Adagio the great C Major climax in upward steps was thunderous and the SCP gave the finale the needed solemnity and even festive humor. As often with this orchestra the releases were cleaner than the attacks. Floyd Reinhart’s tuba playing was outstanding, as were the short solo segments from trumpeter Tom Hyde. A long ovation ensued for a performance that for most of the 400 attending didn’t seem all that extended.

Israeli composer Avner Dorman’s Mandolin Concerto with Dylan McKinstry opened the concert, and was a curious mixture of pungent orchestra motives, strong tremolo projection from the solo instrument and stretches of silence. There was an esoteric shimmer to the mandolin’s sound, often in 2nds and 3rds, and the Orchestra’s strings sounded well in pizzicato and with minimal vibrato. Violist Pam Otsuka played a chaste solo.

In this music that has strains of David Diamond and Rodrigo’s Aranjuez Fantasy the soloist mounted a short cadenza that grew in volume and intensity, his right hand a blur and his artistic focus palpable.

At intermission SCP resident conductor Norman Gamboa presented Mr. McKinstry with the organization’s 2014-2015 Young’s Artist Award, and the customary raffle found two delighted winners.