Home  Reviews  Articles  Calendar  Presenters  Add Event     
Recital
DEMANDING VIOLIN SONATAS CONQUERED BY BEILMAN-WEISS DUO IN SCHROEDER
by Terry McNeill
Sunday, May 14, 2017
Violinist Benjamin Beilman’s ravishing Mozart performance at last summer’s Weill Hall ChamberFest finale lured an enthusiastic crowd to Schroeder Hall May 14 to hear if his secure virtuosity was up to a program of demanding sonatas. He did not disappoint. With the powerful pianist Orion Weiss in t...
Symphony
SOVIETS INVADE WEILL HALL, TAKE NO PRISONERS
by Steve Osborn
Sunday, May 07, 2017
Bruno Ferrandis may be French, but he excels in Soviet repertoire. His Slavonic expertise was more than amply demonstrated at the Santa Rosa Symphony’s May 7 concert, where the program began joyfully with Khachaturian’s ballet suite from “Masquerade,” surged forward with Prokofiev’s second violin co...
Recital
MASTERFUL PIANISM IN GOODE'S WEILL HALL RECITAL
by Sonia Morse Tubridy
Friday, May 05, 2017
Pianist Richard Goode programmed an evening of treasures May 5 from four great composers, and is an artist of intimacy and intelligence, power and passion, able to go deep and to soar. Hearing Mr. Goode play this literature was a reminder of how music does indeed bridge worlds and time. Bach’s E m...
Recital
ELEGANT ORGAN SALUTE TO THE REFORMATION
by Paul Blanchard
Sunday, April 30, 2017
Organist Jonathan Dimmock presented an April 30 recital in homage to the 500th anniversary of the Reformation, playing Schroeder Hall’s wonderful Brombaugh instrument. Mr. Dimmock is the organist for the San Francisco Symphony, principal organist for the Palace of the Legion of Honor and teaches at...
Chamber
NOTES AND BARS DO NOT A PRISON MAKE
by Nicki Bell
Saturday, April 29, 2017
The Hermitage Piano Trio brought exuberant musicality and sumptuous sound to a packed house April 29 in Occidental's Performing Arts Center for the last concert in the Redwood Arts Council’s 37th season. With a wide interpretive range--from lush to delicate to passionate--these three young Russian v...
Recital
SCHUMANN AND BARTOK HIGHLIGHT BRONFMAN RECITAL IN WEILL
by Lee Ormasa
Friday, April 21, 2017
Those people once addicted to the “Angry Birds” game application likely suffered an auditory flashback during the opening measures of the allegro from Bartok’s Suite, Op. 14, the opening work in Yefim Bronfman’s April 21 recital at Weill Hall. The repetitive opening figures of the Bartok were...
Symphony
HULKING MAHLER "TITAN" AT SO CO PHIL'S SEASON FINALE
by Terry McNeill
Saturday, April 08, 2017
A composer’s first symphony rarely gives a clear indication of what beautiful complexities will follow over the years. Early Mozart and Tchaikovsky are examples, and the big exceptions to this axiom are the “firsts” of Beethoven, Shostakovich and Mahler. Tackling Mahler ‘s D Major Symphony (No. 1,...
Symphony
SANTA ROSA SYMPHONY STAYS CLOSE TO HOME
by Steve Osborn
Sunday, March 26, 2017
Santa Rosa Symphony concerts usually feature high-powered soloists imported from afar, but for their recent “Bring on the Strings” concert set, they stuck close to home, thrusting their principal violin, viola and cello into the limelight. The violinist (Joseph Edelberg) and the violist (Elizabeth P...
Recital
SLAM BANG SONORITY IN HAOCHEN ZHANG'S SCHROEDER RECITAL
by Terry McNeill
Sunday, March 19, 2017
Piano Competition winners are in ample supply, and it’s often a hit and miss proposition as to their sterling interpretative qualities. However, the quadrennial Van Cliburn Competition in Ft. Worth has continually produced top-level artists, and the 2009 winner Haochen Zhang proved a formidable per...
Symphony
FOREIGN AFFAIRS CHARACTERS OF THE BAROQUE
by Sonia Morse Tubridy
Sunday, March 12, 2017
Akademie für Alte Musik Berlin, known as Akamus, played a Weill Hall concert March 12 in a program called "Foreign Affairs -Characters of the Baroque.” The ensemble, that began in 1984, has 15 musicians led by concert master Bernhard Forck. Attired in elegant black with red accents, ranging from tie...
SYMPHONY REVIEW
Sonoma County Philharmonic / Saturday, February 14, 2015
Reginald Nasciemento, conductor. Dylan McKinstry, mandolin

Conductor Reginaldo Nacimento

LENGTH? HEAVENLY LENGTH AT SO CO PHIL CONCERT

by Terry McNeill
Saturday, February 14, 2015

A Bruckner Symphony performance can be a demanding task for both the orchestra and audience, as each of the nine are long and musically wandering. But not all that wander are lost, as the Sonoma County Philharmonic proved in their Feb. 15 concert in the Santa Rosa High School Performing Arts Center.

Led by guest conductor Reginaldo Nascimento the SCP took on the E Major 7th (“Lyric”) Symphony in a performance that lasted 63 minutes. The work is long but it’s a heavenly length, the conductor crafting a beguiling opening and controlling the pace throughout. Bruckner’s symphonies have protracted climaxes, often even more extended than in similar Sibelius and Tchaikovsky works, and here they had heft and fervor without bombast. Solos from Debra Scheuerman (flute) and clarinetist Jeff Chan were elegant. There is a grand and majestic arch in the first movement that was arrestingly played, and the theme in the cellos was aptly supported by the horns and violas.

In the Adagio the great C Major climax in upward steps was thunderous and the SCP gave the finale the needed solemnity and even festive humor. As often with this orchestra the releases were cleaner than the attacks. Floyd Reinhart’s tuba playing was outstanding, as were the short solo segments from trumpeter Tom Hyde. A long ovation ensued for a performance that for most of the 400 attending didn’t seem all that extended.

Israeli composer Avner Dorman’s Mandolin Concerto with Dylan McKinstry opened the concert, and was a curious mixture of pungent orchestra motives, strong tremolo projection from the solo instrument and stretches of silence. There was an esoteric shimmer to the mandolin’s sound, often in 2nds and 3rds, and the Orchestra’s strings sounded well in pizzicato and with minimal vibrato. Violist Pam Otsuka played a chaste solo.

In this music that has strains of David Diamond and Rodrigo’s Aranjuez Fantasy the soloist mounted a short cadenza that grew in volume and intensity, his right hand a blur and his artistic focus palpable.

At intermission SCP resident conductor Norman Gamboa presented Mr. McKinstry with the organization’s 2014-2015 Young’s Artist Award, and the customary raffle found two delighted winners.