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Chamber
YOUNG MUSICIANS SHINE AT PIANO SONOMA CONCERT
by Lee Ormasa
Tuesday, August 01, 2017
The third in a series of four concerts by Piano Sonoma artists in residence, part of the Vino and Vibrato Series, was held August 1 in Schroeder Hall at the Green Music Center. Entitled “The Masters,” the program included works by Bach, Beethoven, Mozart and Haydn. Piano Sonoma is a summer artist-in...
Chamber
THRILLING PROGRAM CLOSES VOM CHAMBER FESTIVAL AT HANNA CENTER
by Lee Ormasa
Sunday, July 30, 2017
The finale of the two-week Valley of the Moon Music Festival closed July 30 with “The Age of Bravura” concert at the Sonoma’s Hanna Boys Center. The musical selections held to this year’s Festival theme “Schumann’s World - His Music and the Music He Loved.“ This summer Festival features chamber mus...
Chamber
PERIOD INSTRUMENTAL SOUND AT PENULTIMATE VOM FESTIVAL CONCERT
by Terry McNeill
Sunday, July 30, 2017
In the Valley of the Moon Chamber Music Festival’s penultimate concert July 30 the perennial issue of period and modern instruments was apparent. But only in the concluding Mendelssohn Trio, as the performances in the two first half works easily avoided instrumental comparisons. Clara Schumann’s t...
Chamber
ECLECTIC REPERTOIRE IN FETCHING VOM FESTIVAL CONCERT
by Terry McNeill
Saturday, July 22, 2017
One of the purposes of summer music festivals is to present unfamiliar music in an attractive and often small audience setting. The Valley of the Moon Music Festival delightfully met these requirements July 22 and 23 with two concerts in the small hall at Sonoma’s Hanna Boys Center. Classical Sono...
Recital
ADAMS' PHRYGIAN GATES HIGHLIGHTS MORKOSKI FESTIVAL PERFORMANCE
by Lee Ormasa
Saturday, July 22, 2017
Attendees at the Molly Morkoski Mendocino Music Festival recital July 22 were in for a treat, both pianistically and if they happened to buy a tasty cookie during intermission. The program included Beethoven’s Op. 27 Moonlight Sonata, Adams’ Phrygian Gates, a surprise add-on of Grieg’s Holberg Suit...
Symphony
SOARING VERDI REQUIEM CLOSES 31ST MENDOCINO FESTIVAL
by Lee Ormasa
Saturday, July 22, 2017
We speak frequently about how there is nothing like the experience of a live performance. Seldom was this truer than at the July 22 closing performance of the two-week Mendocino Music Festival. The Festival Orchestra, conducted by of Allan Pollack, joined with the Festival Chorus in a moving renderi...
Recital
ORGAN REGISTRATION MASTERY HEARD IN WALHAIN'S RECITAL
by Robert Young
Tuesday, July 18, 2017
A group of 65 lucky attendees July 18 had the pleasure of hearing Etienne Walhain’s recital at the Church of the Incarnation in Santa Rosa. Mr. Walhain is organist at the Cathedral of Notre Dame in Tournai, Belgium, and played to a varied program Bach, Franck, and Reger. He used the tonal resource...
Opera
DONIZETTI'S DON PASQUALE HAS LYRICAL CHARM IN MENDOCINO FESTIVAL PRODUCTION
by Elly Lichenstein
Friday, July 14, 2017
Mendocino Music Festival's production of Donizetti's beloved opera buffa Don Pasquale - a one-night affair July 15 that was presented in an enormous tent on a greensward overlooking the Pacific Ocean - delighted an audience of more than 600 while doing some real justice to this frothy gem of commedi...
Recital
NOVACEK'S 2ND HALF TRIFECTA SCORES AT MENDO MUSIC FESTIVAL
by Terry McNeill
Thursday, July 13, 2017
Modern classical piano recitals are in two parts, with longer and perhaps more profound music proceeding perhaps shorter and usually stimulating lighter fare. In John Novacek’s July 13 Mendocino Music Festival recital the best playing came unexpectedly in the eight abbreviated works comprising the ...
Recital
STYLUS AND PLAYING FANTASTICUS IN YOUNG'S ORGAN RECITAL
by Paul Blanchard
Sunday, June 25, 2017
Organist Robert Young gave a wonderful tour through the stylus fantasticus (fantastic style) organ literature June 25 playing a recital on the Casavant organ at Church of the Incarnation in Santa Rosa. Mr. Young recently became the organist at the Church and previously served for 20 years as Music D...
CHAMBER REVIEW
Elena Ulyanova / Friday, November 14, 2008
Elena Ulyanova, Pianist

ULYANOVA WINS THEM OVER

by Terry McNeill
Thursday, November 20, 2008

A pianist planning a West Coast debut recital in front of a fashionable and cosmopolitan audience faces a daunting prospect, especially when playing virtuoso works familiar to all. Ukrainian pianist Elena Ulyanova surmounted most of these obstacles Nov. 14 with formidable energy at Tiburon’s St. Hilary Church. The event was the second Concerts Grand recital of the year and part of the wildly popular classical series produced by St. Hilary Music Director Vince Stadlin and Cantor Kenneth Graham.

Fresh from recitals in Chicago and Washington DC, Ulyanova began briskly with Soler’s Sonata in D (R. 84), a work which, though effective, reminds one that everything Padre Soler wrote was done much better by Scarlatti, and with more humor by Haydn. Another matter was Beethoven’s Sonata in F, Op. 57 (Appassionata), a driving and dramatic odyssey that allowed Ulyanova full rein in displaying her cross-hand and fast scale technique. As throughout the evening, she chose fast tempos that often blurred the thematic lines and compromised the lyricism. But this is a “go for broke” piece and was not the least underplayed, with Ulyanova pushing lines and suppressing voice leadings to accentuate the excitement. It was a performance quite different from the recent Elena Casanova Appassionata rendition in Ukiah. Both readings were idiomatic and widely diverse in coloristic effects and weight.

The first half closed with the Andante Spianato and Grand Polonaise Brillante in E Flat, Op. 22, an early Chopin work that virtuosos such as Hofmann and Horowitz made famous. The performance was relaxed and architecturally tight, and the poetic Andante was carefully phrased and assured. Rhythms in a Chopin polonaise are tricky to project, especially when played in a sprightly manner, and Ulyanova on this recital decided that rhythmic nuance was subordinate to lyrical momentum. Her concluding cascade of scale passages was effective at full pedal, and she ended with five triumphant E Flat unison chords.

Two Debussy Preludes began the second half, Brouillards and Ondine. Both had the right atmosphere but continued the inclination to fast tempos. This absolute French music is as much about the silences as the actual notes. One longed for other Debussy works to display Ulyanova’s staccato touch, perhaps “La Danse de Puck” or “La Puerta del Vino.”

Two Rachmaninoff selections closed the program, the first the short and dreamy Prelude (in G, Op. 32) and the second the volcanic Second Sonata in B Flat, Op. 36. Ulyanova’s fleet approach was ill-suited to the nostalgic Prelude, the playing of which can evoke memories of cold Russian nights and moonlit snow. Here it sounded like playing in a piano studio, uninvolved, the last three chaste chords played unadorned with no retard or diminuendo.

Any uncertainty about Ulyanova’s command of Rachmaninoff’s bravura was swept away with an orchestral performance of the great Sonata, in the Horowitz edition. The first movement opened with resounding chords in the bass, getting more sound from the house Baldwin concert grand than regular St. Hilary parishioners could remember. The middle movement Non Allegro had the requisite songfulness, though again with a tendency to the perfunctory. The finale brought out all of the pianist’s heavy artillery – massive broken octaves, endurance, wide skips and brilliant passage work. The individual parts of the sonata often seem greater than the whole, but Ulyanova brought opulent passion that conquered all. Nothing was left on the table.

Following the bagatelle of a Scarlatti encore, the audience proceeded to the lavish Parish Hall for a splendid buffet prepared by the church staff, and more piano playing, albeit with less serious repertoire, from Ken Iisaka, Gini Wilson, Kenn Gartner, Elizabeth MacDougall, David Caldine, Elena Casanova and the effervescent St. Hilary Pastor, Fr. James Tarantino.

Note: The reviewer is the producer of Concerts Grand series.