Home  Reviews  Articles  Calendar  Presenters  Add Event     
Symphony
SANTA ROSA SYMPHONY HERALDS THE HOLIDAYS
by Steve Osborn
Sunday, December 02, 2018
Antlers are typical headgear during the holiday season, but the ushers and one bassist at the Santa Rosa Symphony concert on Dec. 2 sported apples atop their heads. The red fruits were festive but perplexing until the orchestra began Rossini’s “William Tell” overture, at which point even the dull-wi...
Symphony
A HERO'S ODYSSEY IN SO CO PHIL CONCERT
by Art Hofmann
Sunday, November 18, 2018
The audience at the Sonoma County Philharmonic’s Nov. 18 concert was warned at the outset that the old Santa Rosa High School auditorium boiler was turned off, and there was a steady eminently audible tone in the hall. Conductor Norman Gamboa said the tone was an A, a high one. But there it was, a...
Recital
MTA BENEFIT CONCERT FEATURES FAURE, DVORAK, JANACEK AND BARBER WORKS
by Terry McNeill
Sunday, November 11, 2018
In a splendid concert Nov. 11 the Music Teachers Association of California, Sonoma County Chapter, presented their sixth annual benefit concert before 40 avid listeners in the Santa Rosa home of Helen Howard and Robert Yeats. Highlights of the performances, involving eight musicians in various perf...
Recital
SERKIN'S SINGULAR MOZART AND BACH PLAYING IN WEILL RECITAL
by Terry McNeill
Friday, November 09, 2018
Returning to Weill Hall following a fire-related recital cancellation in 2017, pianist Peter Serkin programmed just three works in his Nov. 7 concert, three masterworks that challenged both artist and audience alike. It needs to be said at the outset that Mr. Serkin takes a decidedly non-standard a...
Chamber
LUMINOUS FAURE TOPS LINCOLN TRIO'S SPRING LAKE VILLAGE CONCERT
by Terry McNeill
Wednesday, November 07, 2018
Familiarity in chamber music often evokes warm appreciation, and it was thus Nov. 7 when the Chicago-based Lincoln Piano Trio made one of their many Sonoma County appearances, this time on the Spring Lake Village Classical Music Series. Regularly presented by local impresario Robert Hayden, the Lin...
Symphony
PEACE AND LOVE FROM THE SANTA ROSA SYMPHONY
by Steve Osborn
Sunday, November 04, 2018
Before the Santa Rosa Symphony’s Nov. 4 performance of Leonard Bernstein’s “Symphonic Dances from West Side Story,” Symphony CEO Alan Silow took a moment to acknowledge the victims of the Pittsburgh synagogue attack and to observe that music offers a more peaceful and loving view of the world. Mr. ...
Chamber
ATOS TRIO IN MILL VALLEY CHAMBER CONCERT
by Abby Wasserman
Sunday, November 04, 2018
When the ATOS Piano Trio planned their all-Russian touring program at their Berlin home base, it had a strong elegiac, even tragic theme that surely resonated with their Mill Valley Chamber Music Society audience Nov. 4 in Mill Valley. Comprised of Annette von Hehn, violin; Thomas Hoppe, piano; and...
Chamber
ATOS TRIO IN OCCIDENTAL CHAMBER CONCERT
by Terry McNeill
Saturday, November 03, 2018
When the Berlin-based ATOS Piano Trio entered the cramped Occidental Performing Arts stage Nov. 3, the audience of 100 anticipated familiar works in the announced all-Russian program. What they got was a selection of rarely-plays trios, with a gamut of emotions. Then one-movement Rachmaninoff G Mi...
Symphony
MIGHTY SHOSTAKOVICH 10TH OPENS MARIN SYMPHONY SEASON
by Terry McNeill
Sunday, October 28, 2018
Just two works were on the opening program of the Marin Symphony’s 67th season Oct. 28, Tchaikovsky’s iconic D Major Violin Concerto, and Shostakovich’s Tenth Symphony. Before a full house in the Marin Center Auditorium conductor Alasdair Neale set a judicious opening tempo in the brief orchestra i...
Symphony
VIVALDI FOR ALL SEASONS IN WEILL BAROQUE CONCERT
by Sonia Morse Tubridy
Saturday, October 27, 2018
The Venice Baroque Orchestra, a dozen superb musicians that include strings, harpsichord and recorder, played an uplifting concert Oct. 27 of mostly Vivaldi sinfonias and concertos. The Weill Hall audience of 600 had rapt attention throughout, and the playing was of the highest musical level. This r...
SYMPHONY REVIEW
Green Music Center / Sunday, June 28, 2015
Musicians include: Jeffrey Kahane, Jennifer Koh, Margaret Batjer, Benjamin Beilman, Elizabeth Prior, Peter Lloyd, Laura Reynolds, Russ deLuna, Leo Tsui, Douglas Brown, Benjamin Jaber, Danielle Kuhlmann, Robert deMaine, Aloysia Friedmann, Daniel Ching, William Fedkenhuer, John Largess, Joshua Gindele, Elise Shop Henry, Sandy Hughes and Joseph Edelberg

Pianist/Harpsichordist Jeffrey Kahane

BRANDENBURGS A SPIRITUAL GIFT IN FINAL CHAMBERFEST CONCERT

by Terry McNeill
Sunday, June 28, 2015

“Well, you should have been there.” A trite saying used too often by concertgoers? Sure. But surely it was the appropriate adage for the final Chamberfest concert June 28 in Sonoma State’s Weill Hall.

Capping a nine-event series mostly in Schroeder Hall, Jeffrey Kahane led ensembles of up to 20 musicians in an extraordinary traversal of Bach’s complete Brandenburg Concertos. Written in the small Thuringia town of Cöthen in 1721, the six are multi-movement works of instrumental complexity, underpinned in each by harpsichord continuo and strong bass and cello lines. The program notes referred to this complexity: A presentation of all concertos in a single evening requires a performing group of incredible depth, with individual musicians who are comfortable as both featured soloists and ensemble players.

As the works progressed during the first half (No. 1 in F Major, No. 3 in G Major, No. 5 in D Major) I found myself thinking at each ending, “That was sensational; that was my favorite,” only to uncover a new favorite when hearing the next Concerto. In the famous harpsichord solo in the D Major’s first movement Mr. Kahane played elegantly but as usual for him did something novel. At the section’s conclusion where the finger pyrotechnics and fast trills are ending, the music seems to call for a ritard and phrase broadening, an intimate invitation for the re-entry of ensemble. That’s the way it’s usually played, but he never broke tempo and moved straight to the finish with just a slight nod to his colleagues.

Throughout the evening thrilling playing abounded, especially from violinists Benjamin Bielman and Margaret Batjer, oboists Ashley Ertz and Laura Reynolds, flutists Sandy Hughes and Elise Shope Henry (Concerto No. 4) and trumpeter David Washburn in the concluding No. 2 Concerto. Some of the instruments were not of the Baroque era (oboes for example) but Mr. Washburn played the piercing Baroque trumpet with consummate skill, even able to integrate his luminous sound into the sonic texture when needed.

All through the program string vibrato was present but of low volume and short duration, even in the extended solo violin passages by Bach veteran Jennifer Koh in Concerto No. 1, and in the viola playing of Elizabeth Prior and Aloysia Friedmann in No. 6 that began the second half. In Number 6 the lovely Adagio was performed romantically but with a Baroque sensibility, as were the lament-like slow movements of No. 5 (Affettuoso) and No. 4 (Andante). In the latter Mr. Bielman carried the main theme with blistering scale playing and subtle phrase turns and slides.

The frequent interior-movement ensembles were captivating: cellist Andrew Shulman and violinist Daniel Ching joined by oboe and flute; a contrapuntal viola duo in No. 6; the harpsichord introduction with arpeggios in No. 3, the artist handing off a distant theme to the strings; and Ms. Batjer’s entrancing duo with Ms. Hughes in the Allegro of No. 5.

Preceding the final Concerto Mr. Kahane addressed the audience about the power of Bach’s music to overcome the often unspeakable political and social events of our day, and the spiritual force contained in the compositions of the featured Chamberfest composers: Bach, Beethoven and Brahms.

As at the end of the first part, the rollicking No. 6 produced a tornado of applause, and all the musicians were called to a line at the front of the stage. One audience member brought a single red rose for Mr. Kahane.

As the audience of 700 left the Hall there wasn’t the usual ecstatic chatter about the music, but something of a glow of happiness on many faces. This had been a seminal evening, due of course to the producer Zarin Mehta and his staff, the wonderful musicians, the vision of Jeffrey Kahane, but mostly to a man dead for 265 years. Bach.