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Recital
HOME RECITAL BACH COMPLETES HOLIDAY SEASON
by Terry McNeill
Saturday, December 30, 2017
The just closing 2017 year was a calamity for many, but locally in music there were joys galore, and it was fitting Dec. 30 have the balm of two Bach’s violin sonatas in a private Guerneville home recital hosted by the eminent musician Sonia Tubridy. Violinist Richard Heinberg joined Ms. Tubridy in...
Choral and Vocal
A SEASONAL MESSIAH WITH BALANCE AND HEFT
by Terry McNeill
Sunday, December 10, 2017
The mid-December concert season seems for jaded reviewers to invariably include a Messiah performance, and perhaps a Messiah in a long string of similar and mundane performances. This was decidedly not the case when San Francisco’s Philharmonia Baroque mounted Handel’s eminent three-part 1742 Orato...
Symphony
ANDREW GRAMS FINDS HIS GROOVE WITH SR SYMPHONY IN RACHMANINOFF
by Steve Osborn
Sunday, December 03, 2017
Last Sunday’s Santa Rosa Symphony concert featured two elegant and refined guests: music director candidate Andrew Grams and pianist Stewart Goodyear. Both displayed dazzling technique and consummate artistry, but Goodyear was the more consistent of the two. Some of Grams’ inconsistency may have st...
Symphony
SONIC SPLASH AND ENSEMBLE DELICACY AT SO CO PHIL CONCERT
by Terry McNeill
Saturday, November 18, 2017
Franck’s wonderful D Minor Symphony is a rarity on today’s concert programs, and I can’t remember a North Bay performance in many years from any of the six resident area orchestras. So it was good to see the Sonoma County Philharmonic feature it in their Nov. 18 and 19 concerts at Santa Rosa High S...
Chamber
TETZLAFF QUARTET'S MASTERY IN MOZART AND SCHUBERT
by Terry McNeill
Saturday, November 11, 2017
German violin virtuoso Christian Tetzlaff presented a critically successful Weill Hall recital Feb. 18, and returned to the same venue Nov. 11 with his admirable Tetzlaff Quartet in a program of Berg, Schubert and Mozart. Clarity of ensemble has always been a hallmark of this Quartet, and contrapun...
Chamber
RAVISHING SHORT OPERAS FROM FRENCH TROUPE IN WEILL
by Terry McNeill
Friday, November 10, 2017
Standard Weill Hall fall and winter classical programs are pretty routine – symphonic music, chamber, solo recitals – so it was a rare treat Nov. 10 when just two works from the 17th century were gloriously presented. With such specialized compositions, period performers with commanding authenticit...
Symphony
MEI-ANN CHEN PROVES A WORTHY CONTENDER FOR SANTA ROSA SYMPHONY CONDUCTING POST
by Steve Osborn
Sunday, November 05, 2017
These days the focus of Santa Rosa Symphony concerts is as much on the conductor candidates as on the soloists. This past weekend’s concerts featured the second of those candidates, Mei-Ann Chen, along with pianist Nareh Arghamanyan, each of whom cut an imposing figure on the stage. Chen is diminut...
Symphony
TO RUSSIA WITH BRILLIANCE
by Terry McNeill
Friday, November 03, 2017
Russian pianist Denis Matsuev’s high velocity and frequently slam-bang virtuosity came to the Green Music Center last year with a thrilling and equally perplexing solo performance. So many in Weill Nov. 3 were interested to hear if his pianistic style would mesh well in a concerto, and with a fine ...
Symphony
THUNDEROUS TCHAIKOVSKY FOURTH OPENS MARIN SYMPHONY SEASON
by Terry McNeill
Tuesday, October 31, 2017
North Coast weather is turning cool and the nights longer, ideal for Tchaikovsky’s big boned symphonies. The Santa Rosa Symphony recently programmed the Fourth (F Minor Symphony) as did the San Francisco Symphony. Norman Gamboa’s Sonoma County Philharmonic just played the Tchaikovsky First, forgoi...
Recital
RESPIGHI'S PUNGENT SONATA HIGHLIGHTS KENNEY-GUTMAN RECITAL
by Terry McNeill
Sunday, October 29, 2017
Respighi’s B Minor Violin Sonata seems never to gain conventional repertoire status. Perhaps the great Heifetz recording is intimidating, and I can recall over many years just two local performances: Jason Todorov and William Corbett-Jones years go in Newman, and a titanic reading in March by Anne S...
RECITAL REVIEW
Green Music Center / Sunday, June 28, 2015
Malcolm Matthews, organ

Organist Malcolm Matthews

TWO EXEMPLARY ORGAN RECITALS HIGHLIGHT CHAMBERFEST

by James Harrod
Sunday, June 28, 2015

Baroque music aficionados and organists were glued to their seats at Chamberfest’s June 27 and 28 when Malcolm Matthews performed two amazingly perfect recitals of Baroque organ music from North Europe of the 16th and 17th centuries.

The two prodigious concerts included no less than 17 selections, mostly large-scale works. Among the larger works were Bach’s Toccata and Fuge in F minor (BWV 540) and the Prelude and Fugue in A minor (BWV 543), Buxtehude’s Passacaglia in D minor (BuxWV 161) and Bruhns’ Praeludium in G. Mr. Matthews played each selection flawlessly and authentically on the beautiful Schroeder Hall Baroque mechanical action organ.

The recital was entitled “The Organ 5 B’s” in order to include a lovely chorale prelude by Brahms, and included Baroque organ “greats”: Nicolaus Bruhns (1665 - 1697), Dietrich Buxtehude (1637 -1707), Georg Boehm (Böhm, 1661 - 1733), as well as Bach.

Mr. Matthews played the music with a gentle and totally consistent articulation, drawing on the instrument’s resources authentically in every part of the compositions. The long pedal passages were sounded with absolute clarity and the musical result was a calm control and intimate familiarity with the composer’s intentions. The relevance and interest of the pieces played were augmented by Mr. Matthews’s excellent introductions and explanations.

It was not possible to visualize the pedal passages being played because the instrument high in the front balcony is composed of an elevated Great Division (the Hauptwerk) and a smaller division (the Rückpositiv) placed directly behind the organist. However, a video screen to the side allowed the viewers to see the organist’s hands smoothly moving over the two manuals alternatively. Organ students could see that Mr. Matthews using an authentic Baroque fingering technique playing the manual passages!

It is important to point out that the Schroeder organ is an exact reproduction of organs built in that time and place. These instruments release air into the pipes by gossamer wires from the keys to the slider panels above. By this mechanism, the flow of air into the pipes is progressive, producing a delicately induced sound, never boring or tiring to the listener. The performer on these organs is enabled to delicately vary the touch and its resulting sound.

Malcolm Matthews’ two-day concert was a virtual master’s class in Baroque organ performance as well as super enjoyment.