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Recital
DEDIK'S POTENT BEETHOVEN AND CHOPIN AT SPRING LAKE VILLAGE RECITAL
by Terry McNeill
Monday, September 17, 2018
Anastasia Dedik returned Sept. 17 to the Spring Lake Village Classical Music Series in a recital that featured three familiar virtuoso works in potent interpretations. Chopin’s G Minor Ballade hasn’t been heard in Sonoma County public concerts since a long-ago Earl Wild performance, and Beethoven’s...
Recital
DUO WEST OPENS OCCIDENTAL CONCERT SEASON
by Terry McNeill
Sunday, September 09, 2018
Before a full house at the Occidental Performing Arts Center Sept. 9 the cello-piano Duo West, playing from score throughout, presented a recital that on paper looked stimulating and thoughtful. Beginning with MacDowell’s To A Wild Rose (from Woodland Sketches, Op. 51), the transcription by an unan...
Chamber
CELLO-PIANO DUO IN HUSKY SPRING LAKE VILLAGE PROGRAM
by Terry McNeill
Wednesday, September 05, 2018
Two thirds of the way through a stimulating 22-concert season the Spring Lake Village Classical Music Series Sept. 5 presented two splendid cello sonatas before 110 people in the Village’s Montgomery auditorium. A duo for more than a decade, East Bay musicians cellist Monica Scott and pianist Hadle...
Chamber
EXTRAVAGANT FUSION OF STYLES AT CHRIS BOTTI BAND WEILL HALL CONCERT
by Jerry Dibble
Sunday, August 12, 2018
Trumpeter Chris Botti still performs in jazz venues including SF Jazz and The Blue Note, but now appears mostly in cavernous halls or on outdoor stages like the Sonoma State University’s Green Music Center. He brought his unique road show to the packed Weill Hall August 12 in a concert of effusive e...
Chamber
SCHUBERT "MIT SCHLAG" AT VOM FESTIVAL MORNING CONCERT
by Abby Wasserman
Sunday, July 29, 2018
The spirit of 19th century Vienna was present July 29 on the final day of the Valley of the Moon Music Festival. The Festival in the second half of July glittered with innovative programming and the new, old sound of original instruments played by musicians who love music with historic instruments. ...
Chamber
PASSIONATE BRAHMS-SCHOENBERG MUSIC CLOSES VOM FESTIVAL SUMMER
by Abby Wasserman
Sunday, July 29, 2018
An extraordinary program of chamber music by Brahms and Schoenberg attracted a capacity crowd to the Valley of the Moon Music Festival’s final concert July 29th in Sonoma’s Hanna Center. It opened with a richly expressive reading by Festival Laureate violinist Rachell Wong and pianist Jeffrey LaDeur...
Chamber
PRAGUE AND VIENNA PALACE GEMS HIGHLIGHT VOM FESTIVAL CONCERT
by Sonia Morse Tubridy
Saturday, July 28, 2018
The remarkable Valley of the Moon Chamber Music Festival presented a concert called “Kinsky Palace” July 28 on their final Festival weekend in Sonoma’s Hanna Center. Two well-known treasures and one lesser gem were programmed. Starting the afternoon offerings were violinist Monica Huggett and Fest...
Chamber
INNOVATIVE CHAMBER WORKS IN HANNA CENTER CONCERT
by Sonia Morse Tubridy
Sunday, July 22, 2018
The Valley of the Moon Music Festival presented a July 22 concert featuring three giants: Haydn, Schubert and Schumann, composers who altered music of their time with creative innovations and artistic vision. In the fourth season the Festival’s theme this year is “Vienna in Transition”, and VOM Fes...
Chamber
VIENNA INSPIRATION FOR VOM FESTIVAL PROGRAM AT HANNA CENTER
by Nicki Bell
Saturday, July 21, 2018
A music-loving audience filled Sonoma’s Hanna Center Auditorium July 21 to begin a record weekend of three concerts, produced by the Valley of the Moon Music Festival. The Festival’s theme this summer is “Venice in Transition – From the Enlightenment to the Dawn of Modernism” Prior to Saturday’s m...
Chamber
VANHAL QUARTET AT VOM FESTIVAL DISCOVERY AT HANNA CENTER
by Abby Wasserman
Sunday, July 15, 2018
A near-capacity crowd of 220 filled the Sonoma Hanna Boys Center Auditorium July 15 for the opening concert of the fourth Valley of the Moon Music Festival. This Festival presents gems of the Classical and early Romantic periods performed on instruments of the composer’s era, which presents a few ch...
CHAMBER REVIEW
Valley of the Moon Music Festival / Sunday, July 19, 2015
Eric Hoeprich, clarinet; Elizabeth Blumenstock, violin; Tanya Tomkins, cello; Eric Zivian, fortepiano

Eric Hoeprich, Eric Zivian, Tanya Tomkins July 19 at Sonoma's Hanna Boys Center

CLARINET MUSIC LAUNCHES NEW FESTIVAL IN SONOMA VALLEY

by Terry McNeill
Sunday, July 19, 2015

Among the several North Coast summer festivals in 2015 is a new one, the Valley of the Moon Music Festival, directed by San Francisco-area artists Tanya Tomkins and Eric Zivian. It’s unique in presenting seven concerts of the Classical and Romantic eras with instruments designed and mostly built when the music was written.

Held in the new auditorium of Sonoma’s Hanna Boys Center, the series was inaugurated July 19 with a splendid afternoon of chamber works featuring clarinetist Eric Hoeprich. In the opening Haydn F-Sharp Minor Trio, H. XV: 26, Mr. Zivian and Ms. Tomkins were joined by stellar Baroque violinist Elizabeth Blumenstock.

The piano in the Haydn, owned by Mr. Zivian, was a reproduction of a 1795 Dutch design and allowed the pianist’s fast on-top-of-the-key scales to sound well in the somber opening Allegro and the songful Adagio with its lovely decrescendo ending. As in many of Haydn’s trios the minuet finale received playing of a breezy manner and jocular rhythms.

Ms. Tomkins and Messrs Zivian and Hoeprich then played Beethoven’s early Clarinet Trio in B-Flat Major (Op. 11) with sharply contrasting melodic fragments and an elegant interplay of instrumental voices. The piano here was a restored 1841 Viennese instrument which was best heard in the yearning slow pace of the Adagio and the variations that made up the finale. The inane theme of the latter was often played softly with a comely cello-clarinet duo and Mr. Zivan’s long virtuosic interlude before the coda.

After intermission Weber’s Clarinet Variations in B Flat, Op. 33, was heard from Mr. Hoeprich and Mr. Zivian, and Glinka’s Trio Pathétique (1832). A lovely theme characterized the Weber work, and it turned frothy as each variation unfolded. There were long solo variations for the piano where at frequent places Mr. Zivian dropped his left shoulder to accentuate a phrase ending. Both artists were adept in the syncopated dance variations. It was the concert’s highlight.

Graceful cello solos were featured in the Glinka Trio, a period piece written not in the composer’s Russia but in Italy. It received a polished performance with big down-keyboard skips by Mr. Zivian and dramatic clarinet phrases that carried the work above its rather routine external refinement. The piano sound here was significantly more powerful than the tiny instrument used for Haydn, and had a resonate bass and a predictably weak treble register. It seemed well suited to the three featured compositions.

Mention needs to made of the Center’s hall, a new auditorium with a wide and low stage, direct acoustics and flat-floor seating for perhaps 250. Parking and access are excellent and Hanna may well become a key Sonoma Valley musical venue. Additional Festival concerts, listed on the Classical Sonoma Calendar, are July 31 (young artists, free admission, 7:30 p.m.), August 1 (4 p.m., Mozart’s Viola Quintet) and a Mozart Sonata for Violin and Mendelssohn’s C Minor Trio, Op. 66, for the Festival-ending event August 2 at 4 p.m. Tickets are $40 (General) and $20 for ages below 30.