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Recital
MTA BENEFIT CONCERT FEATURES FAURE, DVORAK, JANACEK AND BARBER WORKS
by Terry McNeill
Sunday, November 11, 2018
In a splendid concert Nov. 11 the Music Teachers Association of California, Sonoma County Chapter, presented their sixth annual benefit concert before 40 avid listeners in the Santa Rosa home of Helen Howard and Robert Yeats. Highlights of the performances, involving eight musicians in various perf...
Recital
SERKIN'S SINGULAR MOZART AND BACH PLAYING IN WEILL RECITAL
by Terry McNeill
Friday, November 09, 2018
Returning to Weill Hall following a fire-related recital cancellation in 2017, pianist Peter Serkin programmed just three works in his Nov. 7 concert, three masterworks that challenged both artist and audience alike. It needs to be said at the outset that Mr. Serkin takes a decidedly non-standard a...
Chamber
LUMINOUS FAURE TOPS LINCOLN TRIO'S SPRING LAKE VILLAGE CONCERT
by Terry McNeill
Wednesday, November 07, 2018
Familiarity in chamber music often evokes warm appreciation, and it was thus Nov. 7 when the Chicago-based Lincoln Piano Trio made one of their many Sonoma County appearances, this time on the Spring Lake Village Classical Music Series. Regularly presented by local impresario Robert Hayden, the Lin...
Symphony
PEACE AND LOVE FROM THE SANTA ROSA SYMPHONY
by Steve Osborn
Sunday, November 04, 2018
Before the Santa Rosa Symphony’s Nov. 4 performance of Leonard Bernstein’s “Symphonic Dances from West Side Story,” Symphony CEO Alan Silow took a moment to acknowledge the victims of the Pittsburgh synagogue attack and to observe that music offers a more peaceful and loving view of the world. Mr. ...
Chamber
ATOS TRIO IN MILL VALLEY CHAMBER CONCERT
by Abby Wasserman
Sunday, November 04, 2018
When the ATOS Piano Trio planned their all-Russian touring program at their Berlin home base, it had a strong elegiac, even tragic theme that surely resonated with their Mill Valley Chamber Music Society audience Nov. 4 in Mill Valley. Comprised of Annette von Hehn, violin; Thomas Hoppe, piano; and...
Chamber
ATOS TRIO IN OCCIDENTAL CHAMBER CONCERT
by Terry McNeill
Saturday, November 03, 2018
When the Berlin-based ATOS Piano Trio entered the cramped Occidental Performing Arts stage Nov. 3, the audience of 100 anticipated familiar works in the announced all-Russian program. What they got was a selection of rarely-plays trios, with a gamut of emotions. Then one-movement Rachmaninoff G Mi...
Symphony
MIGHTY SHOSTAKOVICH 10TH OPENS MARIN SYMPHONY SEASON
by Terry McNeill
Sunday, October 28, 2018
Just two works were on the opening program of the Marin Symphony’s 67th season Oct. 28, Tchaikovsky’s iconic D Major Violin Concerto, and Shostakovich’s Tenth Symphony. Before a full house in the Marin Center Auditorium conductor Alasdair Neale set a judicious opening tempo in the brief orchestra i...
Symphony
VIVALDI FOR ALL SEASONS IN WEILL BAROQUE CONCERT
by Sonia Morse Tubridy
Saturday, October 27, 2018
The Venice Baroque Orchestra, a dozen superb musicians that include strings, harpsichord and recorder, played an uplifting concert Oct. 27 of mostly Vivaldi sinfonias and concertos. The Weill Hall audience of 600 had rapt attention throughout, and the playing was of the highest musical level. This r...
Recital
LIN'S PIANISM AND PERSONA CHARM SCHROEDER HALL AUDIENCE
by Terry McNeill
Sunday, October 21, 2018
In somewhat of a surprise a sold out Schroeder Hall audience greeted pianist Steven Lin Oct. 21 in his local debut recital. Why a surprise? Because Mr. Lin was pretty much unknown in Northern California, and Schroeder is rarely, very rarely sold out for a single instrumentalist. But no matter, and...
Chamber
HEROIC TRUMPET AND ORGAN MUSIC AT INCARNATION
by Jerry Dibble
Friday, October 12, 2018
The strong connections between Santa Rosa’s musical community and California State University Chico were on display Oct. 12 as David Rothe, Professor Emeritus in the Chico Music Department, and Ayako Nakamura, trumpet with the North State Symphony, presented a concert titled “Heroic Music for Trumpe...
CHAMBER REVIEW
Valley of the Moon Music Festival / Sunday, July 19, 2015
Eric Hoeprich, clarinet; Elizabeth Blumenstock, violin; Tanya Tomkins, cello; Eric Zivian, fortepiano

Eric Hoeprich, Eric Zivian, Tanya Tomkins July 19 at Sonoma's Hanna Boys Center

CLARINET MUSIC LAUNCHES NEW FESTIVAL IN SONOMA VALLEY

by Terry McNeill
Sunday, July 19, 2015

Among the several North Coast summer festivals in 2015 is a new one, the Valley of the Moon Music Festival, directed by San Francisco-area artists Tanya Tomkins and Eric Zivian. It’s unique in presenting seven concerts of the Classical and Romantic eras with instruments designed and mostly built when the music was written.

Held in the new auditorium of Sonoma’s Hanna Boys Center, the series was inaugurated July 19 with a splendid afternoon of chamber works featuring clarinetist Eric Hoeprich. In the opening Haydn F-Sharp Minor Trio, H. XV: 26, Mr. Zivian and Ms. Tomkins were joined by stellar Baroque violinist Elizabeth Blumenstock.

The piano in the Haydn, owned by Mr. Zivian, was a reproduction of a 1795 Dutch design and allowed the pianist’s fast on-top-of-the-key scales to sound well in the somber opening Allegro and the songful Adagio with its lovely decrescendo ending. As in many of Haydn’s trios the minuet finale received playing of a breezy manner and jocular rhythms.

Ms. Tomkins and Messrs Zivian and Hoeprich then played Beethoven’s early Clarinet Trio in B-Flat Major (Op. 11) with sharply contrasting melodic fragments and an elegant interplay of instrumental voices. The piano here was a restored 1841 Viennese instrument which was best heard in the yearning slow pace of the Adagio and the variations that made up the finale. The inane theme of the latter was often played softly with a comely cello-clarinet duo and Mr. Zivan’s long virtuosic interlude before the coda.

After intermission Weber’s Clarinet Variations in B Flat, Op. 33, was heard from Mr. Hoeprich and Mr. Zivian, and Glinka’s Trio Pathétique (1832). A lovely theme characterized the Weber work, and it turned frothy as each variation unfolded. There were long solo variations for the piano where at frequent places Mr. Zivian dropped his left shoulder to accentuate a phrase ending. Both artists were adept in the syncopated dance variations. It was the concert’s highlight.

Graceful cello solos were featured in the Glinka Trio, a period piece written not in the composer’s Russia but in Italy. It received a polished performance with big down-keyboard skips by Mr. Zivian and dramatic clarinet phrases that carried the work above its rather routine external refinement. The piano sound here was significantly more powerful than the tiny instrument used for Haydn, and had a resonate bass and a predictably weak treble register. It seemed well suited to the three featured compositions.

Mention needs to made of the Center’s hall, a new auditorium with a wide and low stage, direct acoustics and flat-floor seating for perhaps 250. Parking and access are excellent and Hanna may well become a key Sonoma Valley musical venue. Additional Festival concerts, listed on the Classical Sonoma Calendar, are July 31 (young artists, free admission, 7:30 p.m.), August 1 (4 p.m., Mozart’s Viola Quintet) and a Mozart Sonata for Violin and Mendelssohn’s C Minor Trio, Op. 66, for the Festival-ending event August 2 at 4 p.m. Tickets are $40 (General) and $20 for ages below 30.