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Symphony
!PURA VIDA! A SONIC TRIUMPH FOR SO CO PHIL IN THRILLING COSTA RICA TOUR CONCERT
by Terry McNeill
Tuesday, June 19, 2018
Long anticipated events, such as a great sporting game, gourmet feast, holiday trip or a concert, occasionally fall way short of expectations. The results donít measure to expectations. With the Sonoma County Philharmonicís Costa Rica concert June 19, the performance exceeded any heated or tenuou...
Symphony
SO CO PHIL BON VOYAGE CONCERT AN ODYSSEY OF CONTRASTING SOUND
by Terry McNeill
Friday, June 15, 2018
In a splashy bon voyage concert June 15 the Sonoma County Philharmonic Orchestra launched its June 17-25 Costa Rica tour, performing gratis in Santa Rosaís Jackson Theater the repertoire for tour concerts in San Josť, Costa Ricaís capital, and in surrounding towns. Conductor Norman Gamboa pr...
Chamber
COMMANDING CHOPIN AND DEBUSSY IN SLV RECITAL
by Terry McNeill
Wednesday, June 06, 2018
Concerts at the classy Spring Lake Village Retirement Home in Santa Rosa have admission limited to residents and a few guests, but the chance to hear a first cabin North Bay pianist June 6 brought a Classical Sonoma reviewer into the audience of 100. The crowd numbers were unusually low due to a ba...
Recital
MUSICAL ALCHEMY INSIDE A HIDDEN GEM
by Kayleen Asbo
Friday, May 25, 2018
The Petaluma Historical Library and Museum is a hidden gem of Sonoma County, a gracious†building†that is one of Sonoma Countyís loveliest venues for chamber music concerts, with a fine period piano particularly suited to Romantic music.† Of the surprisingly large array of festivities there, one of t...
Chamber
FINAL VOM MUSICIANS CONCERT IN SCHROEDER A SCHUBERT DELIGHT
by Terry McNeill
Saturday, May 12, 2018
It's rare to have the opportunity to compare in a short period two performances of the same major Schubert work, in this case the great B Flat Piano Trio, D. 898. The chance came May 12 when the Valley of the Moon Festival musicians played it in Schroeder, just over a month since the Hallís residen...
Symphony
FERRANDIS BIDS ADIEU WITH MAHLERíS FINAL SYMPHONY
by Steve Osborn
Sunday, May 06, 2018
Sonoma State students in graduation robes posed for pictures and hugged each other at the universityís stone gates on Sunday afternoon, mirroring the prolonged farewells within the universityís Green Music Center, where Bruno Ferrandis bid adieu to the Santa Rosa Symphony after a dozen years at the ...
Symphony
SONIC SPLENDOR AT MARIN SYMPHONY SEASON FINALE
by Abby Wasserman
Tuesday, May 01, 2018
The Marin Symphony Orchestra ended the current season with a flourish, interpreting big and small works by Richard Strauss and Stravinsky. Strauss and Stravinsky were contemporaries for 40 years, but inhabited different worlds. Both composers were affected by cataclysmic changes and war, and musical...
Symphony
ORGAN SYMPHONY IN SSU ORCHESTRA CONCERT IN WEILL
by Terry McNeill
Sunday, April 29, 2018
Though Classical Sonoma seldom reviews student concerts, as ample North Coast concerts keep the staff of 11 reviewers busy. But the chance to hear the Sonoma State University Orchestra tackle St. SaŽnsí majestic Organ Symphony April 29 was a rare opportunity and not easily to be missed. Avec lí...
Recital
HEAVENLY SCHUBERT AND DEMONIC CHOPIN
by Terry McNeill
Saturday, April 21, 2018
One of the anomalies in the long ago ďGolden EraĒ of romantic pianism (about 1905 to 1940) is that the virtuoso giants of the time didnít play Schubert. It took the German pianist Artur Schnabel to bring the beauties of Schuberís work to the publicís attention, and now they seem to be on almost ever...
Symphony
SPLENDID JUPITER AND ZOOMING CONCERTO AT VALLEJO SYMPHONY SEASON FINALE
by Terry McNeill
Sunday, April 15, 2018
Over the past two years the Vallejo Symphony has made big changes, moving from a stark middle school auditorium to the snazzy remodeled 1911-era downtown Empress Theater, and engaging Marc Taddei as its seventh conductor. April 15 was the seasonís final concert of the 86th season. In a programmin...
CHAMBER REVIEW
Valley of the Moon Music Festival / Sunday, July 19, 2015
Eric Hoeprich, clarinet; Elizabeth Blumenstock, violin; Tanya Tomkins, cello; Eric Zivian, fortepiano

Eric Hoeprich, Eric Zivian, Tanya Tomkins July 19 at Sonoma's Hanna Boys Center

CLARINET MUSIC LAUNCHES NEW FESTIVAL IN SONOMA VALLEY

by Terry McNeill
Sunday, July 19, 2015

Among the several North Coast summer festivals in 2015 is a new one, the Valley of the Moon Music Festival, directed by San Francisco-area artists Tanya Tomkins and Eric Zivian. Itís unique in presenting seven concerts of the Classical and Romantic eras with instruments designed and mostly built when the music was written.

Held in the new auditorium of Sonomaís Hanna Boys Center, the series was inaugurated July 19 with a splendid afternoon of chamber works featuring clarinetist Eric Hoeprich. In the opening Haydn F-Sharp Minor Trio, H. XV: 26, Mr. Zivian and Ms. Tomkins were joined by stellar Baroque violinist Elizabeth Blumenstock.

The piano in the Haydn, owned by Mr. Zivian, was a reproduction of a 1795 Dutch design and allowed the pianistís fast on-top-of-the-key scales to sound well in the somber opening Allegro and the songful Adagio with its lovely decrescendo ending. As in many of Haydnís trios the minuet finale received playing of a breezy manner and jocular rhythms.

Ms. Tomkins and Messrs Zivian and Hoeprich then played Beethovenís early Clarinet Trio in B-Flat Major (Op. 11) with sharply contrasting melodic fragments and an elegant interplay of instrumental voices. The piano here was a restored 1841 Viennese instrument which was best heard in the yearning slow pace of the Adagio and the variations that made up the finale. The inane theme of the latter was often played softly with a comely cello-clarinet duo and Mr. Zivanís long virtuosic interlude before the coda.

After intermission Weberís Clarinet Variations in B Flat, Op. 33, was heard from Mr. Hoeprich and Mr. Zivian, and Glinkaís Trio Pathťtique (1832). A lovely theme characterized the Weber work, and it turned frothy as each variation unfolded. There were long solo variations for the piano where at frequent places Mr. Zivian dropped his left shoulder to accentuate a phrase ending. Both artists were adept in the syncopated dance variations. It was the concertís highlight.

Graceful cello solos were featured in the Glinka Trio, a period piece written not in the composerís Russia but in Italy. It received a polished performance with big down-keyboard skips by Mr. Zivian and dramatic clarinet phrases that carried the work above its rather routine external refinement. The piano sound here was significantly more powerful than the tiny instrument used for Haydn, and had a resonate bass and a predictably weak treble register. It seemed well suited to the three featured compositions.

Mention needs to made of the Centerís hall, a new auditorium with a wide and low stage, direct acoustics and flat-floor seating for perhaps 250. Parking and access are excellent and Hanna may well become a key Sonoma Valley musical venue. Additional Festival concerts, listed on the Classical Sonoma Calendar, are July 31 (young artists, free admission, 7:30 p.m.), August 1 (4 p.m., Mozartís Viola Quintet) and a Mozart Sonata for Violin and Mendelssohnís C Minor Trio, Op. 66, for the Festival-ending event August 2 at 4 p.m. Tickets are $40 (General) and $20 for ages below 30.