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Chamber
SCHUBERT "MIT SCHLAG" AT VOM FESTIVAL MORNING CONCERT
by Abby Wasserman
Sunday, July 29, 2018
The spirit of 19th century Vienna was present July 29 on the final day of the Valley of the Moon Music Festival. The Festival in the second half of July glittered with innovative programming and the new, old sound of original instruments played by musicians who love music with historic instruments. ...
Chamber
PASSIONATE BRAHMS-SCHOENBERG MUSIC CLOSES VOM FESTIVAL SUMMER
by Abby Wasserman
Sunday, July 29, 2018
An extraordinary program of chamber music by Brahms and Schoenberg attracted a capacity crowd to the Valley of the Moon Music Festival’s final concert July 29th in Sonoma’s Hanna Center. It opened with a richly expressive reading by Festival Laureate violinist Rachell Wong and pianist Jeffrey LaDeur...
Chamber
PRAGUE AND VIENNA PALACE GEMS HIGHLIGHT VOM FESTIVAL CONCERT
by Sonia Morse Tubridy
Saturday, July 28, 2018
The remarkable Valley of the Moon Chamber Music Festival presented a concert called “Kinsky Palace” July 28 on their final Festival weekend in Sonoma’s Hanna Center. Two well-known treasures and one lesser gem were programmed. Starting the afternoon offerings were violinist Monica Huggett and Fest...
Chamber
INNOVATIVE CHAMBER WORKS IN HANNA CENTER CONCERT
by Sonia Morse Tubridy
Sunday, July 22, 2018
The Valley of the Moon Music Festival presented a July 22 concert featuring three giants: Haydn, Schubert and Schumann, composers who altered music of their time with creative innovations and artistic vision. In the fourth season the Festival’s theme this year is “Vienna in Transition”, and VOM Fes...
Chamber
VIENNA INSPIRATION FOR VOM FESTIVAL PROGRAM AT HANNA CENTER
by Nicki Bell
Saturday, July 21, 2018
A music-loving audience filled Sonoma’s Hanna Center Auditorium July 21 to begin a record weekend of three concerts, produced by the Valley of the Moon Music Festival. The Festival’s theme this summer is “Venice in Transition – From the Enlightenment to the Dawn of Modernism” Prior to Saturday’s m...
Chamber
VANHAL QUARTET AT VOM FESTIVAL DISCOVERY AT HANNA CENTER
by Abby Wasserman
Sunday, July 15, 2018
A near-capacity crowd of 220 filled the Sonoma Hanna Boys Center Auditorium July 15 for the opening concert of the fourth Valley of the Moon Music Festival. This Festival presents gems of the Classical and early Romantic periods performed on instruments of the composer’s era, which presents a few ch...
Opera
SPARKLING CIMAROSA OPERA HIGHLIGHTS MENDOCINO MUSIC FESTIVAL
by Kathryn Stewart
Friday, July 13, 2018
The Classical music era was a time of extraordinary innovation. Dominated by composers from the German-speaking countries, the period witnessed the handiwork of masterpieces by two classical giants, Haydn and Mozart. Both composers put forth a tremendous catalog of masterful works and perhaps to our...
Symphony
!PURA VIDA! A SONIC TRIUMPH FOR SO CO PHIL IN THRILLING COSTA RICA TOUR CONCERT
by Terry McNeill
Tuesday, June 19, 2018
Long anticipated events, such as a great sporting game, gourmet feast, holiday trip or a concert, occasionally fall way short of expectations. The results don’t measure to expectations. With the Sonoma County Philharmonic’s Costa Rica concert June 19, the performance exceeded any heated or tenuou...
Symphony
SO CO PHIL BON VOYAGE CONCERT AN ODYSSEY OF CONTRASTING SOUND
by Terry McNeill
Friday, June 15, 2018
In a splashy bon voyage concert June 15 the Sonoma County Philharmonic Orchestra launched its June 17-25 Costa Rica tour, performing gratis in Santa Rosa’s Jackson Theater the repertoire for tour concerts in San José, Costa Rica’s capital, and in surrounding towns. Conductor Norman Gamboa pr...
Chamber
COMMANDING CHOPIN AND DEBUSSY IN SLV RECITAL
by Terry McNeill
Wednesday, June 06, 2018
Concerts at the classy Spring Lake Village Retirement Home in Santa Rosa have admission limited to residents and a few guests, but the chance to hear a first cabin North Bay pianist June 6 brought a Classical Sonoma reviewer into the audience of 100. The crowd numbers were unusually low due to a ba...
SYMPHONY REVIEW
Sonoma County Philharmonic / Saturday, September 26, 2015
Norman Gamboa, conductor

So Co Phil Conductor Norman Gamboa

PROVOCATIVE LATIN WORKS OPEN SO CO PHIL'S NEW SEASON

by Terry McNeill
Saturday, September 26, 2015

Symphonic concerts with Latin programs usually have Copland’s El Salon Mexico, a suite from Chavez, and perhaps some Lecuana or Nazareth. Leave it to the Sonoma County Philharmonic and conductor Norman Gamboa to go in a different direction in their season-opening Latin Fiesta event Sept. 26 in the Santa Rosa High School Auditorium.

The afternoon’s major work, Villa-Lobos’ Bachianas Brasilieras No. 7, is not as well known as numbers 1 and 5, and it the longest and darkest of the set of 8. But it’s a mesmerizing piece, and the SoCoPhil played with panache if not the last word in polish. Mr. Gamboa chose a slower tempo in the opening Prelúdio than one often hears, but all to the better to underscore the work’s tinge of sadness, thick sonority and intriguing harmonies.

Throughout the 1942 composition the conductor’s secure and gracious baton technique brought out the needed contrasts, especially in the more translucent Gigue that has clearer contrapuntal lines. And long lines they were, with standout horn and tuba (Floyd Reinhart) playing. In the following Toccata a surprising strain of movie music (Andrew Lloyd Webber?) appeared, the often blaring phrases and faster tempos accentuated by Tom Hyde’s trumpet, pizzicato playing from the bass section and fascinating percussion sounds that including xylophone and sporadically marimba. All through this Bachiana the percussionists were busy with wood blocks, tiny drums and a brass gong, often in concert with the piccolo (Emily Reynolds) and bassoonist Miranda Kincaid.

The concluding Fuga reflects Bach’s “Art of Fugue” and was a captivating capstone to the performance. It opens with the theme in cellos, then violas, then second violins and bass, and finally the first violins lead the orchestra to solos of flute (Debra Scheurman), oboe (Chris Krive) and finally three pungent trombones. Mr. Gamboa deftly let some phrases overlap, perhaps deciding that at least in this orchestral fugue unclouded sonority was not the goal.

Carlos Guzmán’s Symphony of the Volcanoes comprised the second half, a splashy four-movement suite written by the Costa Rican composer to depict the landscape and ambiance of active Central American volcanoes. In three of the movements scenes of mountains, flora and fauna were projected on the wall behind the 45-person orchestra (the section Rincon de la Vieja was omitted). The colorful display was alternatively engaging and distracting.

Much of the finest playing came in the rhapsodic sections of Poás (Spring Landscape) with piquant chimes, Nick Xenelis’ clarinet and the formidable trumpets of Mr. Hyde, Karl Johnston and Phil Beard.

An atmospheric and slightly bizarre Biribas’ Circus opened the program, part of Brazilian Lucas Galon’s five-part Circus Cycle. Short but not small bursts of orchestral color jump out of an initial soporific sound that is meant to depict a rainy day near a neighborhood circus ring in Brazil. Unique sounds from indigenous instruments abound, including the alto flute and a metal cylindrical instrument held between the hands that emits a muffled cry when a coated stick is rapidly inserted. One either likes these effects or doesn’t, and I am in the former category. A provocative sonic delight.

The conductor spoke entertainingly to the audience about the unfamiliar music in a pre-concert talk, and as in past SoCoPhil concerts a member of the all-volunteer orchestra did the housekeeping announcements. Mr. Hyde was insouciant in this role.

A small but vociferous audience was in the hall for the first of the two Latin Fiesta concerts, with more familiar fare (Barber, Copland, Gershwin) expected Nov. 14 and 15 to attract larger houses. The Orchestra played parts of the Latin-inspired works to students in the same hall the afternoon of the concert, in a bi-lingual presentation to considerable acclaim.