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Recital
TRANSCRIPTIONS ABOUND IN GALBRAITH'S GUITAR RECITAL
by Gary Digman
Saturday, September 14, 2019
Master guitarist Paul Galbraith’s artistry was much in evidence Sept. 14 in his Sebastopol Community Church recital. Attendees in the Redwood Arts Council events were initially bothered by the afternoon’s heat in the church, but it was of small importance when the Cambridge, England-based artist be...
Recital
ECLECTIC DRAMATIC PROGRAMING IN SPRING LAKE VILLAGE RECITAL
by Terry McNeill
Wednesday, September 11, 2019
Marin-based pianist Laura Magnani combined piquant remarks to an audience of 100 Sept. 11 with dramatic music making in a recital at Spring Lake Village’s Montgomery Center. Ms. Magnani’s eclectic programming in past SLV recitals continued, beginning with three sonatas by her Italian compatriot Sca...
Chamber
PERFORMER AS PROMOTER: CLARA SCHUMANN AND MUSICAL SALONS CLOSE VOM FESTIVAL
by Pamela Hicks Gailey
Sunday, July 28, 2019
The July 28 closing performance of the Valley of the Moon Chamber Music Festival could have been subtitled "Friends", as it was devoted to works by both Clara and Robert Schumann, and those of their friends and protégés Brahms and virtuoso violinist Joseph Joachim, with whom Clara toured extensively...
Chamber
ROMANTIC CHAMBER WORKS HIGHLIGHT VOM FESTIVAL AT HANNA CENTER
by Sonia Morse Tubridy
Saturday, July 27, 2019
Now in its 5th season the Valley of the Moon Chamber Music Festival presented July 27 a concert titled “My Brilliant Sister,” featuring Fanny Mendelssohn Hensel’s compositions for combinations of voice, fortepiano and strings. Fanny and her brother Felix were close, and Felix occasionally published ...
Symphony
ROMANTIC DREAMS AT THE MENDOCINO MUSIC FESTIVAL
by Kayleen Asbo
Wednesday, July 24, 2019
Romanticism, contrary to many popular perceptions, wasn’t simply about diving into the habitat of the heart. Romanticism began as a literary movement that elevated the power of nature as a transcendent force and sought with keen nostalgia to rediscover the wisdom of the past. The Romantics in both l...
Chamber
CHAUSSON CONCERTO SHINES IN A VISIONARY'S SALON
by Steve Osborn
Sunday, July 21, 2019
Ernest Chausson’s four-movement Concerto in D Major for Violin, Piano, and String Quartet (1891) is neither concerto nor sonata nor symphony, but it somehow manages to be all three, especially when played with fire and conviction by an accomplished soloist. Those incendiary and emotional elements w...
Chamber
EUROPEAN SALON MUSIC CAPTIVATES AT VOM FESTIVAL CONCERT
by Pamela Hicks Gailey
Sunday, July 21, 2019
Two stunning programs of 19th and 20th century chamber music were presented on July 21 and 28 as part of the Valley of the Moon Music Festival at the Hanna Center in Sonoma. Festival founders and directors pianist Eric Zivian and cellist Tanya Tompkins were both on hand to contribute brilliantly at ...
Chamber
ECLECTIC INSTRUMENTAL COMBINATIONS IN VOM FESTIVAL CONCERT
by Sonia Morse Tubridy
Saturday, July 20, 2019
A Lovely summer afternoon in Sonoma Valley, an excellent small concert hall, enthusiastic audience, exciting musicians and creative programming with interesting story lines. All these were combined July 20 at a Valley of the Moon Festival concert titled “An Italian in Paris.” This is the fifth seaso...
Opera
'ELIXIR' A WELCOME TONIC IN SPRIGHTLY ANNUAL MMF OPERA
by Terry McNeill
Friday, July 19, 2019
In most of the Mendocino Music Festival’s 33 seasons a single evening is given over to a staged opera, with bare bones sets, lighting, costumes, minimal cast and short length. No Wagner or Verdi here, no multiple acts and complicated production demands. Light and frothy are the usual, and so it wa...
Recital
PUNGENT WALTZES AND VIRTUOSITY IN LADEUR'S SLV RECITAL
by Terry McNeill
Wednesday, July 17, 2019
San Francisco based pianist Jeffrey LaDeur has become one of the most sought-after North Bay virtuosi, and cemented that reputation July 17 in a short but eclectic recital in Santa Rosa’s Spring Lake Village Chamber Music Series. Before 140 in the Village’s auditorium Mr. LaDeur began with Schubert...
CHAMBER REVIEW
Trio Navarro and Friends / Sunday, October 04, 2015
Victor Romasevich, violin; Jill Rachuy Brindel, cello; Marilyn Thompson, piano

Trio Navarro in 2014

ARCANE ARENSKY TRIO HIGHLIGHTS NAVARRO'S SEASON OPENING CONCERT IN SCHROEDER

by Terry McNeill
Sunday, October 04, 2015

One would have thought that the glitz surrounding Lang Lang’s 101 Pianists Foundation program Oct. 4 in Weill would have upstaged chamber music at the same time in nearby Schroeder Hall. Not to worry, as the Trio Navarro continues to perform sometimes-neglected gems from the trio literature with a level of artistry that the Chinese superstar might grandly applaud.

In Rimsky-Korsakov’s My Musical Life he writes in 1905 that the works and life of his pupil Anton Arensky “…will soon be forgotten.” And that has mostly been so, with the exception of piano bagatelles, some suites, two string quartets and the first Trio in D Minor. The Navarro programmed the rarely heard second Trio in F Minor, Op. 73, for the second half of the concert, and scored a minor triumph with it before an audience of 125.

The Trio choose quick tempos and clipped phrases in the opening movement, eschewing extended ritards and the voice leading one hears in recordings of Arensky by Russian musicians. It’s Tchaikovsky influenced a bit by Schumann. A surprisingly movement ending accelerandowas played swiftly and vigorously. In the lyrical second movement pianist Marilyn Thompson played the opening expressive theme and throughout the music from 1905 is achingly rich, but even here in opulent thematic voices traded between violinist Victor Romasevich and cellist Jill Rachuy Brindel one hoped for a little more loosening of tempo. Mr. Romasevich held one high note at the end of an ascending phrase with just the right character of suspense and bright tone.

A Scherzo comprises a wonderful trio in a waltz form, and the concluding “Tema con Variazioni” with a big cello part portraying music that is less exalted than the preceding movements. It’s episodic until the return of the first-movement’s dark theme, and the Navarro played it with conviction. Brahms’ last movements are always imposing; Arensky’s are less so.

Before intermission the Navarro played trios by Haydn (B Flat Major, Hob XV:20) and the venerable Dvorak E Minor (“Dumky”). Haydn wrote more than 40 piano trios, and in most the cello supports the violin’s stating principal themes. It was this way in the first two movements with Mr. Romasevich’s light vibrato and a simple and long introductory line from Ms. Thompson in the Andante Cantabile. At times this Trio sounded like an accompanied piano solo, brisk and and pungent.

Dvorak’s famous Dumky has often been played by the Navarro, but with violinist Roy Malan. It’s a masterful work of vitality and infectious Czech rhythmic power in six alternating dumka of festive gaiety and yearning, though alike in character. The Navarro performed the demanding rhythm patterns with seasoned artistry. A highlight was the lovely recitative in the Poco Adagio sounding with Ms. Brindel’s plaintive cello melody, and the Cantilena in the piano part. In the fourth dumka again the cello carried a melancholy theme over the bass lines of piano and violin, and this created a sense of warm calm.

The final dumka (Lento) had the Navarro playing up the disparity of a grave pathetic theme with a wild quick section, and Ms. Brindel as earlier had prominence with her assured cello technique.

The repertoire selection and performance gave me no reason to change a decade-long view that the Navarro is the best resident piano trio in Northern California.