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Recital
MTA BENEFIT CONCERT FEATURES FAURE, DVORAK, JANACEK AND BARBER WORKS
by Terry McNeill
Sunday, November 11, 2018
In a splendid concert Nov. 11 the Music Teachers Association of California, Sonoma County Chapter, presented their sixth annual benefit concert before 40 avid listeners in the Santa Rosa home of Helen Howard and Robert Yeats. Highlights of the performances, involving eight musicians in various perf...
Recital
SERKIN'S SINGULAR MOZART AND BACH PLAYING IN WEILL RECITAL
by Terry McNeill
Friday, November 09, 2018
Returning to Weill Hall following a fire-related recital cancellation in 2017, pianist Peter Serkin programmed just three works in his Nov. 7 concert, three masterworks that challenged both artist and audience alike. It needs to be said at the outset that Mr. Serkin takes a decidedly non-standard a...
Chamber
LUMINOUS FAURE TOPS LINCOLN TRIO'S SPRING LAKE VILLAGE CONCERT
by Terry McNeill
Wednesday, November 07, 2018
Familiarity in chamber music often evokes warm appreciation, and it was thus Nov. 7 when the Chicago-based Lincoln Piano Trio made one of their many Sonoma County appearances, this time on the Spring Lake Village Classical Music Series. Regularly presented by local impresario Robert Hayden, the Lin...
Symphony
PEACE AND LOVE FROM THE SANTA ROSA SYMPHONY
by Steve Osborn
Sunday, November 04, 2018
Before the Santa Rosa Symphony’s Nov. 4 performance of Leonard Bernstein’s “Symphonic Dances from West Side Story,” Symphony CEO Alan Silow took a moment to acknowledge the victims of the Pittsburgh synagogue attack and to observe that music offers a more peaceful and loving view of the world. Mr. ...
Chamber
ATOS TRIO IN MILL VALLEY CHAMBER CONCERT
by Abby Wasserman
Sunday, November 04, 2018
When the ATOS Piano Trio planned their all-Russian touring program at their Berlin home base, it had a strong elegiac, even tragic theme that surely resonated with their Mill Valley Chamber Music Society audience Nov. 4 in Mill Valley. Comprised of Annette von Hehn, violin; Thomas Hoppe, piano; and...
Chamber
ATOS TRIO IN OCCIDENTAL CHAMBER CONCERT
by Terry McNeill
Saturday, November 03, 2018
When the Berlin-based ATOS Piano Trio entered the cramped Occidental Performing Arts stage Nov. 3, the audience of 100 anticipated familiar works in the announced all-Russian program. What they got was a selection of rarely-plays trios, with a gamut of emotions. Then one-movement Rachmaninoff G Mi...
Symphony
MIGHTY SHOSTAKOVICH 10TH OPENS MARIN SYMPHONY SEASON
by Terry McNeill
Sunday, October 28, 2018
Just two works were on the opening program of the Marin Symphony’s 67th season Oct. 28, Tchaikovsky’s iconic D Major Violin Concerto, and Shostakovich’s Tenth Symphony. Before a full house in the Marin Center Auditorium conductor Alasdair Neale set a judicious opening tempo in the brief orchestra i...
Symphony
VIVALDI FOR ALL SEASONS IN WEILL BAROQUE CONCERT
by Sonia Morse Tubridy
Saturday, October 27, 2018
The Venice Baroque Orchestra, a dozen superb musicians that include strings, harpsichord and recorder, played an uplifting concert Oct. 27 of mostly Vivaldi sinfonias and concertos. The Weill Hall audience of 600 had rapt attention throughout, and the playing was of the highest musical level. This r...
Recital
LIN'S PIANISM AND PERSONA CHARM SCHROEDER HALL AUDIENCE
by Terry McNeill
Sunday, October 21, 2018
In somewhat of a surprise a sold out Schroeder Hall audience greeted pianist Steven Lin Oct. 21 in his local debut recital. Why a surprise? Because Mr. Lin was pretty much unknown in Northern California, and Schroeder is rarely, very rarely sold out for a single instrumentalist. But no matter, and...
Chamber
HEROIC TRUMPET AND ORGAN MUSIC AT INCARNATION
by Jerry Dibble
Friday, October 12, 2018
The strong connections between Santa Rosa’s musical community and California State University Chico were on display Oct. 12 as David Rothe, Professor Emeritus in the Chico Music Department, and Ayako Nakamura, trumpet with the North State Symphony, presented a concert titled “Heroic Music for Trumpe...
CHAMBER REVIEW
Trio Navarro and Friends / Sunday, October 04, 2015
Victor Romasevich, violin; Jill Rachuy Brindel, cello; Marilyn Thompson, piano

Trio Navarro in 2014

ARCANE ARENSKY TRIO HIGHLIGHTS NAVARRO'S SEASON OPENING CONCERT IN SCHROEDER

by Terry McNeill
Sunday, October 04, 2015

One would have thought that the glitz surrounding Lang Lang’s 101 Pianists Foundation program Oct. 4 in Weill would have upstaged chamber music at the same time in nearby Schroeder Hall. Not to worry, as the Trio Navarro continues to perform sometimes-neglected gems from the trio literature with a level of artistry that the Chinese superstar might grandly applaud.

In Rimsky-Korsakov’s My Musical Life he writes in 1905 that the works and life of his pupil Anton Arensky “…will soon be forgotten.” And that has mostly been so, with the exception of piano bagatelles, some suites, two string quartets and the first Trio in D Minor. The Navarro programmed the rarely heard second Trio in F Minor, Op. 73, for the second half of the concert, and scored a minor triumph with it before an audience of 125.

The Trio choose quick tempos and clipped phrases in the opening movement, eschewing extended ritards and the voice leading one hears in recordings of Arensky by Russian musicians. It’s Tchaikovsky influenced a bit by Schumann. A surprisingly movement ending accelerandowas played swiftly and vigorously. In the lyrical second movement pianist Marilyn Thompson played the opening expressive theme and throughout the music from 1905 is achingly rich, but even here in opulent thematic voices traded between violinist Victor Romasevich and cellist Jill Rachuy Brindel one hoped for a little more loosening of tempo. Mr. Romasevich held one high note at the end of an ascending phrase with just the right character of suspense and bright tone.

A Scherzo comprises a wonderful trio in a waltz form, and the concluding “Tema con Variazioni” with a big cello part portraying music that is less exalted than the preceding movements. It’s episodic until the return of the first-movement’s dark theme, and the Navarro played it with conviction. Brahms’ last movements are always imposing; Arensky’s are less so.

Before intermission the Navarro played trios by Haydn (B Flat Major, Hob XV:20) and the venerable Dvorak E Minor (“Dumky”). Haydn wrote more than 40 piano trios, and in most the cello supports the violin’s stating principal themes. It was this way in the first two movements with Mr. Romasevich’s light vibrato and a simple and long introductory line from Ms. Thompson in the Andante Cantabile. At times this Trio sounded like an accompanied piano solo, brisk and and pungent.

Dvorak’s famous Dumky has often been played by the Navarro, but with violinist Roy Malan. It’s a masterful work of vitality and infectious Czech rhythmic power in six alternating dumka of festive gaiety and yearning, though alike in character. The Navarro performed the demanding rhythm patterns with seasoned artistry. A highlight was the lovely recitative in the Poco Adagio sounding with Ms. Brindel’s plaintive cello melody, and the Cantilena in the piano part. In the fourth dumka again the cello carried a melancholy theme over the bass lines of piano and violin, and this created a sense of warm calm.

The final dumka (Lento) had the Navarro playing up the disparity of a grave pathetic theme with a wild quick section, and Ms. Brindel as earlier had prominence with her assured cello technique.

The repertoire selection and performance gave me no reason to change a decade-long view that the Navarro is the best resident piano trio in Northern California.