Home  Reviews  Articles  Calendar  Presenters  Add Event     
Symphony
SO CO PHIL BON VOYAGE CONCERT AN ODYSSEY OF CONTRASTING SOUND
by Terry McNeill
Friday, June 15, 2018
In a splashy bon voyage concert June 15 the Sonoma County Philharmonic Orchestra launched its June 17-25 Costa Rica tour, performing gratis in Santa Rosa’s Jackson Theater the repertoire for tour concerts in San José, Costa Rica’s capital, and in surrounding towns. Conductor Norman Gamboa pr...
Chamber
COMMANDING CHOPIN AND DEBUSSY IN SLV RECITAL
by Terry McNeill
Wednesday, June 06, 2018
Concerts at the classy Spring Lake Village Retirement Home in Santa Rosa have admission limited to residents and a few guests, but the chance to hear a first cabin North Bay pianist June 6 brought a Classical Sonoma reviewer into the audience of 100. The crowd numbers were unusually low due to a ba...
Recital
MUSICAL ALCHEMY INSIDE A HIDDEN GEM
by Kayleen Asbo
Friday, May 25, 2018
The Petaluma Historical Library and Museum is a hidden gem of Sonoma County, a gracious building that is one of Sonoma County’s loveliest venues for chamber music concerts, with a fine period piano particularly suited to Romantic music.  Of the surprisingly large array of festivities there, one of t...
Chamber
FINAL VOM MUSICIANS CONCERT IN SCHROEDER A SCHUBERT DELIGHT
by Terry McNeill
Saturday, May 12, 2018
It's rare to have the opportunity to compare in a short period two performances of the same major Schubert work, in this case the great B Flat Piano Trio, D. 898. The chance came May 12 when the Valley of the Moon Festival musicians played it in Schroeder, just over a month since the Hall’s residen...
Symphony
FERRANDIS BIDS ADIEU WITH MAHLER’S FINAL SYMPHONY
by Steve Osborn
Sunday, May 06, 2018
Sonoma State students in graduation robes posed for pictures and hugged each other at the university’s stone gates on Sunday afternoon, mirroring the prolonged farewells within the university’s Green Music Center, where Bruno Ferrandis bid adieu to the Santa Rosa Symphony after a dozen years at the ...
Symphony
SONIC SPLENDOR AT MARIN SYMPHONY SEASON FINALE
by Abby Wasserman
Tuesday, May 01, 2018
The Marin Symphony Orchestra ended the current season with a flourish, interpreting big and small works by Richard Strauss and Stravinsky. Strauss and Stravinsky were contemporaries for 40 years, but inhabited different worlds. Both composers were affected by cataclysmic changes and war, and musical...
Symphony
ORGAN SYMPHONY IN SSU ORCHESTRA CONCERT IN WEILL
by Terry McNeill
Sunday, April 29, 2018
Though Classical Sonoma seldom reviews student concerts, as ample North Coast concerts keep the staff of 11 reviewers busy. But the chance to hear the Sonoma State University Orchestra tackle St. Saëns’ majestic Organ Symphony April 29 was a rare opportunity and not easily to be missed. Avec l’...
Recital
HEAVENLY SCHUBERT AND DEMONIC CHOPIN
by Terry McNeill
Saturday, April 21, 2018
One of the anomalies in the long ago “Golden Era” of romantic pianism (about 1905 to 1940) is that the virtuoso giants of the time didn’t play Schubert. It took the German pianist Artur Schnabel to bring the beauties of Schuber’s work to the public’s attention, and now they seem to be on almost ever...
Symphony
SPLENDID JUPITER AND ZOOMING CONCERTO AT VALLEJO SYMPHONY SEASON FINALE
by Terry McNeill
Sunday, April 15, 2018
Over the past two years the Vallejo Symphony has made big changes, moving from a stark middle school auditorium to the snazzy remodeled 1911-era downtown Empress Theater, and engaging Marc Taddei as its seventh conductor. April 15 was the season’s final concert of the 86th season. In a programmin...
Chamber
VIRTUOSO CELLO AND GUITAR TRANSCRIPTIONS AT RAC SEBASTOPOL CONCERT
by Terry McNeill
Saturday, April 14, 2018
Listeners and yes even music critics usually prepare for a concert with research, checking recorded performances, looking at artist biographies and even reviewing sheet music. This was a difficult task for the April 14 Redwood Arts Council concert in Sebastopol’s Community Church, as the performers...
SYMPHONY REVIEW
Sonoma County Philharmonic / Saturday, November 14, 2015
Norman Gamboa, conductor

So Co Philharmonic Conductor Norman Gamboa

LA ROCCA'S "CROSSING" A MINIMALIST DEBUT

by Terry McNeill
Saturday, November 14, 2015

Conductor Norman Gamboa is known for innovative programming, especially with Latin-theme music, but in the Nov. 14 concert at Santa Rosa High School’s Performing Arts Hall he chose three familiar works by American composers But true to form a new piece from local composer Frank LaRocca was also in the mix.

Barber’s The School for Scandal: Overture, the composer’s first popular work, received slow tempos but had additional clarity of instrumental voices that Mr. Gamboa coaxed from the Orchestra in under 10 minutes. Scruffy string playing was offset by wonderful wind voices from Nick Xenelis (clarinet), Chris Krive’s oboe and flutist Debra Scheuerman. Barber’s 1933 neo Romanticism was well served in the performance.

Four Dance Episodes from Copland’s music for the ballet Rodeo followed, each unique in texture and excitement. In his 115th birthday role Copland’s pre-1950 works now sound more readily Americana than Gershwin or Bernstein, and the bookends “Buckaroo Holiday” and “Hoe-Down” were played with flair and just the right amount of western “swing.” The conductor controlled the fast rhythmic sections with anchored tempos, and in the “Hoe-Down” the prominent piano part (Brien Wilson) alternated with lovely deep phrases in the cellos.

There was fetching harp playing in the bucolic “Corral Nocturne” and beguiling solos from English hornist Anthony Perry.

Following intermission and the always popular wine raffle Mr. La Rocca’s 1994 orchestral suite Crossing the Rubicon was expertly played, and in a surprising blend of minimalist forms. I don’t recall a large minimalist work being played in Sonoma County, save for long ago performances of Adams’ Short Ride in a Fast Machine and possibly Reich’s Music for 18 Musicians.

First came from a lonely piccolo theme (Emily Reynolds) over short crescendos, repeated unendingly, and more intricate oboe, harp and piano solos. The long and often lyrical melodic lines and pensive character of Crossing were carefully shaped by Mr. Gamboa, spiced by marimba and robust percussion playing. Mr. LaRocca’s Crossing is an effective composition, tightly crafted but unabashedly poetic. Audience members wanting music of minimalist dissonance needed to look elsewhere.

The composer was in the audience and was recognized by the conductor and a now standing Orchestra.

This reviewer was unable to listen to the evening’s final piece, Gershwin’s Symphonic Suite from the 1937 Opera Porgy and Bess.