Home  Reviews  Articles  Calendar  Presenters  Add Event     
Chamber
EXTRAVAGANT FUSION OF STYLES AT CHRIS BOTTI BAND WEILL HALL CONCERT
by Jerry Dibble
Sunday, August 12, 2018
Trumpeter Chris Botti still performs in jazz venues including SF Jazz and The Blue Note, but now appears mostly in cavernous halls or on outdoor stages like the Sonoma State University’s Green Music Center. He brought his unique road show to the packed Weill Hall August 12 in a concert of effusive e...
Chamber
SCHUBERT "MIT SCHLAG" AT VOM FESTIVAL MORNING CONCERT
by Abby Wasserman
Sunday, July 29, 2018
The spirit of 19th century Vienna was present July 29 on the final day of the Valley of the Moon Music Festival. The Festival in the second half of July glittered with innovative programming and the new, old sound of original instruments played by musicians who love music with historic instruments. ...
Chamber
PASSIONATE BRAHMS-SCHOENBERG MUSIC CLOSES VOM FESTIVAL SUMMER
by Abby Wasserman
Sunday, July 29, 2018
An extraordinary program of chamber music by Brahms and Schoenberg attracted a capacity crowd to the Valley of the Moon Music Festival’s final concert July 29th in Sonoma’s Hanna Center. It opened with a richly expressive reading by Festival Laureate violinist Rachell Wong and pianist Jeffrey LaDeur...
Chamber
PRAGUE AND VIENNA PALACE GEMS HIGHLIGHT VOM FESTIVAL CONCERT
by Sonia Morse Tubridy
Saturday, July 28, 2018
The remarkable Valley of the Moon Chamber Music Festival presented a concert called “Kinsky Palace” July 28 on their final Festival weekend in Sonoma’s Hanna Center. Two well-known treasures and one lesser gem were programmed. Starting the afternoon offerings were violinist Monica Huggett and Fest...
Chamber
INNOVATIVE CHAMBER WORKS IN HANNA CENTER CONCERT
by Sonia Morse Tubridy
Sunday, July 22, 2018
The Valley of the Moon Music Festival presented a July 22 concert featuring three giants: Haydn, Schubert and Schumann, composers who altered music of their time with creative innovations and artistic vision. In the fourth season the Festival’s theme this year is “Vienna in Transition”, and VOM Fes...
Chamber
VIENNA INSPIRATION FOR VOM FESTIVAL PROGRAM AT HANNA CENTER
by Nicki Bell
Saturday, July 21, 2018
A music-loving audience filled Sonoma’s Hanna Center Auditorium July 21 to begin a record weekend of three concerts, produced by the Valley of the Moon Music Festival. The Festival’s theme this summer is “Venice in Transition – From the Enlightenment to the Dawn of Modernism” Prior to Saturday’s m...
Chamber
VANHAL QUARTET AT VOM FESTIVAL DISCOVERY AT HANNA CENTER
by Abby Wasserman
Sunday, July 15, 2018
A near-capacity crowd of 220 filled the Sonoma Hanna Boys Center Auditorium July 15 for the opening concert of the fourth Valley of the Moon Music Festival. This Festival presents gems of the Classical and early Romantic periods performed on instruments of the composer’s era, which presents a few ch...
Opera
SPARKLING CIMAROSA OPERA HIGHLIGHTS MENDOCINO MUSIC FESTIVAL
by Kathryn Stewart
Friday, July 13, 2018
The Classical music era was a time of extraordinary innovation. Dominated by composers from the German-speaking countries, the period witnessed the handiwork of masterpieces by two classical giants, Haydn and Mozart. Both composers put forth a tremendous catalog of masterful works and perhaps to our...
Symphony
!PURA VIDA! A SONIC TRIUMPH FOR SO CO PHIL IN THRILLING COSTA RICA TOUR CONCERT
by Terry McNeill
Tuesday, June 19, 2018
Long anticipated events, such as a great sporting game, gourmet feast, holiday trip or a concert, occasionally fall way short of expectations. The results don’t measure to expectations. With the Sonoma County Philharmonic’s Costa Rica concert June 19, the performance exceeded any heated or tenuou...
Symphony
SO CO PHIL BON VOYAGE CONCERT AN ODYSSEY OF CONTRASTING SOUND
by Terry McNeill
Friday, June 15, 2018
In a splashy bon voyage concert June 15 the Sonoma County Philharmonic Orchestra launched its June 17-25 Costa Rica tour, performing gratis in Santa Rosa’s Jackson Theater the repertoire for tour concerts in San José, Costa Rica’s capital, and in surrounding towns. Conductor Norman Gamboa pr...
SYMPHONY REVIEW
Mastercard Performance Series / Sunday, November 29, 2015
Orpheus Chamber Orchestra

Violinist Augustin Hadelich

FESTIVE ENCHANTMENT FROM THE ORPHEUS CHAMBER ORCHESTRA

by Sonia Morse Tubridy
Sunday, November 29, 2015

The Orpheus Chamber Orchestra Nov. 29 presented a program of variety and imagination to an enthusiastic audience in Weill Hall. Aptly named for Orpheo, the musician and prophet of Greek myth, the orchestra, with violinist Augustin Hadelich as soloist, could indeed "enchant all living things and even stones.” Founded in 1972 this chamber orchestra has no conductor. Members share all decisions and responsibilities, rotating seating to give leadership opportunities to all.

Handel's Concerto Grosso, Op. 5, No. 5, introduced music that had rich full sound and piquant phrase shaping. The Overture featured buoyant dotted rhythms, contrasts of solos and orchestra and playing that always had direction and clarity of purpose. The Allegro fugal movement and the lighthearted Presto were followed by an elegant Largo and then two joyful fast movements with variations.

Stravinsky composed the ballet Le Baiser de la Fee (The Fairy's Kiss), partly as an homage to Tchaikovsky, whom he idolized. Mr. Hadelich (playing a Stradivari) spoke to the audience about his love for this piece as it exists for violin and piano. The version heard here for violin and orchestra was commissioned by OCO from Dmitry Sitkovetsky and was full of fantastic playful ideas, syncopated folk rhythms, drone sounds on the violin and crazy waltzes. Always colorful and engaging, it was a romp through landscapes of sound and rhythms, woodwinds providing contrast to the strings and romantic violin passages interspersed with technical fireworks for the violinist. In this piece, lovely cello solos and harp accompaniments added to the pleasure.

Following intermission Mr. Hadelich returned with the orchestra to play Tchaikovsky's Waltz-Scherzo. This young Italian/German artist is one of the world's outstanding violinists. His technical mastery and impeccable bow control had violinists in the audience of 500 nodding their heads in amazement as he played. The blend of soloist and orchestra was balanced at all times, and the performance was vibrant and crisp, overflowing with excitement while contained in the elegance of a waltz. The end of this piece had the audience members on their feet applauding what was clearly an experience of greatness.

Schubert's B-flat Symphony (No. 5, D. 485) was the delightful final piece in this program. Musicians moved around again in their seat positions for new configurations of performing. This symphony was pure joy with the chamber music flexibility of OCO’s playing. Its power is in elegance and the youthful fervor and optimism of the music. The spirits of Haydn and Mozart are present throughout and the dark passages rise and lift us into light. Each movement was enchanting: the Allegro with its charm and fervor, the Andante with a remarkable blending of strings and winds and the Minuetto with bold unisons contrasting with light dance figures. The final Allegro Vivace unfolded with excitement and dramatic flurries alternating with calm and order.

Sustained applause brought the orchestra back for an encore, Respighi's The Birds. Full of humor and surprising sounds, the performance offered dozens of different chirps, trills, caws, warbles, squeaks, quacks, hoots and more. It was wonderfully humorous and conveyed well the spell of Orpheus.