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Chamber
THREE SONG CYCLES HIGHLIGHT VIBRANT SLV RECITAL
by Pamela Hicks-Gailey
Wednesday, May 08, 2019
An ambitious recital of vocal and piano music was presented May 8 at Santa Rosa’s Spring Lake Village by mezzo-soprano Kindra Scharich and pianist Jeffrey LaDeur. The duo engaged the enthusiastic audience with scholarly friendliness and artistry in performances of Beethoven's short cycle of six song...
Symphony
ALEXANDER TORADZE DELIVERS A LESSON IN SERENITY
by Steve Osborn
Sunday, May 05, 2019
An entire concerto movement consisting of serene piano melodies over a soothing backdrop is probably not the first thing that springs to mind when seeing Shostakovich’s name on an orchestra program, but that’s exactly what pianist Alexander Toradze delivered--twice--at Sunday’s Santa Rosa Symphony c...
Symphony
MARIN SYMPHONY SEASON CLOSES WITH AUTUMNAL ELGAR AND THEATRICAL BEETHOVEN
by Abby Wasserman
Sunday, April 28, 2019
Mozart’s enchanting Overture to his opera The Magic Flute, a miniature tapestry of gems from the 1791 work, opened the Marin Symphony’s final concert of the 2018-2019 season. Under conductor Alasdair Neale, the playing of the sprightly seven-minute piece by a reduced-size classical ensemble sparkled...
Recital
SHAHAM-EGUCHI DUO'S EXCITING MUSICAL GENEROSITY IN WEILL
by Abby Wasserman
Friday, April 26, 2019
Violinist Gil Shaham may be the most modest virtuoso on the concert stage today, and it is the great music he most wishes to put forward, never himself. Generosity, a quality he is known for, was abundantly clear in Weill Hall April 26 when he performed, with pianist Akira Eguchi, a generous program...
Recital
GLITTERING PIANISM IN LI'S OAKMONT RECITAL
by Terry McNeill
Thursday, April 11, 2019
Piano prodigies have always been a fascination for the music public, and the greatest of them (some were Mozart, Mendelssohn, Liszt, Saint Saëns, Hofmann) went on to legendary fame. George Li, who made is local debut at a Music at Oakmont recital April 11, was a remarkable recent keyboard prodigy t...
Symphony
SO CO PHIL'S SEASON CLOSER WITH EXPANSIVE PROKOFIEV 5TH IN JACKSON
by Terry McNeill
Sunday, April 07, 2019
Closing their 20th season with their usual programming aplomb, the Sonoma County Philharmonic played a provocative set of concerts April 6 and 7 in the Jackson Theater, the Orchestra’s new home at the Sonoma Country Day School by the Sonoma County Airport. Local composer Nolan Gasser’s Sonoma Overt...
Choral and Vocal
SISTINE CHAPEL INSPIRATION FOR THE TALLIS SCHOLARS IN WEILL HALL
by Sonia Morse Tubridy
Friday, April 05, 2019
Returning to Weill Hall April 5 after a seven year absence, the ten singers of the Tallis Scholars brought the sacred choral tradition of Palestrina and his contemporaries to an audience of delighted music lovers. Under the direction of Peter Phillips, the 1973 founder of the group, the program was...
Symphony
AUTUMNAL SIBELIUS 7TH HIGHLIGHTS VSO'S SEASON CLOSING CONCERT
by Terry McNeill
Sunday, March 31, 2019
Closing their 87th Season March 30 and 31 the Vallejo Symphony has moved from a single weekend concert to a set of two, and the late March response was two full houses in the charming downtown Vallejo Empress Theater. Conductor Marc Taddei opened the Sunday program with a rousing performance of B...
Recital
SHARED INSTRUMENTAL BEAUTY IN VIEAUX-MEYERS WEILL HALL CONCERT
by Abby Wasserman
Saturday, March 30, 2019
Exciting timbral sound and intricate counterpoint, made possible when two artists with complementary instruments play together, were richly explored by violinist Anne Akiko Meyers and guitarist Jason Vieaux March 30 in Weill Hall. Whether in close harmony, or unison, or weaving separate melodies to...
Chamber
RARE MAHLER QUARTET AT MILL VALLEY CHAMBER CONCERT
by Abby Wasserman
Sunday, March 24, 2019
Piano quartets are relatively rare in the classical literature, and there are only about 40 compositions for the combination of piano, violin, viola and cello, mostly from the Romantic period of the mid to late 1800s. It therefore was special March 24 to hear three great works of this medium, perfor...
CHAMBER REVIEW
Mastercard Performance Series / Saturday, January 16, 2016
Kahane-Swenson-Brey Trio. Jeffrey Kahane, piano; Joseph Swenson, violin; Carter Brey, cello

Kahane/Swenson/Brey Trio

SCINTILLATING SCHUBERT IN WEILL

by Terry McNeill
Saturday, January 16, 2016

Audience members in Weill Jan. 16 that expecting a balanced, albeit conservative chamber music evening received a slight surprise with a scintillating Schubert Trio that upstaged two otherwise splendid works.

Schubert a surprise? In the hands of violinist Joseph Swenson, cellist Carter Brey and ensemble leader Jeffrey Kahane the E-Flat Trio (Op. 100) in 39 minutes never seemed long, though all repeats were honored. Musicians refer to the composer’s “heavenly length” and this performance underscored the work’s inspired thematic development. In the first two movements there was a joyous spread of chords, the melodies and modulations unfolding naturally at a brisk tempo. Mr. Brey’s wide vibrato in the stately C Minor march theme opened the Andante, the inward agitation set against the rapid trills in the piano and Mr. Swenson’s deft bowing. The last reentry of the theme was lovely and disappeared almost mysteriously.

Elegant and jaunty dance-like music was well captured in the final two movements, the pianist impressive in the speed of repeated notes and a faint feeling of gypsy rhythms. Mr. Brey repeated with careful emphasis the Andante’s march, showcasing how the composer can so quickly turn from happy lyricism to somber propriety.

This striking and masterly reading generated a standing ovation from the audience of 500, but not the “anticipated” encore of a movement of Paul Schoenfeld’s Café Music.

Schumann’s first Trio and Mozart’s E Major Trio (K. 542) comprised the concert’s first half, with both receiving virtuoso performance. In the Mozart, as with the Schubert, the working out of primary and secondary themes and counterpoint was perfection, and the powerful role of the piano always at the fore. Nothing lags when Mr. Kahane is sailing along with Presto half-pedaled runs, but this music can handle such speed and the ensemble never faltered. The broad Cantilena of the Andante showcased luscious violin and cello interplay.

In the final Rondo a “concerto” approach was taken, broad and festive. Mr. Swenson’s thematic projection and intonation was impressive.

Schumann wrote his D Minor Trio, the first of three, in 1847, and has a feverish energy with a hint of menace and gloom. Mr. Brey had the initial leading role here with graceful abbreviated upward runs, but overall the movement, even with the tumult, seemed extended. However the vivacious Scherzo (“Lebhaft”) seemed short, even with numerous repeats of the main phrase reminiscent of constant repeats in the composer’s E Flat Quartet (Op. 44). Even the most exquisite theme can become banal with manifold repetitions.

In the concluding “Mit Feuer” movement Mr. Kahane’s boisterous pianist had several telling inner voices but handed voice leading to the violin and cello. The driving Accelerando near the end brought an exciting conclusion to what must be Schumann’s best trio, and the performers oddly appeared both exhausted and energetic when taking bows.

Nicki Bell contributed to this review