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Recital
MTA BENEFIT CONCERT FEATURES FAURE, DVORAK, JANACEK AND BARBER WORKS
by Terry McNeill
Sunday, November 11, 2018
In a splendid concert Nov. 11 the Music Teachers Association of California, Sonoma County Chapter, presented their sixth annual benefit concert before 40 avid listeners in the Santa Rosa home of Helen Howard and Robert Yeats. Highlights of the performances, involving eight musicians in various perf...
Recital
SERKIN'S SINGULAR MOZART AND BACH PLAYING IN WEILL RECITAL
by Terry McNeill
Friday, November 09, 2018
Returning to Weill Hall following a fire-related recital cancellation in 2017, pianist Peter Serkin programmed just three works in his Nov. 7 concert, three masterworks that challenged both artist and audience alike. It needs to be said at the outset that Mr. Serkin takes a decidedly non-standard a...
Chamber
LUMINOUS FAURE TOPS LINCOLN TRIO'S SPRING LAKE VILLAGE CONCERT
by Terry McNeill
Wednesday, November 07, 2018
Familiarity in chamber music often evokes warm appreciation, and it was thus Nov. 7 when the Chicago-based Lincoln Piano Trio made one of their many Sonoma County appearances, this time on the Spring Lake Village Classical Music Series. Regularly presented by local impresario Robert Hayden, the Lin...
Symphony
PEACE AND LOVE FROM THE SANTA ROSA SYMPHONY
by Steve Osborn
Sunday, November 04, 2018
Before the Santa Rosa Symphony’s Nov. 4 performance of Leonard Bernstein’s “Symphonic Dances from West Side Story,” Symphony CEO Alan Silow took a moment to acknowledge the victims of the Pittsburgh synagogue attack and to observe that music offers a more peaceful and loving view of the world. Mr. ...
Chamber
ATOS TRIO IN MILL VALLEY CHAMBER CONCERT
by Abby Wasserman
Sunday, November 04, 2018
When the ATOS Piano Trio planned their all-Russian touring program at their Berlin home base, it had a strong elegiac, even tragic theme that surely resonated with their Mill Valley Chamber Music Society audience Nov. 4 in Mill Valley. Comprised of Annette von Hehn, violin; Thomas Hoppe, piano; and...
Chamber
ATOS TRIO IN OCCIDENTAL CHAMBER CONCERT
by Terry McNeill
Saturday, November 03, 2018
When the Berlin-based ATOS Piano Trio entered the cramped Occidental Performing Arts stage Nov. 3, the audience of 100 anticipated familiar works in the announced all-Russian program. What they got was a selection of rarely-plays trios, with a gamut of emotions. Then one-movement Rachmaninoff G Mi...
Symphony
MIGHTY SHOSTAKOVICH 10TH OPENS MARIN SYMPHONY SEASON
by Terry McNeill
Sunday, October 28, 2018
Just two works were on the opening program of the Marin Symphony’s 67th season Oct. 28, Tchaikovsky’s iconic D Major Violin Concerto, and Shostakovich’s Tenth Symphony. Before a full house in the Marin Center Auditorium conductor Alasdair Neale set a judicious opening tempo in the brief orchestra i...
Symphony
VIVALDI FOR ALL SEASONS IN WEILL BAROQUE CONCERT
by Sonia Morse Tubridy
Saturday, October 27, 2018
The Venice Baroque Orchestra, a dozen superb musicians that include strings, harpsichord and recorder, played an uplifting concert Oct. 27 of mostly Vivaldi sinfonias and concertos. The Weill Hall audience of 600 had rapt attention throughout, and the playing was of the highest musical level. This r...
Recital
LIN'S PIANISM AND PERSONA CHARM SCHROEDER HALL AUDIENCE
by Terry McNeill
Sunday, October 21, 2018
In somewhat of a surprise a sold out Schroeder Hall audience greeted pianist Steven Lin Oct. 21 in his local debut recital. Why a surprise? Because Mr. Lin was pretty much unknown in Northern California, and Schroeder is rarely, very rarely sold out for a single instrumentalist. But no matter, and...
Chamber
HEROIC TRUMPET AND ORGAN MUSIC AT INCARNATION
by Jerry Dibble
Friday, October 12, 2018
The strong connections between Santa Rosa’s musical community and California State University Chico were on display Oct. 12 as David Rothe, Professor Emeritus in the Chico Music Department, and Ayako Nakamura, trumpet with the North State Symphony, presented a concert titled “Heroic Music for Trumpe...
CHAMBER REVIEW
Oakmont Concert Series / Thursday, December 11, 2008
Axel Strauss and Friends

CELLISTS SHINE IN OAKMONT SEASON FINALE

by
Monday, December 15, 2008

Violinist Axel Strauss brought four of his favorite chamber musician friends Dec. 11 to Oakmont’s Berger Auditorium in for the final concert of the 18th season. The program opened with Anton Arensky’s Quartet No. 2 in A Minor, Op. 35, No. 2, for violin, viola and two cellos, and concluded with Franz Schubert‘s famous String Quintet in C Major, D. 956, for two violins, viola and two cellos. His colleagues for this concert were violinist Leonie Bot, violist Ben Simon and husband-and-wife cellists Jean-Michel and Dana Putnam Fonteneau.

The Bay Area is rich in fine string players and German-born Strauss is at or near the top of his profession. His violin playing is technically secure, musically nuanced, electric when called for, and he produces a gorgeous sound that always plays to the character and direction of the music. Results can be mixed in concerts based on the “And Friends” format, as unlike pre-formed chamber ensembles that play together on a regular basis, when “friends” get together there is usually less rehearsal time and therefore a greater possibility of a less-than-polished performance. Conversely, the air can be charged with spontaneity and electricity, given the newness of the ensemble. Happily at this concert the latter mostly occurred

Both in style and temperament the Russian Anton Arensky shows considerable affinity to Tchaikovsky. He lived and flourished in Moscow in the last half of the 19th century, and his output was modest. This string quartet, one of two he penned, rarely gets a hearing because its instrumentation does not match that of the traditional quartet of two violins, viola and cello. The dark character of the piece is enhanced by the predominance of lower strings. It is an uneven work, and most who hear it would agree that its middle movement, “Variations on a Theme of Tchaikovsky”, is where its strength lies. Here Arensky masters the theme and variations form, and it seems perfectly constructed, with calibrated use of many of the string instrument’s colorful capabilities: pizzicato, mute, ponticello. While the ensemble was not perfect, the players gave this movement a prismatic and heartfelt reading, and Dana Fonteneau distinguished herself in the elegant principal cello part.

After intermission, the musicians brought their old friend Franz Schubert to the stage, and played his hour-long Quintet about as well as I’ve ever heard it. If this concert was a treat for fans of the cello, the Schubert Quintet adroitly contributed as it contains one of the most beautiful cello duets in the chamber literature. The luscious first-movement theme returns often, to sublime effect. The cellists Fonteneau gave it a tender reading, their sounds beautifully matched. Strauss is a superb leader, and his virtuosity drove this monumental Quintet right through to the last note, prompting an immediate standing ovation from the audience of 200.