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Chamber
HEROIC TRUMPET AND ORGAN MUSIC AT INCARNATION
by Jerry Dibble
Friday, October 12, 2018
The strong connections between Santa Rosa’s musical community and California State University Chico were on display Oct. 12 as David Rothe, Professor Emeritus in the Chico Music Department, and Ayako Nakamura, trumpet with the North State Symphony, presented a concert titled “Heroic Music for Trumpe...
Symphony
LECCE-CHONG PROVES HIS METTLE WITH SANTA ROSA SYMPHONY
by Steve Osborn
Sunday, October 07, 2018
Francesco Lecce-Chong was handed two warhorses for his debut as conductor of the Santa Rosa Symphony, and he rode them both to thrilling victory. For the first win, Brahms’ violin concerto, he owed much to soloist Arnaud Sussman, but for the other triumph, Beethoven’s fifth symphony, he and his musi...
Chamber
THORNY BARTOK AND ELEGANT MENDELSSOHN FOR THE BRENTANO
by Sonia Morse Tubridy
Sunday, September 30, 2018
In a minor masterpiece of programming choices the Brentano String Quartet played a Sept. 30 Weill Hall program with an emphasis on refinement, even with a challenging Bartok work in the mix. Dvorák’s Miniatures for Two Violins and Viola (Op. 75a) opened the concert with charm and gentle loveliness,...
Chamber
ECHO'S RICH MUSICAL TAPESTRY IN MARIN
by Abby Wasserman
Sunday, September 30, 2018
Marin’s Echo Chamber Orchestra unfurled a glorious tapestry of Mozart, Weber and Respighi music Sept. 30 in San Anselmo’s First Presbyterian Church. The church, located on the grounds of San Francisco Theological Seminary, boasts a ceiling high enough for angels to fly, and its quiet setting and aco...
Recital
IDIOMATIC SCHUMANN AND BEETHOVEN HIGHTLIGHT WALKER'S CONCERTS GRAND RECITAL
by Terry McNeill
Sunday, September 23, 2018
Mostly known as a concert producer and indefatigable promoter of Sonoma County music, pianist Judy Walker stepped into the soloist’s role Sept. 23 in a sold out recital for the Concerts Grand House recitals series. Two Scarlatti Sonatas, in D Minor (K. 213) and D Major (K. 29), began the hour-long ...
Symphony
SAKAKEENY'S LION AND ROSE HIGHLIGHTS SO CO PHIL'S 20TH SEASON OPENER
by Terry McNeill
Saturday, September 22, 2018
Fresh from a triumphant tour in Latin America the Sonoma County Philharmonic opened its 20th season Sept. 22 in a celebratory concert in the Santa Rosa High School Auditorium. Keeping to the evening’s orchestra history and past performance, conductor emeritus Gabriel Sakakeeny, who led the So Co Ph...
Recital
DEDIK'S POTENT BEETHOVEN AND CHOPIN AT SPRING LAKE VILLAGE RECITAL
by Terry McNeill
Monday, September 17, 2018
Anastasia Dedik returned Sept. 17 to the Spring Lake Village Classical Music Series in a recital that featured three familiar virtuoso works in potent interpretations. Chopin’s G Minor Ballade hasn’t been heard in Sonoma County public concerts since a long-ago Earl Wild performance, and Beethoven’s...
Recital
DUO WEST OPENS OCCIDENTAL CONCERT SEASON
by Terry McNeill
Sunday, September 09, 2018
Before a full house at the Occidental Performing Arts Center Sept. 9 the cello-piano Duo West, playing from score throughout, presented a recital that on paper looked stimulating and thoughtful. Beginning with MacDowell’s To A Wild Rose (from Woodland Sketches, Op. 51), the transcription by an unan...
Chamber
CELLO-PIANO DUO IN HUSKY SPRING LAKE VILLAGE PROGRAM
by Terry McNeill
Wednesday, September 05, 2018
Two thirds of the way through a stimulating 22-concert season the Spring Lake Village Classical Music Series Sept. 5 presented two splendid cello sonatas before 110 people in the Village’s Montgomery auditorium. A duo for more than a decade, East Bay musicians cellist Monica Scott and pianist Hadle...
Chamber
EXTRAVAGANT FUSION OF STYLES AT CHRIS BOTTI BAND WEILL HALL CONCERT
by Jerry Dibble
Sunday, August 12, 2018
Trumpeter Chris Botti still performs in jazz venues including SF Jazz and The Blue Note, but now appears mostly in cavernous halls or on outdoor stages like the Sonoma State University’s Green Music Center. He brought his unique road show to the packed Weill Hall August 12 in a concert of effusive e...
SYMPHONY REVIEW
Sonoma County Philharmonic / Sunday, January 24, 2016
Norman Gamboa, conductor. Bruce Chrisp, trombone

Trombonist Bruce Chrisp

SOLO AND ENSEMBLE BRASS PEAL POWERFULLY IN SO CO PHIL CONCERT

by Terry McNeill
Sunday, January 24, 2016

Known for its novel programming, the Sonoma County Philharmonic has frequently engaged local soloists, with flutist Kathleen Reynolds and pianists Lauren Xie and Marilyn Thompson coming quickly to mind. In their Jan. 23 concert, featuring German composers, conductor Norman Gamboa united a rare mid 19th mini concerto for trombone with another Sonoma County soloist, Bruce Chrisp.

Playing the Ferdinand David Op. 4 Concertino, Mr. Chrisp gave the 1841 piece a convincing performance without score before 250 in the Santa Rosa High School’s Performing Arts Center. His control of the seemingly unwieldy instrument was surefooted, even when the notes jumped from the low register to repeated and drawn-out high pitches. Thematic statements were boldly projected and the pesky trills confidently attacked.

There was no break between the Allegro and the melodramatic Andante and Mr. Chrisp was impressive in swelling volume in the low register and the beautiful long-held note at the end of the movement.
Most of the audience held their breath until the note stopped.

Music in the concluding Allegro was a little operatic in places, tuneful with a predictable cadenza and a heroically played ending from the soloist. Respond to loud bravos, Mr. Chrisp accepted a bouquet and impishly stick it into the horn of his ineffable instrument.

Brahms’ E Minor Symphony (Op. 98) closed the concert, a conservative format work composed at the time of Wagner’s symphonic radicalism and Mahler’s first Symphony. It may be “old fashioned” in style but its beauty and craftsmanship are beyond reproach. Horns are critical in the opening Allegro and Mr. Gamboa gave the SoCoPhil’s horn quartet, led by Eric Anderson and Bruce Blaikie, full rein. The lovely opening themes were played invitingly and in a dialogue between the first and second violins. Woodwinds (clarinetists Nick Xenelis and Cathy Brooks) and pizzicato strings played a vigorous variant of the first theme under Mr. Gamboa’s restrained direction.

This trenchantly grim movement came to a close with timpanist Walt Bodley’s powerful strokes, and the slow movement began with idyllic music from the horns, and later from flutists Emily Reynolds and Debra Scheuerman. The cutoffs were good and the conductor’s control developed the majesty of the writing.

In the third movement Ms. Reynolds’ piccolo and Mary Gillespie-Greenberg’s ringing triangle made the ever-changing harmonies in a rambunctious Scherzo sound almost giddy.

Brahms wrote a powerful Passacaglia to close his Fourth Symphony, using a form of variations (32 in all) on a repeated bass or reiterated harmonic progression. Woodwinds and brass (now joined for the first time by trombones) are prominent, with rolling drums, and Mr. Gamboa had his hands full keeping continuity and clarity in the tempo changes. There is passion and release in this movement, all driving to a conclusion that blanketed some of the string sounds. The ovation was long enough for the conductor to recognize individual musicians and one section.

Weber’s Overture to the 1824 Opera “Oberon” opened the program, a merry and suave ten-minute work that lacked string power but featured potent brass playing.