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Chamber
VANHAL QUARTET AT VOM FESTIVAL DISCOVERY AT HANNA CENTER
by Abby Wasserman
Sunday, July 15, 2018
A near-capacity crowd of 220 filled the Sonoma Hanna Boys Center Auditorium July 15 for the opening concert of the fourth Valley of the Moon Music Festival. This Festival presents gems of the Classical and early Romantic periods performed on instruments of the composer’s era, which presents a few ch...
Opera
SPARKLING CIMAROSA OPERA HIGHLIGHTS MENDOCINO MUSIC FESTIVAL
by Kathryn Stewart
Friday, July 13, 2018
The Classical music era was a time of extraordinary innovation. Dominated by composers from the German-speaking countries, the period witnessed the handiwork of masterpieces by two classical giants, Haydn and Mozart. Both composers put forth a tremendous catalog of masterful works and perhaps to our...
Symphony
!PURA VIDA! A SONIC TRIUMPH FOR SO CO PHIL IN THRILLING COSTA RICA TOUR CONCERT
by Terry McNeill
Tuesday, June 19, 2018
Long anticipated events, such as a great sporting game, gourmet feast, holiday trip or a concert, occasionally fall way short of expectations. The results don’t measure to expectations. With the Sonoma County Philharmonic’s Costa Rica concert June 19, the performance exceeded any heated or tenuou...
Symphony
SO CO PHIL BON VOYAGE CONCERT AN ODYSSEY OF CONTRASTING SOUND
by Terry McNeill
Friday, June 15, 2018
In a splashy bon voyage concert June 15 the Sonoma County Philharmonic Orchestra launched its June 17-25 Costa Rica tour, performing gratis in Santa Rosa’s Jackson Theater the repertoire for tour concerts in San José, Costa Rica’s capital, and in surrounding towns. Conductor Norman Gamboa pr...
Chamber
COMMANDING CHOPIN AND DEBUSSY IN SLV RECITAL
by Terry McNeill
Wednesday, June 06, 2018
Concerts at the classy Spring Lake Village Retirement Home in Santa Rosa have admission limited to residents and a few guests, but the chance to hear a first cabin North Bay pianist June 6 brought a Classical Sonoma reviewer into the audience of 100. The crowd numbers were unusually low due to a ba...
Recital
MUSICAL ALCHEMY INSIDE A HIDDEN GEM
by Kayleen Asbo
Friday, May 25, 2018
The Petaluma Historical Library and Museum is a hidden gem of Sonoma County, a gracious building that is one of Sonoma County’s loveliest venues for chamber music concerts, with a fine period piano particularly suited to Romantic music.  Of the surprisingly large array of festivities there, one of t...
Chamber
FINAL VOM MUSICIANS CONCERT IN SCHROEDER A SCHUBERT DELIGHT
by Terry McNeill
Saturday, May 12, 2018
It's rare to have the opportunity to compare in a short period two performances of the same major Schubert work, in this case the great B Flat Piano Trio, D. 898. The chance came May 12 when the Valley of the Moon Festival musicians played it in Schroeder, just over a month since the Hall’s residen...
Symphony
FERRANDIS BIDS ADIEU WITH MAHLER’S FINAL SYMPHONY
by Steve Osborn
Sunday, May 06, 2018
Sonoma State students in graduation robes posed for pictures and hugged each other at the university’s stone gates on Sunday afternoon, mirroring the prolonged farewells within the university’s Green Music Center, where Bruno Ferrandis bid adieu to the Santa Rosa Symphony after a dozen years at the ...
Symphony
SONIC SPLENDOR AT MARIN SYMPHONY SEASON FINALE
by Abby Wasserman
Tuesday, May 01, 2018
The Marin Symphony Orchestra ended the current season with a flourish, interpreting big and small works by Richard Strauss and Stravinsky. Strauss and Stravinsky were contemporaries for 40 years, but inhabited different worlds. Both composers were affected by cataclysmic changes and war, and musical...
Symphony
ORGAN SYMPHONY IN SSU ORCHESTRA CONCERT IN WEILL
by Terry McNeill
Sunday, April 29, 2018
Though Classical Sonoma seldom reviews student concerts, as ample North Coast concerts keep the staff of 11 reviewers busy. But the chance to hear the Sonoma State University Orchestra tackle St. Saëns’ majestic Organ Symphony April 29 was a rare opportunity and not easily to be missed. Avec l’...
CHAMBER REVIEW
Green Music Center / Sunday, February 28, 2016
Cypress String Quartet Cecily Ward and Tom Stone,violin; Ethan Filner, viola; Jennifer Kloetzel, cello

Cypress String Quartet in Schroeder Feb. 28

VALEDICTORY CYPRESS QUARTET CONCERT IN SCHROEDER

by Terry McNeill
Sunday, February 28, 2016

Parting can be such sweet sorrow, but better than either was the Cypress String Quartet’s farewell North Bay concert Feb. 28 in Schroeder. The group will disband in June in their San Francisco hometown.

Violinist Tom Stone’s remarks to the audience of 175 about Haydn set the stage for sure-footed performance of the C Major Quartet, Op. 76, No. 3. Schroeder’s acoustics seemed to favor cellist Jennifer Kloetzel’s sound, even the drone effects, but throughout the opening Allegro and in the long duo for two violins in the Adagio every instrument carried well and blended.

In the Variations each instrument has a solo in turn, then bursts forth the composer’s resplendent Austrian/German national hymn. The Minuetto was played with a judicious tempo, with many delicate details and spicatto bowings. Violinists Cecily Ward and Mr. Stone traded fast descending scales in the finale and the Cypress fashioned a reading of the “Emperor” Quartet of rich string color and rhythmic precision. It was a splendid blend of Haydn’s elegance and simple earthiness.

Glazunov wrote five Novelettes for string quartet, and the three played to close the first half were Allegretto ala spagnuola, Interludium and Orientale. There were well played but passed without much notice, even juxtaposing the pizzicato dances of the first and the sorrowful and pensive second. Violist Ethan Filner, seated at stage right, played solos in themes that were reminiscent of Vaughan Williams music. The whirling short motives of the Orientale were the most effective, rustic to the last bowed note in a unison attack. It was an odd program choice, but clearly relished by the Cypress.

In their 20 years together the Cypress has played through the Beethoven cycle many times, and the choice of the B-Flat Quartet (Op. 130) was an opportunity to say goodbye to the North Bay with a work of monumental power and interest. The 1826 piece is in six movements, with an optional finale, and Ms. Kloetzel described to the audience how the Quartet approaches Beethoven, and why the Grosse Fuge last movement was chosen for performance over the alternative Allegro.

Both the opening Adagio and the finale appear to be struggles between two instincts of an individual – the imploring instinct and the instinct of violence. They played the Adagio in a more lyrical manner than anticipated, with many small phrases starting to go astray but never actually doing it. The skittish B Minor Scherzo was quickly over, and the following Andante was played fancifully and almost intimately.
I thought both the Danza Tedesca and the E-Flat Major cavatina movements were performed exquisitely, the tranquil and restrained emotion phrases beautifully shaped. Capturing here the essence of Beethoven’s spiritual energy was for me the highlight of the afternoon, and the Cypress’ deft changes in tempo were both natural and critical to this luminescent music.

The great Fugue invites comparison with the Op. 106 Piano Sonata Fugue, as both have a slow but never timid middle section between the often-strident outer parts. But the string fugue is harder to follow, even with ample thematic projection from Ms. Ward and Mr. Filner cutting through the aural din, pedal point in the cello and minimal vibrato all around. This movement lasted 14 minutes, not too long but since 1826 still demanding a listener’s attentive ear and exploring mind.

Surprisingly, the Cypress responded to an ovation with one encore, which I think was Suk’s Venetian Gondola Song. And a sweet poem without words it was, a valedictory gift capping a masterful concert.

Sonia Morse Tubridy contributed to this review.