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Chamber
FLORESTAN TRIO'S MENDELSSOHN AT SPRING LAKE VILLAGE CONCERT
by Terry McNeill
Friday, March 08, 2019
Spring Lake Village’s monthly concerts usually clock in under an hour, but the March 8 Florestan Trio’s performance was more extended as so much good music was on tap for the 125 residents attending at Santa Rosa’s premiere retirement residence facility. Four short pieces made up the first half, be...
Chamber
TILDEN TRIO'S BOHEMIAN ENERGY AT DOMINICAN CONCERT
by Terry McNeill
Sunday, March 03, 2019
Hard on the heels of the Trio Navarro’s late February concert in Sonoma State’s Schroeder Hall, Northern California’s other premiere resident piano trio, the Tilden, played an equally convincing program March 3 in Dominican University’s Angelico Hall. Clearly each hall’s acoustics, stage pianos and...
Recital
24 SONGS IN A MENKE-THOMPSON RECITAL ODYSSEY
by Terry McNeill
Saturday, February 23, 2019
Sonoma County pop and country singing enjoys continued popularity but it rare to see a professional classical vocal concert announced. Diva Ruth Ann Swenson was once a local star, but she has long departed and not much virtuoso recital singing can be found in the North Bay. But the exception to th...
Chamber
UNEXPECTED ARENSKY AND MENDELSSOHN BY THE NAVARRO
by Terry McNeill
Sunday, February 17, 2019
The 100 people entering Schroeder Hall Feb. 17 for a Trio Navarro concert were handed a program that appeared to feature two popular piano trios, Mendelssohn and Arensky. But continuing the Navarro’s tradition of repertoire exploration, the pieces were not the usual first Mendelssohn and first Aren...
Recital
GLOVER'S ECLECTIC PROGRAMMING HIGHLIGHT'S CINNABAR RECITAL
by Terry McNeill
Sunday, February 17, 2019
Daniel Glover is arguably the busiest virtuoso pianist in the San Francisco Bay area, but rarely is heard in North Bay concerts. So 90 local pianophiles were anxious to hear him Feb. 17 in Petaluma’s charming small Cinnabar Theater, and they were rewarded with an eclectic program of sometimes unfam...
Symphony
MENDELSSOHN'S SCOTTISH SAVES THE EVENING IN SRS WEILL CONCERT
by Terry McNeill
Monday, February 11, 2019
The audience entering Weill Hall for Santa Rosa Symphony concerts Feb. 9-11 were presented with a program that on first glance appeared a curious patchwork – a great symphony mixed with a seldom heard concerto and two disparate overtures, and a guest conductor unknown locally. Monday night’s concer...
Recital
INTRIGUING BELL-HAYWOOD RECITAL BEFORE FULL HOUSE IN WEILL HALL
by Abby Wasserman
Friday, February 08, 2019
A big portion of the capacity audience in Weill Hall February 8th came to hear violinist Joshua Bell’s virtuosity, and were treated as well to splendid playing from Sam Haywood, Mr. Bell’s regular pianist since 2010. The duo performed three engaging sonatas, highlighted by Mr. Bell’s sterling techn...
Symphony
TRIPLE PLAY UKIAH SYMPHONY CONCERT AND TCHAIKOVSKY SERENADE
by Terry McNeill
Sunday, January 27, 2019
Over the years the Ukiah Symphony’s concerts have been in the Classical Sonoma Calendar sections, but rarely has this Orchestra, now in its 39th season, had a full winter season concert review. The provocative Jan. 27 program in Mendocino College’s Center Theater seemed a good reason to reacquaint ...
Symphony
JACKSON THEATER WELCOMES A NEW RESIDENT ORCHESTRA
by Terry McNeill
Saturday, January 26, 2019
Moving to a permanent new performance venue can be a perilous undertaking for an orchestra, with different acoustics, the loyal audience finding the new spot and infrastructure challenges of lighting and lobby and backstage operations. In their first concert Jan. 26 in Windsor’s Jackson Theater the...
Symphony
ECLECTIC PASSIONATE PROGRAMMING AT MARIN SYMPHONY CONCERT
by Abby Wasserman
Saturday, January 26, 2019
The Marin Symphony’s second Masterworks concert of the 2018-19 season featured works by John Adams, Sibelius and Brahms, a masterful assembly. In a spoken introduction before the program’s first half, conductor Alasdair Neale primed the audience for the “terra incognita” of Adams’ The Chairman Dance...
CHAMBER REVIEW
Music at Oakmont / Thursday, March 10, 2016
Lincoln Trio. Desiree Ruhstrat, violin; David Cunliffe, cello; Marta Aznavoorian, piano

Lincoln Trio

LINCOLN TRIO IN RARE WORKS AT OAKMONT CONCERT

by Terry McNeill
Thursday, March 10, 2016

Chicago’s Lincoln Trio returned for a fifth time to Oakmont’s Berger Auditorium Concert Series Mar. 10 with a challenging and uncommon program that began with Rebecca Clarke’s Trio from 1921.

Starting a concert with this formidable work seemed risky, not because of the Oakmont audience but simply for the demands of the music, often acerbic involving a central powerful and knotty idea in all three movements. The Lincoln jumped into the fray with an opening movement and captured the misterioso character and the somber opening movement ending. It’s scary in places and only sometimes sounds like Ravel. The Lincoln played the long lines in the Andante slowly with attention to the phrase endings, with violinist Desirée Ruhstrat’s elegantly stating the first subject with a single G note in the piano part.

In the finale string pizzicato and a hammered piano line led ultimately to excellent ensemble and even a quasi-happy ending.

Stretching the first half was a short transcription of the Irish Ballad “Danny Boy,” a popular and syrupy song from about1910. It was a charming addition to the program and chastely played.

Before intermission the Primavera Porteña movement of Piazzolla’s Four Seasons of Buenos Aires was played.
The Argentinian composer has enjoyed startling popularity in the past decade, and his tango-infused music appears often in chamber music events. Here the offbeat accents, repeated sforzando chords from pianist Marta Aznavoorian and the leaning into phrases seemed a little familiar. The constant tempos changes were deftly handled. The performance seemed to underscore Piazzolla’s swaggering music as initially fetching but finally not memorable.

Turina wrote four substantial piano trios, the two big ones played in recent years by the North Bay’s own Trio Navarro. In a surprise the Lincoln brought out a nearly unknown early trio by the Spanish master, in F and composed about 1905. In a way they own the work, and it was a performance replete with fire, drive and occasional lyricism. The Trio was able to blend a bit of Spanish flavor with something that might have been heard in a Parisian street hall concert prior to the 1914.

Long descending piano runs and charming thematic projections were heard in the first two movements, so different from the trios that just preceded the F Major, by Dvorak, Brahms, Rubinstein, Tchaikovsky and Smetana. Here and there are hints of the dance hall and the palm court. The Lincoln was light footed throughout, especially the surprising momentum in the exciting finale. Cellist David Cunliff played forcefully and supported with gusto the music’s momentum.

A standing ovation produced one encore, Juan Antonio Cucular’s In Conversations. Mr. Cunliff announced it as a wild and crazy piece, and it was that – rhythmically complex, Ginastera like, with spicatto bowing and piano glissandos. Not spooky, just frenzied, and the 175 in Berger loved it.