Home  Reviews  Articles  Calendar  Presenters  Add Event     
Chamber
SCHUBERT "MIT SCHLAG" AT VOM FESTIVAL MORNING CONCERT
by Abby Wasserman
Sunday, July 29, 2018
The spirit of 19th century Vienna was present July 29 on the final day of the Valley of the Moon Music Festival. The Festival in the second half of July glittered with innovative programming and the new, old sound of original instruments played by musicians who love music with historic instruments. ...
Chamber
PASSIONATE BRAHMS-SCHOENBERG MUSIC CLOSES VOM FESTIVAL SUMMER
by Abby Wasserman
Sunday, July 29, 2018
An extraordinary program of chamber music by Brahms and Schoenberg attracted a capacity crowd to the Valley of the Moon Music Festival’s final concert July 29th in Sonoma’s Hanna Center. It opened with a richly expressive reading by Festival Laureate violinist Rachell Wong and pianist Jeffrey LaDeur...
Chamber
PRAGUE AND VIENNA PALACE GEMS HIGHLIGHT VOM FESTIVAL CONCERT
by Sonia Morse Tubridy
Saturday, July 28, 2018
The remarkable Valley of the Moon Chamber Music Festival presented a concert called “Kinsky Palace” July 28 on their final Festival weekend in Sonoma’s Hanna Center. Two well-known treasures and one lesser gem were programmed. Starting the afternoon offerings were violinist Monica Huggett and Fest...
Chamber
INNOVATIVE CHAMBER WORKS IN HANNA CENTER CONCERT
by Sonia Morse Tubridy
Sunday, July 22, 2018
The Valley of the Moon Music Festival presented a July 22 concert featuring three giants: Haydn, Schubert and Schumann, composers who altered music of their time with creative innovations and artistic vision. In the fourth season the Festival’s theme this year is “Vienna in Transition”, and VOM Fes...
Chamber
VIENNA INSPIRATION FOR VOM FESTIVAL PROGRAM AT HANNA CENTER
by Nicki Bell
Saturday, July 21, 2018
A music-loving audience filled Sonoma’s Hanna Center Auditorium July 21 to begin a record weekend of three concerts, produced by the Valley of the Moon Music Festival. The Festival’s theme this summer is “Venice in Transition – From the Enlightenment to the Dawn of Modernism” Prior to Saturday’s m...
Chamber
VANHAL QUARTET AT VOM FESTIVAL DISCOVERY AT HANNA CENTER
by Abby Wasserman
Sunday, July 15, 2018
A near-capacity crowd of 220 filled the Sonoma Hanna Boys Center Auditorium July 15 for the opening concert of the fourth Valley of the Moon Music Festival. This Festival presents gems of the Classical and early Romantic periods performed on instruments of the composer’s era, which presents a few ch...
Opera
SPARKLING CIMAROSA OPERA HIGHLIGHTS MENDOCINO MUSIC FESTIVAL
by Kathryn Stewart
Friday, July 13, 2018
The Classical music era was a time of extraordinary innovation. Dominated by composers from the German-speaking countries, the period witnessed the handiwork of masterpieces by two classical giants, Haydn and Mozart. Both composers put forth a tremendous catalog of masterful works and perhaps to our...
Symphony
!PURA VIDA! A SONIC TRIUMPH FOR SO CO PHIL IN THRILLING COSTA RICA TOUR CONCERT
by Terry McNeill
Tuesday, June 19, 2018
Long anticipated events, such as a great sporting game, gourmet feast, holiday trip or a concert, occasionally fall way short of expectations. The results don’t measure to expectations. With the Sonoma County Philharmonic’s Costa Rica concert June 19, the performance exceeded any heated or tenuou...
Symphony
SO CO PHIL BON VOYAGE CONCERT AN ODYSSEY OF CONTRASTING SOUND
by Terry McNeill
Friday, June 15, 2018
In a splashy bon voyage concert June 15 the Sonoma County Philharmonic Orchestra launched its June 17-25 Costa Rica tour, performing gratis in Santa Rosa’s Jackson Theater the repertoire for tour concerts in San José, Costa Rica’s capital, and in surrounding towns. Conductor Norman Gamboa pr...
Chamber
COMMANDING CHOPIN AND DEBUSSY IN SLV RECITAL
by Terry McNeill
Wednesday, June 06, 2018
Concerts at the classy Spring Lake Village Retirement Home in Santa Rosa have admission limited to residents and a few guests, but the chance to hear a first cabin North Bay pianist June 6 brought a Classical Sonoma reviewer into the audience of 100. The crowd numbers were unusually low due to a ba...
SYMPHONY REVIEW
Sonoma County Philharmonic / Sunday, April 10, 2016
Norman Gamboa, conductor. Marilyn Thompson, piano

Pianist Marilyn Thompson April 9 Acknowledging Applause

SPANISH SPLENDOR IN SO CO PHIL'S SEASON FINALE CONCERT

by Terry McNeill
Sunday, April 10, 2016

Two program staples for the Sonoma County Philharmonic have been works of a Latin flavor, and spotlighting local soloists. Conductor Norman Gamboa has mounted intriguing Central American, Mexican and Spanish works for years, and flutist Kathleen Lane Reynolds, pianists Alice Zhu Lauren Xie, and trombonist Bruce Chrisp have recently been featured.

So it was no surprise at the April 9 concert in Santa Rosa High School that these worthwhile trends continued, with pianist Marilyn Thompson playing virtuoso parts in Falla’s “Nights in the Gardens of Spain” and as an orchestra member in the same composer’s Suite from the revised 1924 edition of the ballet El Amor Brujo.

In the “nights” performance Mr. Gamboa gave the shimmering score a mostly relaxed tempo character, the acoustics of the bright hall favoring orchestra power over the piano part. Ms. Thompson had fetching short duos with violist David Hill but all through the 25-minute work the piano sound, save for the top treble, lacked brilliance against the often too loud orchestra.

In the concluding “En los jardines de la Sierra Córdoba” there were extended orchestral solo parts, eerie tremolos and explosive sforzandos for both piano and orchestra, and the soloist’s most convincing playing. This music evokes fragrant Spanish colors, and Mr. Gamboa fashioned slight hesitations in the beat that accented the rhythms. The long slow coda was played luminously.

Falla’s brilliance as an orchestrator can be spoken of in the same breath as Ravel and Shostakovich, and his 1917 Suite from the ballet El Amor Brujo was a riot of pungent sound in twelve parts, with three short vocal solos. The composer chose interesting duos to expand the sonic fabric, including oboe and trumpet (Chris Krive and Tom Hyde), Valerie White and Debra Scheuerman’s flutes and clarinetist Nick Xenelis. All evening Mr. Krive played elegant solo parts, often stating main themes. A honeyed sound from the middle of the orchestra.

In this sonic feast there were lush lyrical sections (En la Cueva, A Media noche) that Puccini would have appreciated, the piano sounding like chimes, cellist Margaret Moores’ solos and a one-time solo by concertmaster Pam Otsuka. As in the Santa Rosa Symphony’s April 4 concert that featured Falla’s “El Sombrero de Tres Picos,” the short parts here for a singer don’t seem to add much to the mix. Soprano Carmen Mitchell’s expressive voice wove in and out of the orchestral fabric, catching the dry and sporadically piercing pitches of Falla’s Andalusia inflection.

Mr. Gamboa has a penchant for these colors and rhythms, which carried over to two short works with definite Spanish flavor that contrasted well with the big Falla works: Turina’s La Procesión del Rocio, Op. 9, and Gerónimo Giménez’ Intermezzo from La Boda de Luis Alonso (The wedding…). Both are often included as openers to programs of Spanish music, and both received glowing and theatrical readings under Mr. Gamboa’s command.

The Turina was perhaps the least Iberian work of the concert, but no less sassy and brassy for it. An opening long flute solo over snare drum obbligato was taken by the conductor at a leisurely pace, capturing the “procession” of the music in a gallant way.

Gerónimo Giméniz specialized in the Spanish zarzuela dance style, and the “Boda” was a barnburner piece that hints of his contemporary Francisco Tárrega’s Castilan compositions, with rapid changes in tempos and snazzy castanet sounds. This music quickly grabs your attention and elicits some bodily “swing” in a short ten minutes. It’s hard to remain motionless when each delicious repetition returns with greater flair.

In remarks to the audience of 300 the conductor mentioned that earlier in the day parts of the concert’s pieces were played before a packed hall of Santa Rosa school children in outreach, with a large portion of them Spanish speaking and enthusiastically cheering. In the more formal evening performance the playing delightfully brought similar responses.