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Recital
HEAVENLY SCHUBERT AND DEMONIC CHOPIN
by Terry McNeill
Saturday, April 21, 2018
One of the anomalies in the long ago “Golden Era” of romantic pianism (about 1905 to 1940) is that the virtuoso giants of the time didn’t play Schubert. It took the German pianist Artur Schnabel to bring the beauties of Schuber’s work to the public’s attention, and now they seem to be on almost ever...
Recital
KENNER'S ALL POLISH RECITAL HAS PADEREWSKI RARITY
by Abby Wasserman
Sunday, April 08, 2018
Kevin Kenner’s April 8 recital at Dominican University’s Angelico Hall had been advertised as all-Chopin, but he added a detour into another seminal Polish composer-pianist, Paderewski. Several of Mr. Kenner’s teachers were Poles, he speaks Polish, and he navigated at the piano both composers’ deman...
Recital
VIRTUOSIC VARIATIONS IN MORGAN'S SCHROEDER ORGAN RECITAL
by Paul Blanchard
Sunday, March 18, 2018
Organist Robert Huw Morgan’s artistry spun through the web of early variation form in a Mar. 18 recital on Schroeder Hall’s wonderful Brombaugh organ. Mr. Morgan, Stanford University’s resident organist, performs a wide range of repertoire, but as he said in comments to the audience, he loves when h...
Recital
DEDIK RECITAL MARCH 12 IN SPRING LAKE VILLAGE SERIES
by Terry McNeill
Monday, March 12, 2018
Pianist Anastasia Dedik has been an occasional North Coast visitor, playing with her Trio in Ukiah, and in recitals in Sonoma and with the Spring Lake Village series. She returned March 12 to Spring Lake (a retirement community, with Impresario Robert Hayden) in an abbreviated recital before a pack...
Recital
CHOPIN BALLADES FEATURED IN CONCERTS GRAND RECITAL
by Terry McNeill
Saturday, February 24, 2018
Pianist Nancy Lee Harper made an elegant North Coast debut Feb. 24 in the Concerts Grand House Recitals series in a private Santa Rosa home. Ms. Harper, for decades a performer and teacher in Portugal, has recently relocated to Northern California, played an all-Chopin recital that was comprehensiv...
Recital
ROMANTIC MUSIC AND AMBIANCE AT SEB ARTS RECITAL
by Nicki Bell
Sunday, February 18, 2018
Sebastopol had is own musical salon Feb. 18 with visits to Paris of the 1830s, and side trips to Wales and Germany. Pianist Robyn Carmichael presented a concert of favorite romantic masters and their muses, loves and inspirations, with music of Chopin, Liszt Mendelssohn and Schumann. This was no c...
Recital
HAUNTING RACHMANINOFF WORKS IN HU'S MAO RECITAL
by Terry McNeill
Thursday, February 08, 2018
Ching-Yun Hu made a return Music at Oakmont appearance Feb. 8 in Berger Auditorium, reprising a recital she made in the same hall four years ago. Many of the recital’s trappings were the same, but the music Ms. Hu chose to play was decidedly different. All afternoon the pianist was in an aggressiv...
Recital
ZNAIDER-KULEK DUO CHARMS AND CHALLANGES WEILL AUDIENCE FEB. 2
by Terry McNeill
Friday, February 02, 2018
Weill hall has mounted several exceptional piano recitals, with Garrick Ohlsson’s titanic Liszt concert, and of course Lang Lang’s two insouciant but also compelling performances topping the list since 2013. But arguably the virtuoso violinists have on balance been more impressive, and thoughts g...
Recital
HOME RECITAL BACH COMPLETES HOLIDAY SEASON
by Terry McNeill
Saturday, December 30, 2017
The just closing 2017 year was a calamity for many, but locally in music there were joys galore, and it was fitting Dec. 30 have the balm of two Bach’s violin sonatas in a private Guerneville home recital hosted by the eminent musician Sonia Tubridy. Violinist Richard Heinberg joined Ms. Tubridy in...
Recital
RESPIGHI'S PUNGENT SONATA HIGHLIGHTS KENNEY-GUTMAN RECITAL
by Terry McNeill
Sunday, October 29, 2017
Respighi’s B Minor Violin Sonata seems never to gain conventional repertoire status. Perhaps the great Heifetz recording is intimidating, and I can recall over many years just two local performances: Jason Todorov and William Corbett-Jones years go in Newman, and a titanic reading in March by Anne S...
RECITAL REVIEW
Redwood Empire AGO / Sunday, August 28, 2016
Paul Blanchard, organ

Organist Paul Blanchard

NORTH GERMAN CHORALES WERE MUSIC FOR THE SOUL AT AGO RECITAL

by James Harrod
Sunday, August 28, 2016

Organist Paul Blanchard played an outstanding and instructive recital August 28 at Santa Rosa’s First Presbyterian Church. It was the fourth and last in a series of summer Sunday recitals featuring organists of the local chapter of the American Guild of Organists (AGO), and underwritten by the Church.

“Music for the Soul - The Art of the North German Chorale” was an appropriate title for Mr. Blanchard’s recital, which opened with Mendelssohn’s D Minor Sonata, Opus 65, No. 6. The work based on the German hymn tune “Vater unser in Himmelreich” by Martin Luther. The Sonata was followed by a collection of six Bach chorale preludes, and one chorale prelude by Samuel Scheidt.

Mr. Blanchard introduced the program by asking the audience to stand and sing from the hymnal the hymn “Our Father who Art in Heaven” on which the sonata is based. The organist then played the multipart sonata (Chorale, Fuga, and Finale) with flowing note-perfect confidence, observing organ registration and phrasing authentic to the composer and the instruments of his time.

The short Bach works by demonstrated how the great composer used repeating short motifs within the preludes to express the moods of the chorales: “Have Mercy, Lord” (BWV 721); “Come Holy Ghost” (BWV 631); “O Lamb of God” (BWV 618); “I call to Thee” (BWV 639); “We are here, Lord Jesus” (BWV 633); and finally “Christ Lay in the Bonds of Death” (BWV 625). These Preludes were played with clarity and simplicity using both perfect Baroque manual touch and selection of organ stops. The beautifully varied registration chosen by the organist made each prelude uniquely expressive.

The less familiar Scheidt “Cantio Sacra,” SSWV 106, based on the tune “Warum betrübst du Dich,” closed the program. This is a 12-verset composition from an earlier musical time, and once again Mr. Blanchard’s educated choice of organ stops made each of the sections fresh to the ear.

The performer, Music Director at St. Paul’s Episcopal Church in Healdsburg, gave the audience excellent verbal explanations of the music, bringing everyone from the late Renaissance through the Baroque and into the Romantic musical era in reverse chronological order! It was a very satisfying recital.