Home  Reviews  Articles  Calendar  Presenters  Add Event     
Symphony
A SLICE OF HEAVEN FROM THE SANTA ROSA SYMPHONY
by Steve Osborn
Sunday, January 13, 2019
Under its vibrant new music director, Francesco Lecce-Chong, the Santa Rosa Symphony this past Sunday offered a nearly perfect afternoon of Mozart (Symphony No. 40) and Mahler (Symphony No. 4). While the two works share a common digit, the only element uniting them is genius. They made for a dazzlin...
Recital
KHOZYAINOV'S BRILLIANT PIANISM IN MILL VALLEY RECITAL
by Abby Wasserman
Sunday, January 13, 2019
In its third concert of the season the Mill Valley Chamber Music Society Jan. 13 presented Russian virtuoso Nikolay Khozyainov. His intelligent and sensitive interpretations, masterful pedal work, and virtuoso technique left the near-capacity audience in Mt. Tamalpais Methodist Church astounded and ...
Chamber
A COMPLETE MUSICAL PACKAGE IN ARRON'S OAKMONT RECITAL
by Terry McNeill
Thursday, January 10, 2019
Cellist Edward Arron has been a welcome artist at the Music at Oakmont series, and after his Jan. 10 recital it’s easy to understand his popularity. His artistry is a complete package, with potent instrumental technique wedded to integral musical conceptions. In a nearly flawless concert with pian...
Choral and Vocal
COMPELLING WEILL HALL MESSIAH ORATORIO FROM THE ABS
by Terry McNeill
Saturday, December 15, 2018
Each holiday season when a Classical Sonoma reviewer is assigned to cover a concert with Handel’s seminal Oratorio The Messiah, the question arises about what new commentary can possibly apply to the often performed choral work. Well, if it’s the American Bach Soloists performing the piece, written...
Opera
PURCELL'S DIDO IN YOUTHFUL SSU OPERA
by Abby Wasserman
Wednesday, December 05, 2018
A doomed royal love affair, the theme of Purcell’s Dido and Aeneas, was brought to lovely life at Sonoma State University Dec. 5 in the school’s Schroeder Hall. Conducted by faculty member Zachary Gordin, who also played continuo, the performance was only the second opera production presented by the...
Symphony
SANTA ROSA SYMPHONY HERALDS THE HOLIDAYS
by Steve Osborn
Sunday, December 02, 2018
Antlers are typical headgear during the holiday season, but the ushers and one bassist at the Santa Rosa Symphony concert on Dec. 2 sported apples atop their heads. The red fruits were festive but perplexing until the orchestra began Rossini’s “William Tell” overture, at which point even the dull-wi...
Symphony
A HERO'S ODYSSEY IN SO CO PHIL CONCERT
by Art Hofmann
Sunday, November 18, 2018
The audience at the Sonoma County Philharmonic’s Nov. 18 concert was warned at the outset that the old Santa Rosa High School auditorium boiler was turned off, and there was a steady eminently audible tone in the hall. Conductor Norman Gamboa said the tone was an A, a high one. But there it was, a...
Recital
MTA BENEFIT CONCERT FEATURES FAURE, DVORAK, JANACEK AND BARBER WORKS
by Terry McNeill
Sunday, November 11, 2018
In a splendid concert Nov. 11 the Music Teachers Association of California, Sonoma County Chapter, presented their sixth annual benefit concert before 40 avid listeners in the Santa Rosa home of Helen Howard and Robert Yeats. Highlights of the performances, involving eight musicians in various perf...
Recital
SERKIN'S SINGULAR MOZART AND BACH PLAYING IN WEILL RECITAL
by Terry McNeill
Friday, November 09, 2018
Returning to Weill Hall following a fire-related recital cancellation in 2017, pianist Peter Serkin programmed just three works in his Nov. 7 concert, three masterworks that challenged both artist and audience alike. It needs to be said at the outset that Mr. Serkin takes a decidedly non-standard a...
Chamber
LUMINOUS FAURE TOPS LINCOLN TRIO'S SPRING LAKE VILLAGE CONCERT
by Terry McNeill
Wednesday, November 07, 2018
Familiarity in chamber music often evokes warm appreciation, and it was thus Nov. 7 when the Chicago-based Lincoln Piano Trio made one of their many Sonoma County appearances, this time on the Spring Lake Village Classical Music Series. Regularly presented by local impresario Robert Hayden, the Lin...
SYMPHONY REVIEW
Sonoma County Philharmonic / Saturday, November 19, 2016
Norman Gamboa, conductor. John Kelley, baritone; Bonnie Brooks, mezzo-soprano; Mark Kratz, tenor; Ivalah Allen, soprano

Sopano Ivalah Allen

SENSUAL OPERATIC BON BONS AT SO CO PHIL CONCERT

by Alan Bloom
Saturday, November 19, 2016

Music Director Norman Gamboa never fails to come up with interesting programs for his Sonoma County Philharmonic concerts. It was all opera music for the second concert set of the 2016-2017 season Nov. 19 in the Santa Rosa High School Auditorium. From the romantic opening swells of the Berlioz’ Overture to Benvenuto Cellini, the well-rehearsed volunteer musicians gave a thrilling evening of theatrical entertainment. The tempo in the Berlioz was slower than usual, but had the benefit of increased instrumental transparency.

The powerful voice of soprano Ivalah Allen gave me goose bumps from the opening bars of Puccini's timeless aria "O mio babbino caro" from the opera Gianni Schicchi, and in just 32 bars of music the piece packs an emotional wallop from the first note. Ms. Allen captured the stage.

Probably the most famous aria from the 1877 opera Samson and Dalila by Saint-Saëns is Dalila's aria "Mon coeur s'ouvre à ta voix" (My heart opens itself to your voice) in which she tries to seduce Samson into revealing the secret of his strength. This achingly beautiful melody was well served by the rich voice of mezzo-soprano Bonnie Brooks.

The two women then took the stage together to perform "Sous le dôme épais", the flower duet from Delibes’ opera Lakmé. I'm not sure why this aria is not performed more often; it has been used frequently in ads and films over the years and is a lovely piece. Their interpretation demonstrated once again how music can sound so much more compelling in a live concert than on a recording.

After the intermission, the concert continued with another overture, this one for Wagner’s The Flying Dutchman. A rare error, a mis-timed entrance by one of the musicians did not detract from Wagner's stirring recapitulation of the story of the sea captain cursed to sail the seas for eternity to be saved only by the faithful woman Senta. Mr. Gamboa supplied deft control to this surging music from 1843.

Due to illness tenor Mark Kratz was not able to perform one of the concert’s works,"La Fleur que tu m'avais jetée" from Bizet’s Carmen, which made an already rather short concert even shorter. However he was able to sing well collaborating with baritone John Kelley in the famous "Au fond du temple saint" from same composer’s opera Pearl Fishers. They combined acting with the singing as they embraced while singing the final lines, "Yes, let us share the same fate, let us be united until death!"

That was even more true with Mr. Kelley's performance of "Largo al factotum," the "Figaro" song from Rossini's wonderful The Barber of Seville. It's a difficult piece to sing because of the rapid-fire triplets and tongue-twisting Italian words, but he pulled it off with aplomb and an extroverted stage presence perfect for this comic aria.

The concert finale featured all four singers performing arguably opera’s most famous vocal quartet, "Bella figlia dell'amore," from Verdi’s Rigoletto (1851). The quartet sang perfectly together, each with facial and body gestures expressing their own emotions, yet with melting harmony. As is becoming traditional at Sonoma County Philharmonic concerts, they took their ensemble bows to a standing ovation.