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Symphony
SO CO PHIL BON VOYAGE CONCERT AN ODYSSEY OF CONTRASTING SOUND
by Terry McNeill
Friday, June 15, 2018
In a splashy bon voyage concert June 15 the Sonoma County Philharmonic Orchestra launched its June 17-25 Costa Rica tour, performing gratis in Santa Rosaís Jackson Theater the repertoire for tour concerts in San Josť, Costa Ricaís capital, and in surrounding towns. Conductor Norman Gamboa pr...
Chamber
COMMANDING CHOPIN AND DEBUSSY IN SLV RECITAL
by Terry McNeill
Wednesday, June 06, 2018
Concerts at the classy Spring Lake Village Retirement Home in Santa Rosa have admission limited to residents and a few guests, but the chance to hear a first cabin North Bay pianist June 6 brought a Classical Sonoma reviewer into the audience of 100. The crowd numbers were unusually low due to a ba...
Recital
MUSICAL ALCHEMY INSIDE A HIDDEN GEM
by Kayleen Asbo
Friday, May 25, 2018
The Petaluma Historical Library and Museum is a hidden gem of Sonoma County, a gracious†building†that is one of Sonoma Countyís loveliest venues for chamber music concerts, with a fine period piano particularly suited to Romantic music.† Of the surprisingly large array of festivities there, one of t...
Chamber
FINAL VOM MUSICIANS CONCERT IN SCHROEDER A SCHUBERT DELIGHT
by Terry McNeill
Saturday, May 12, 2018
It's rare to have the opportunity to compare in a short period two performances of the same major Schubert work, in this case the great B Flat Piano Trio, D. 898. The chance came May 12 when the Valley of the Moon Festival musicians played it in Schroeder, just over a month since the Hallís residen...
Symphony
FERRANDIS BIDS ADIEU WITH MAHLERíS FINAL SYMPHONY
by Steve Osborn
Sunday, May 06, 2018
Sonoma State students in graduation robes posed for pictures and hugged each other at the universityís stone gates on Sunday afternoon, mirroring the prolonged farewells within the universityís Green Music Center, where Bruno Ferrandis bid adieu to the Santa Rosa Symphony after a dozen years at the ...
Symphony
SONIC SPLENDOR AT MARIN SYMPHONY SEASON FINALE
by Abby Wasserman
Tuesday, May 01, 2018
The Marin Symphony Orchestra ended the current season with a flourish, interpreting big and small works by Richard Strauss and Stravinsky. Strauss and Stravinsky were contemporaries for 40 years, but inhabited different worlds. Both composers were affected by cataclysmic changes and war, and musical...
Symphony
ORGAN SYMPHONY IN SSU ORCHESTRA CONCERT IN WEILL
by Terry McNeill
Sunday, April 29, 2018
Though Classical Sonoma seldom reviews student concerts, as ample North Coast concerts keep the staff of 11 reviewers busy. But the chance to hear the Sonoma State University Orchestra tackle St. SaŽnsí majestic Organ Symphony April 29 was a rare opportunity and not easily to be missed. Avec lí...
Recital
HEAVENLY SCHUBERT AND DEMONIC CHOPIN
by Terry McNeill
Saturday, April 21, 2018
One of the anomalies in the long ago ďGolden EraĒ of romantic pianism (about 1905 to 1940) is that the virtuoso giants of the time didnít play Schubert. It took the German pianist Artur Schnabel to bring the beauties of Schuberís work to the publicís attention, and now they seem to be on almost ever...
Symphony
SPLENDID JUPITER AND ZOOMING CONCERTO AT VALLEJO SYMPHONY SEASON FINALE
by Terry McNeill
Sunday, April 15, 2018
Over the past two years the Vallejo Symphony has made big changes, moving from a stark middle school auditorium to the snazzy remodeled 1911-era downtown Empress Theater, and engaging Marc Taddei as its seventh conductor. April 15 was the seasonís final concert of the 86th season. In a programmin...
Chamber
VIRTUOSO CELLO AND GUITAR TRANSCRIPTIONS AT RAC SEBASTOPOL CONCERT
by Terry McNeill
Saturday, April 14, 2018
Listeners and yes even music critics usually prepare for a concert with research, checking recorded performances, looking at artist biographies and even reviewing sheet music. This was a difficult task for the April 14 Redwood Arts Council concert in Sebastopolís Community Church, as the performers...
SYMPHONY REVIEW
Sonoma County Philharmonic / Saturday, November 19, 2016
Norman Gamboa, conductor. John Kelley, baritone; Bonnie Brooks, mezzo-soprano; Mark Kratz, tenor; Ivalah Allen, soprano

Sopano Ivalah Allen

SENSUAL OPERATIC BON BONS AT SO CO PHIL CONCERT

by Alan Bloom
Saturday, November 19, 2016

Music Director Norman Gamboa never fails to come up with interesting programs for his Sonoma County Philharmonic concerts. It was all opera music for the second concert set of the 2016-2017 season Nov. 19 in the Santa Rosa High School Auditorium. From the romantic opening swells of the Berliozí Overture to Benvenuto Cellini, the well-rehearsed volunteer musicians gave a thrilling evening of theatrical entertainment. The tempo in the Berlioz was slower than usual, but had the benefit of increased instrumental transparency.

The powerful voice of soprano Ivalah Allen gave me goose bumps from the opening bars of Puccini's timeless aria "O mio babbino caro" from the opera Gianni Schicchi, and in just 32 bars of music the piece packs an emotional wallop from the first note. Ms. Allen captured the stage.

Probably the most famous aria from the 1877 opera Samson and Dalila by Saint-SaŽns is Dalila's aria "Mon coeur s'ouvre ŗ ta voix" (My heart opens itself to your voice) in which she tries to seduce Samson into revealing the secret of his strength. This achingly beautiful melody was well served by the rich voice of mezzo-soprano Bonnie Brooks.

The two women then took the stage together to perform "Sous le dŰme ťpais", the flower duet from Delibesí opera Lakmť. I'm not sure why this aria is not performed more often; it has been used frequently in ads and films over the years and is a lovely piece. Their interpretation demonstrated once again how music can sound so much more compelling in a live concert than on a recording.

After the intermission, the concert continued with another overture, this one for Wagnerís The Flying Dutchman. A rare error, a mis-timed entrance by one of the musicians did not detract from Wagner's stirring recapitulation of the story of the sea captain cursed to sail the seas for eternity to be saved only by the faithful woman Senta. Mr. Gamboa supplied deft control to this surging music from 1843.

Due to illness tenor Mark Kratz was not able to perform one of the concertís works,"La Fleur que tu m'avais jetťe" from Bizetís Carmen, which made an already rather short concert even shorter. However he was able to sing well collaborating with baritone John Kelley in the famous "Au fond du temple saint" from same composerís opera Pearl Fishers. They combined acting with the singing as they embraced while singing the final lines, "Yes, let us share the same fate, let us be united until death!"

That was even more true with Mr. Kelley's performance of "Largo al factotum," the "Figaro" song from Rossini's wonderful The Barber of Seville. It's a difficult piece to sing because of the rapid-fire triplets and tongue-twisting Italian words, but he pulled it off with aplomb and an extroverted stage presence perfect for this comic aria.

The concert finale featured all four singers performing arguably operaís most famous vocal quartet, "Bella figlia dell'amore," from Verdiís Rigoletto (1851). The quartet sang perfectly together, each with facial and body gestures expressing their own emotions, yet with melting harmony. As is becoming traditional at Sonoma County Philharmonic concerts, they took their ensemble bows to a standing ovation.