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Chamber
YOUNG MUSICIANS SHINE AT PIANO SONOMA CONCERT
by Lee Ormasa
Tuesday, August 01, 2017
The third in a series of four concerts by Piano Sonoma artists in residence, part of the Vino and Vibrato Series, was held August 1 in Schroeder Hall at the Green Music Center. Entitled “The Masters,” the program included works by Bach, Beethoven, Mozart and Haydn. Piano Sonoma is a summer artist-in...
Chamber
THRILLING PROGRAM CLOSES VOM CHAMBER FESTIVAL AT HANNA CENTER
by Lee Ormasa
Sunday, July 30, 2017
The finale of the two-week Valley of the Moon Music Festival closed July 30 with “The Age of Bravura” concert at the Sonoma’s Hanna Boys Center. The musical selections held to this year’s Festival theme “Schumann’s World - His Music and the Music He Loved.“ This summer Festival features chamber mus...
Chamber
PERIOD INSTRUMENTAL SOUND AT PENULTIMATE VOM FESTIVAL CONCERT
by Terry McNeill
Sunday, July 30, 2017
In the Valley of the Moon Chamber Music Festival’s penultimate concert July 30 the perennial issue of period and modern instruments was apparent. But only in the concluding Mendelssohn Trio, as the performances in the two first half works easily avoided instrumental comparisons. Clara Schumann’s t...
Chamber
ECLECTIC REPERTOIRE IN FETCHING VOM FESTIVAL CONCERT
by Terry McNeill
Saturday, July 22, 2017
One of the purposes of summer music festivals is to present unfamiliar music in an attractive and often small audience setting. The Valley of the Moon Music Festival delightfully met these requirements July 22 and 23 with two concerts in the small hall at Sonoma’s Hanna Boys Center. Classical Sono...
Chamber
KODALY DUO TRUMPS POPULAR MENDELSSOHN TRIO AT SLV CONCERT
by Terry McNeill
Wednesday, June 21, 2017
It’s not really a secret, but Sonoma County’s best chamber music series is one without much notoriety or publicity. The concerts at Santa Rosa’s Spring Lake Village programs are only for residents and a few invited guests. Impresario Robert Hayden years ago honed his producer skills as founder of ...
Chamber
NOTES AND BARS DO NOT A PRISON MAKE
by Nicki Bell
Saturday, April 29, 2017
The Hermitage Piano Trio brought exuberant musicality and sumptuous sound to a packed house April 29 in Occidental's Performing Arts Center for the last concert in the Redwood Arts Council’s 37th season. With a wide interpretive range--from lush to delicate to passionate--these three young Russian v...
Chamber
CONSUMMATE ENSEMBLE FROM THE MIRÓ IN WEILL
by Sonia Tubridy and Nicki Bell
Sunday, March 05, 2017
A March 5 Weill hall audience of 350 leaned in to share an intimate musical space and to hear the Miró String Quartet’s sterling concert. Starting with Haydn's Op. 20, No. 4, the four musicians seemed to want listeners to be enveloped in their music. The Miró plays with the feat of being four dist...
Chamber
MUSIC AND ART MELD IN ZUCKERMAN TRIO CONCERT
by Nicki Bell
Friday, February 24, 2017
A Feb. 24 Weill Hall concert by the Pinchas Zuckerman Trio juxtaposed formidable music making with palpable associations about visual art. Brahms’ C Minor "Sonatensatz” (Scherzo) is a short youthful work for violin and piano, and was an opening call to action. Lively and vigorous playing alternated...
Chamber
THREE BEETHOVEN TRIOS BEGUILE AUDIENCE IN FEB. 19 WEILL CONCERT
by Terry McNeill
Sunday, February 19, 2017
Chamber music concerts featuring one composer can be tricky, but the Han/Setzer/Finckel trio made a Feb. 19 Weill Hall audience of 500 hear and to a degree see the boundless creativity of Beethoven. The G Major Trio, Op. 1, No. 2, opened the afternoon’s Beethoven odyssey and one wonders why it is t...
Chamber
AUTHORITATIVE BARTOK HIGHLIGHTS TETZLAFF VIOLIN RECITAL
by Terry McNeill
Saturday, February 18, 2017
Christian Tetzlaff’s Feb. 18 violin recital rolled along with lively and fresh readings of Mozart, Beethoven and Schubert when the specter of Bartok’s granitic Second Sonata intervened. The sonic shock to the audience of 250 in Weill was palpable. Composed in 1923 the 20-minute two-movement work i...
CHAMBER REVIEW
Ft. Bragg Center For the Arts / Sunday, January 15, 2017
Carolyn Steinbuck, piano; Marcia Sloane, cello; Eric Kritz, clarinet

E. Kritz, C. Steinbuck and M. Sloane Bowing Before Preston Hall Audience

A MUSICAL ODYSSEY IN RIVITING PRESTON HALL RECITAL

by Terry McNeill
Sunday, January 15, 2017

A standing room audience warmly greeted pianist Carolyn Steinbuck Jan. 15 in the season’s second Ft. Bragg Center For the Arts concert in Mendocino’s plebian Preston Hall.

Ms. Steinbuck, to be joined in the program’s second half by clarinetist Eric Kritz and cellist Marcia Sloane, programmed Schubert’s big B-Flat Major Sonata, D. 960. Schubert’s piano music is seemingly now on every recital program, but this is a recent development, and the first recording of a Schubert Sonata was as late as 1928. The pianist read extensive program notes and discussed the reasons for deciding to take the first movement repeat before beginning a 40-minute musical odyssey.

But the odyssey, although long, never dragged and underscored what pianists call the Schubert’s “heavenly length.” The tempos throughout the Sonata were judicious and never hurried, leaving room for many variations in the low bass trills and voice leading. The Hall’s resident piano was voiced warmly rather than brilliantly, and through the first two movements the playing was both dramatic and poetic. There were little artistic touches everywhere, including an arpeggiated chord before the Molto moderato’s concluding chords, and a beguiling and carefully shaped three-note repeated left-hand figures (played seco) in the Andante. The playing here was a highlight in the concert.

Ms. Steinbuck, a seminal figure in Mendocino County music for many years, pushed the tempo in the concluding Allegro but the music never got out of hand, and drew a raucous standing ovation. It was a workman performance that focused on the spirituality and often-delicate repose of the composer’s last and greatest Sonata.

Following a long intermission Mr. Kritz and Ms. Sloane joined the pianist for Muczynski’s Fantasy Trio, Op. 26, the work last heard locally with the Trio Navarro in 2015. The four-movement composition from 1971 received a reading that alternated aggressive rhythms and lyrical outbursts. It’s a free wheeling trio with constantly changing meter, and sporadically the clarinet line was lost in the sonic mix. Ms. Sloane played a long opening line in the Andante over pedal point in the piano, then Mr. Kritz performed a mournful theme over drone phrases from the cello. The music is not nostalgic, just sad, with a soft and haunting last cello and clarinet notes.

Strongly syncopated rhythmic playing and clipped phrases characterized the Allegro Deciso, the music jabbing with quick thrusts, and the Finale went from a bucolic beginning to a jaunty conclusion, with whiffs of sardonic Shostakovich. Ms. Sloane’s cello had the requisite low note growl.

Brahms’ late romanticism was on display in the concluding Clarinet Trio, Op. 114. Instrumental colors were foremost here with a wider cello vibrato and some pesky string pitch wavering in the high registers. Much of the lovely Adagio was question and response phrasing between Ms. Sloane and Ms. Kritz, with a subsidiary piano line. Mr. Kritz’s deft clarinet playing dominated the Andantino with phrasing of a tender dance.

A typical raucous Brahms Allegro ended the work with a perfect instrumental interplay of the many structural sequences of falling thirds. It was short, just under five minutes, but packed with energetic and at times virtuosic playing.

Another standing ovation brought this stellar Trio back for an encore, a droll and circus like piece (“Trickster”) by Ms. Sloane that not surprisingly featured her cello playing. It was spirited and a little spooky in a refined way, with a charming long decrescendo to a quiet finish.

Clearly Ms. Steinbuck’s Trio is a North Coast favorite and presented a performance that combined provocative programing, transparent ensemble and exemplary playing.