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Chamber
HEROIC TRUMPET AND ORGAN MUSIC AT INCARNATION
by Jerry Dibble
Friday, October 12, 2018
The strong connections between Santa Rosa’s musical community and California State University Chico were on display Oct. 12 as David Rothe, Professor Emeritus in the Chico Music Department, and Ayako Nakamura, trumpet with the North State Symphony, presented a concert titled “Heroic Music for Trumpe...
Symphony
LECCE-CHONG PROVES HIS METTLE WITH SANTA ROSA SYMPHONY
by Steve Osborn
Sunday, October 07, 2018
Francesco Lecce-Chong was handed two warhorses for his debut as conductor of the Santa Rosa Symphony, and he rode them both to thrilling victory. For the first win, Brahms’ violin concerto, he owed much to soloist Arnaud Sussman, but for the other triumph, Beethoven’s fifth symphony, he and his musi...
Chamber
THORNY BARTOK AND ELEGANT MENDELSSOHN FOR THE BRENTANO
by Sonia Morse Tubridy
Sunday, September 30, 2018
In a minor masterpiece of programming choices the Brentano String Quartet played a Sept. 30 Weill Hall program with an emphasis on refinement, even with a challenging Bartok work in the mix. Dvorák’s Miniatures for Two Violins and Viola (Op. 75a) opened the concert with charm and gentle loveliness,...
Chamber
ECHO'S RICH MUSICAL TAPESTRY IN MARIN
by Abby Wasserman
Sunday, September 30, 2018
Marin’s Echo Chamber Orchestra unfurled a glorious tapestry of Mozart, Weber and Respighi music Sept. 30 in San Anselmo’s First Presbyterian Church. The church, located on the grounds of San Francisco Theological Seminary, boasts a ceiling high enough for angels to fly, and its quiet setting and aco...
Recital
IDIOMATIC SCHUMANN AND BEETHOVEN HIGHTLIGHT WALKER'S CONCERTS GRAND RECITAL
by Terry McNeill
Sunday, September 23, 2018
Mostly known as a concert producer and indefatigable promoter of Sonoma County music, pianist Judy Walker stepped into the soloist’s role Sept. 23 in a sold out recital for the Concerts Grand House recitals series. Two Scarlatti Sonatas, in D Minor (K. 213) and D Major (K. 29), began the hour-long ...
Symphony
SAKAKEENY'S LION AND ROSE HIGHLIGHTS SO CO PHIL'S 20TH SEASON OPENER
by Terry McNeill
Saturday, September 22, 2018
Fresh from a triumphant tour in Latin America the Sonoma County Philharmonic opened its 20th season Sept. 22 in a celebratory concert in the Santa Rosa High School Auditorium. Keeping to the evening’s orchestra history and past performance, conductor emeritus Gabriel Sakakeeny, who led the So Co Ph...
Recital
DEDIK'S POTENT BEETHOVEN AND CHOPIN AT SPRING LAKE VILLAGE RECITAL
by Terry McNeill
Monday, September 17, 2018
Anastasia Dedik returned Sept. 17 to the Spring Lake Village Classical Music Series in a recital that featured three familiar virtuoso works in potent interpretations. Chopin’s G Minor Ballade hasn’t been heard in Sonoma County public concerts since a long-ago Earl Wild performance, and Beethoven’s...
Recital
DUO WEST OPENS OCCIDENTAL CONCERT SEASON
by Terry McNeill
Sunday, September 09, 2018
Before a full house at the Occidental Performing Arts Center Sept. 9 the cello-piano Duo West, playing from score throughout, presented a recital that on paper looked stimulating and thoughtful. Beginning with MacDowell’s To A Wild Rose (from Woodland Sketches, Op. 51), the transcription by an unan...
Chamber
CELLO-PIANO DUO IN HUSKY SPRING LAKE VILLAGE PROGRAM
by Terry McNeill
Wednesday, September 05, 2018
Two thirds of the way through a stimulating 22-concert season the Spring Lake Village Classical Music Series Sept. 5 presented two splendid cello sonatas before 110 people in the Village’s Montgomery auditorium. A duo for more than a decade, East Bay musicians cellist Monica Scott and pianist Hadle...
Chamber
EXTRAVAGANT FUSION OF STYLES AT CHRIS BOTTI BAND WEILL HALL CONCERT
by Jerry Dibble
Sunday, August 12, 2018
Trumpeter Chris Botti still performs in jazz venues including SF Jazz and The Blue Note, but now appears mostly in cavernous halls or on outdoor stages like the Sonoma State University’s Green Music Center. He brought his unique road show to the packed Weill Hall August 12 in a concert of effusive e...
RECITAL REVIEW
Green Music Center / Sunday, February 26, 2017
Yu-Chien Tseng, violin; Chang-Yong Shin, piano

Yu-Chien Tseng (l) and Chang-Yong Shin Feb. 26 in Schroeder

BRILLIANT VIOLIN AND PIANO ARTISTRY CHARMS SCHROEDER HALL AUDIENCE

by Terry McNeill
Sunday, February 26, 2017

A tiny Schroeder Hall audience heard a flawless recital Feb. 26 by Yu-Chien Tseng, arguably the best recent local violin recital since Gil Shaham’s transversal of the complete Bach Suites in Weill and Frank Almond’s Oakmont recital in 2015.

Muscular playing was the afternoon’s norm, and with pianist Chang-Yong Shin Mr. Tseng dived headlong into Mozart’s lovely B-Flat Major Sonata, K. 454. Contrapuntal lines were lucid, as were Mr. Shin’s scale passages in the hall’s clear acoustics. The allegro was weighty and dramatic, a nice contrast to the deep passionate thematic glow in the andante. Mr. Tseng exhibited a beautiful ability to softly and deftly swell on individual notes. The playing in the finale caught the brisk charm of the music, and there was effortless returning to the main theme. This Sonata seems to lead to Schubert’s music 20 years hence. It was a perfect beginning to a concert of prodigious accomplishment

Brawny playing continued in Brahms’ D Minor Sonata, Op. 108, but the score from 1888 can easily stand a powerful and often loud interpretation. All through the four-movement Sonata, the composer’s last, the unusual rhythms were mastered and the big repeated first movement section was sharply different from the first statement.

Despite initial pitch wobbles in the adagio Mr. Tseng quickly found his footing and played expressively and without affectations. Tempos throughout seemed just right, fast when needed but never hurried. The chorale section of the last movement briefly relieved the tension and the duo forged ahead to a roaring bass heavy Brahms ending. It was a dynamic performance with virtuoso work from both artists.

Following intermission Mr. Tseng returned for Bach’s solo Partita in D Minor, BWV 1004. Here again it was a mature and finished reading, stressing fluidity of phrase and omitting many of the short pauses often heard in this magnificent composition. Mr. Tseng played with even trills, no portamento, little rubato and at the end of the concluding Chaconne he held notes to unusual length. He did not emphasize his instrument’s lower register and instead established a balanced sonic architecture over the five extended dance-like sections. His Bach was worthy to stand with Mr. Shaham’s performance.

Closing the concert, which had no encore, was Wieniawski’s frothy but difficult Variations on and Original Theme, Op. 15. This was perhaps a Sonoma County premiere performance, and Mr. Tseng’s formidable technique was up to every skip, double stop, octave, slide, harmonic, sforzando and speedy scale. Mr. Shin did not shrink from the music foray, and in solo sections he played more forcefully and louder than his partner, which in this flashy 12-minute work took some doing.

The waltz ending and coda were brilliantly performed, and generated loud applause.