Home  Reviews  Articles  Calendar  Presenters  Add Event     
Symphony
MENDELSSOHN'S SCOTTISH SAVES THE EVENING IN SRS WEILL CONCERT
by Terry McNeill
Monday, February 11, 2019
The audience entering Weill Hall for Santa Rosa Symphony concerts Feb. 9-11 were presented with a program that on first glance appeared a curious patchwork Ė a great symphony mixed with a seldom heard concerto and two disparate overtures, and a guest conductor unknown locally. Monday nightís concer...
Recital
INTRIGUING BELL-HAYWOOD RECITAL BEFORE FULL HOUSE IN WEILL HALL
by Abby Wasserman
Friday, February 08, 2019
A big portion of the capacity audience in Weill Hall February 8th came to hear violinist Joshua Bellís virtuosity, and were treated as well to splendid playing from Sam Haywood, Mr. Bellís regular pianist since 2010. The duo performed three engaging sonatas, highlighted by Mr. Bellís sterling techn...
Symphony
TRIPLE PLAY UKIAH SYMPHONY CONCERT AND TCHAIKOVSKY SERENADE
by Terry McNeill
Sunday, January 27, 2019
Over the years the Ukiah Symphonyís concerts have been in the Classical Sonoma Calendar sections, but rarely has this Orchestra, now in its 39th season, had a full winter season concert review. The provocative Jan. 27 program in Mendocino Collegeís Center Theater seemed a good reason to reacquaint ...
Symphony
JACKSON THEATER WELCOMES A NEW RESIDENT ORCHESTRA
by Terry McNeill
Saturday, January 26, 2019
Moving to a permanent new performance venue can be a perilous undertaking for an orchestra, with different acoustics, the loyal audience finding the new spot and infrastructure challenges of lighting and lobby and backstage operations. In their first concert Jan. 26 in Windsorís Jackson Theater the...
Symphony
ECLECTIC PASSIONATE PROGRAMMING AT MARIN SYMPHONY CONCERT
by Abby Wasserman
Saturday, January 26, 2019
The Marin Symphonyís second Masterworks concert of the 2018-19 season featured works by John Adams, Sibelius and Brahms, a masterful assembly. In a spoken introduction before the programís first half, conductor Alasdair Neale primed the audience for the ďterra incognitaĒ of Adamsí The Chairman Dance...
Symphony
A SLICE OF HEAVEN FROM THE SANTA ROSA SYMPHONY
by Steve Osborn
Sunday, January 13, 2019
Under its vibrant new music director, Francesco Lecce-Chong, the Santa Rosa Symphony this past Sunday offered a nearly perfect afternoon of Mozart (Symphony No. 40) and Mahler (Symphony No. 4). While the two works share a common digit, the only element uniting them is genius. They made for a dazzlin...
Recital
KHOZYAINOV'S BRILLIANT PIANISM IN MILL VALLEY RECITAL
by Abby Wasserman
Sunday, January 13, 2019
In its third concert of the season the Mill Valley Chamber Music Society Jan. 13 presented Russian virtuoso Nikolay Khozyainov. His intelligent and sensitive interpretations, masterful pedal work, and virtuoso technique left the near-capacity audience in Mt. Tamalpais Methodist Church astounded and ...
Chamber
A COMPLETE MUSICAL PACKAGE IN ARRON'S OAKMONT RECITAL
by Terry McNeill
Thursday, January 10, 2019
Cellist Edward Arron has been a welcome artist at the Music at Oakmont series, and after his Jan. 10 recital itís easy to understand his popularity. His artistry is a complete package, with potent instrumental technique wedded to integral musical conceptions. In a nearly flawless concert with pian...
Choral and Vocal
COMPELLING WEILL HALL MESSIAH ORATORIO FROM THE ABS
by Terry McNeill
Saturday, December 15, 2018
Each holiday season when a Classical Sonoma reviewer is assigned to cover a concert with Handelís seminal Oratorio The Messiah, the question arises about what new commentary can possibly apply to the often performed choral work. Well, if itís the American Bach Soloists performing the piece, written...
Opera
PURCELL'S DIDO IN YOUTHFUL SSU OPERA
by Abby Wasserman
Wednesday, December 05, 2018
A doomed royal love affair, the theme of Purcellís Dido and Aeneas, was brought to lovely life at Sonoma State University Dec. 5 in the schoolís Schroeder Hall. Conducted by faculty member Zachary Gordin, who also played continuo, the performance was only the second opera production presented by the...
RECITAL REVIEW
Green Music Center / Sunday, February 26, 2017
Yu-Chien Tseng, violin; Chang-Yong Shin, piano

Yu-Chien Tseng (l) and Chang-Yong Shin Feb. 26 in Schroeder

BRILLIANT VIOLIN AND PIANO ARTISTRY CHARMS SCHROEDER HALL AUDIENCE

by Terry McNeill
Sunday, February 26, 2017

A tiny Schroeder Hall audience heard a flawless recital Feb. 26 by Yu-Chien Tseng, arguably the best recent local violin recital since Gil Shahamís transversal of the complete Bach Suites in Weill and Frank Almondís Oakmont recital in 2015.

Muscular playing was the afternoonís norm, and with pianist Chang-Yong Shin Mr. Tseng dived headlong into Mozartís lovely B-Flat Major Sonata, K. 454. Contrapuntal lines were lucid, as were Mr. Shinís scale passages in the hallís clear acoustics. The allegro was weighty and dramatic, a nice contrast to the deep passionate thematic glow in the andante. Mr. Tseng exhibited a beautiful ability to softly and deftly swell on individual notes. The playing in the finale caught the brisk charm of the music, and there was effortless returning to the main theme. This Sonata seems to lead to Schubertís music 20 years hence. It was a perfect beginning to a concert of prodigious accomplishment

Brawny playing continued in Brahmsí D Minor Sonata, Op. 108, but the score from 1888 can easily stand a powerful and often loud interpretation. All through the four-movement Sonata, the composerís last, the unusual rhythms were mastered and the big repeated first movement section was sharply different from the first statement.

Despite initial pitch wobbles in the adagio Mr. Tseng quickly found his footing and played expressively and without affectations. Tempos throughout seemed just right, fast when needed but never hurried. The chorale section of the last movement briefly relieved the tension and the duo forged ahead to a roaring bass heavy Brahms ending. It was a dynamic performance with virtuoso work from both artists.

Following intermission Mr. Tseng returned for Bachís solo Partita in D Minor, BWV 1004. Here again it was a mature and finished reading, stressing fluidity of phrase and omitting many of the short pauses often heard in this magnificent composition. Mr. Tseng played with even trills, no portamento, little rubato and at the end of the concluding Chaconne he held notes to unusual length. He did not emphasize his instrumentís lower register and instead established a balanced sonic architecture over the five extended dance-like sections. His Bach was worthy to stand with Mr. Shahamís performance.

Closing the concert, which had no encore, was Wieniawskiís frothy but difficult Variations on and Original Theme, Op. 15. This was perhaps a Sonoma County premiere performance, and Mr. Tsengís formidable technique was up to every skip, double stop, octave, slide, harmonic, sforzando and speedy scale. Mr. Shin did not shrink from the music foray, and in solo sections he played more forcefully and louder than his partner, which in this flashy 12-minute work took some doing.

The waltz ending and coda were brilliantly performed, and generated loud applause.