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Symphony
SONIC SPLASH AND ENSEMBLE DELICACY AT SO CO PHIL CONCERT
by Terry McNeill
Saturday, November 18, 2017
Franck’s wonderful D Minor Symphony is a rarity on today’s concert programs, and I can’t remember a North Bay performance in many years from any of the six resident area orchestras. So it was good to see the Sonoma County Philharmonic feature it in their Nov. 18 and 19 concerts at Santa Rosa High S...
Chamber
TETZLAFF QUARTET'S MASTERY IN MOZART AND SCHUBERT
by Terry McNeill
Saturday, November 11, 2017
German violin virtuoso Christian Tetzlaff presented a critically successful Weill Hall recital Feb. 18, and returned to the same venue Nov. 11 with his admirable Tetzlaff Quartet in a program of Berg, Schubert and Mozart. Clarity of ensemble has always been a hallmark of this Quartet, and contrapun...
Chamber
RAVISHING SHORT OPERAS FROM FRENCH TROUPE IN WEILL
by Terry McNeill
Friday, November 10, 2017
Standard Weill Hall fall and winter classical programs are pretty routine – symphonic music, chamber, solo recitals – so it was a rare treat Nov. 10 when just two works from the 17th century were gloriously presented. With such specialized compositions, period performers with commanding authenticit...
Symphony
MEI-ANN CHEN PROVES A WORTHY CONTENDER FOR SANTA ROSA SYMPHONY CONDUCTING POST
by Steve Osborn
Sunday, November 05, 2017
These days the focus of Santa Rosa Symphony concerts is as much on the conductor candidates as on the soloists. This past weekend’s concerts featured the second of those candidates, Mei-Ann Chen, along with pianist Nareh Arghamanyan, each of whom cut an imposing figure on the stage. Chen is diminut...
Symphony
TO RUSSIA WITH BRILLIANCE
by Terry McNeill
Friday, November 03, 2017
Russian pianist Denis Matsuev’s high velocity and frequently slam-bang virtuosity came to the Green Music Center last year with a thrilling and equally perplexing solo performance. So many in Weill Nov. 3 were interested to hear if his pianistic style would mesh well in a concerto, and with a fine ...
Symphony
THUNDEROUS TCHAIKOVSKY FOURTH OPENS MARIN SYMPHONY SEASON
by Terry McNeill
Tuesday, October 31, 2017
North Coast weather is turning cool and the nights longer, ideal for Tchaikovsky’s big boned symphonies. The Santa Rosa Symphony recently programmed the Fourth (F Minor Symphony) as did the San Francisco Symphony. Norman Gamboa’s Sonoma County Philharmonic just played the Tchaikovsky First, forgoi...
Recital
RESPIGHI'S PUNGENT SONATA HIGHLIGHTS KENNEY-GUTMAN RECITAL
by Terry McNeill
Sunday, October 29, 2017
Respighi’s B Minor Violin Sonata seems never to gain conventional repertoire status. Perhaps the great Heifetz recording is intimidating, and I can recall over many years just two local performances: Jason Todorov and William Corbett-Jones years go in Newman, and a titanic reading in March by Anne S...
Chamber
MIRÓ QUARTET AND JEFFERY KAHANE PROVIDE MUSICAL RELIEF FOR FIRE-RAVAGED SONOMA COUNTY
by Steve Osborn
Saturday, October 28, 2017
Sonoma County’s Green Music Center has stood silent but unscathed the past few weeks as the county begins to recover from the devastating fires that began on the evening of October 8, only a few hours after a Santa Rosa Symphony concert in the Music Center. Since then, concerts by the Symphony, the ...
Symphony
CONDUCTOR PLAYOFFS BEGIN IN SANTA ROSA
by Steve Osborn
Sunday, October 08, 2017
The Santa Rosa Symphony is calling 2017-18 “a choice season” because the next few months offer the audience and the symphony’s board of directors a chance to choose a new conductor from a pool of five candidates. Each candidate will lead a three-concert weekend set this fall and winter, with a final...
Recital
PIANISTIC COMMAND IN SCHROEDER RECITAL
by Lee Ormasa
Sunday, October 08, 2017
Nikolay Khozyainov’s Oct. 8 debut at the Green Music Center’s Schroeder Hall was one of those rare moments in a young artist’s career when a performance approaches perfection. From the opening notes of Beethoven’s A-Flat Major Sonata (Op. 110) through a delightful recital ending transcription, the ...
RECITAL REVIEW
Green Music Center / Sunday, February 26, 2017
Yu-Chien Tseng, violin; Chang-Yong Shin, piano

Yu-Chien Tseng (l) and Chang-Yong Shin Feb. 26 in Schroeder

BRILLIANT VIOLIN AND PIANO ARTISTRY CHARMS SCHROEDER HALL AUDIENCE

by Terry McNeill
Sunday, February 26, 2017

A tiny Schroeder Hall audience heard a flawless recital Feb. 26 by Yu-Chien Tseng, arguably the best recent local violin recital since Gil Shaham’s transversal of the complete Bach Suites in Weill and Frank Almond’s Oakmont recital in 2015.

Muscular playing was the afternoon’s norm, and with pianist Chang-Yong Shin Mr. Tseng dived headlong into Mozart’s lovely B-Flat Major Sonata, K. 454. Contrapuntal lines were lucid, as were Mr. Shin’s scale passages in the hall’s clear acoustics. The allegro was weighty and dramatic, a nice contrast to the deep passionate thematic glow in the andante. Mr. Tseng exhibited a beautiful ability to softly and deftly swell on individual notes. The playing in the finale caught the brisk charm of the music, and there was effortless returning to the main theme. This Sonata seems to lead to Schubert’s music 20 years hence. It was a perfect beginning to a concert of prodigious accomplishment

Brawny playing continued in Brahms’ D Minor Sonata, Op. 108, but the score from 1888 can easily stand a powerful and often loud interpretation. All through the four-movement Sonata, the composer’s last, the unusual rhythms were mastered and the big repeated first movement section was sharply different from the first statement.

Despite initial pitch wobbles in the adagio Mr. Tseng quickly found his footing and played expressively and without affectations. Tempos throughout seemed just right, fast when needed but never hurried. The chorale section of the last movement briefly relieved the tension and the duo forged ahead to a roaring bass heavy Brahms ending. It was a dynamic performance with virtuoso work from both artists.

Following intermission Mr. Tseng returned for Bach’s solo Partita in D Minor, BWV 1004. Here again it was a mature and finished reading, stressing fluidity of phrase and omitting many of the short pauses often heard in this magnificent composition. Mr. Tseng played with even trills, no portamento, little rubato and at the end of the concluding Chaconne he held notes to unusual length. He did not emphasize his instrument’s lower register and instead established a balanced sonic architecture over the five extended dance-like sections. His Bach was worthy to stand with Mr. Shaham’s performance.

Closing the concert, which had no encore, was Wieniawski’s frothy but difficult Variations on and Original Theme, Op. 15. This was perhaps a Sonoma County premiere performance, and Mr. Tseng’s formidable technique was up to every skip, double stop, octave, slide, harmonic, sforzando and speedy scale. Mr. Shin did not shrink from the music foray, and in solo sections he played more forcefully and louder than his partner, which in this flashy 12-minute work took some doing.

The waltz ending and coda were brilliantly performed, and generated loud applause.