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Chamber
VANHAL QUARTET AT VOM FESTIVAL DISCOVERY AT HANNA CENTER
by Abby Wasserman
Sunday, July 15, 2018
A near-capacity crowd of 220 filled the Sonoma Hanna Boys Center Auditorium July 15 for the opening concert of the fourth Valley of the Moon Music Festival. This Festival presents gems of the Classical and early Romantic periods performed on instruments of the composer’s era, which presents a few ch...
Chamber
COMMANDING CHOPIN AND DEBUSSY IN SLV RECITAL
by Terry McNeill
Wednesday, June 06, 2018
Concerts at the classy Spring Lake Village Retirement Home in Santa Rosa have admission limited to residents and a few guests, but the chance to hear a first cabin North Bay pianist June 6 brought a Classical Sonoma reviewer into the audience of 100. The crowd numbers were unusually low due to a ba...
Chamber
FINAL VOM MUSICIANS CONCERT IN SCHROEDER A SCHUBERT DELIGHT
by Terry McNeill
Saturday, May 12, 2018
It's rare to have the opportunity to compare in a short period two performances of the same major Schubert work, in this case the great B Flat Piano Trio, D. 898. The chance came May 12 when the Valley of the Moon Festival musicians played it in Schroeder, just over a month since the Hall’s residen...
Chamber
VIRTUOSO CELLO AND GUITAR TRANSCRIPTIONS AT RAC SEBASTOPOL CONCERT
by Terry McNeill
Saturday, April 14, 2018
Listeners and yes even music critics usually prepare for a concert with research, checking recorded performances, looking at artist biographies and even reviewing sheet music. This was a difficult task for the April 14 Redwood Arts Council concert in Sebastopol’s Community Church, as the performers...
Chamber
TRIO NAVARRO'S POPULAR FARE IN SCHROEDER HALL CONCERT
by Terry McNeill
Sunday, April 08, 2018
Long time Classical Sonoma readers may recall many Trio Navarro concert reviews that lauded their virtuosity and interest in rarely played repertoire. The April 8 concert in Schroeder Hall before 85 chamber music fans featured sterling performances but had a mostly conservative menu of popular trio...
Chamber
VOM FESTIVAL TRIO CHARMS WITH CHAMBER MIX, AND HUMMEL
by Terry McNeill
Saturday, March 31, 2018
At the core of the group of Valley of the Moon Music Festival (VOM) musicians is an ensemble of trios and duos, and as a trio March 31 Festival founders cellist Tanya Tomkins and pianist Eric Zivian joined British violinist Monica Huggett for a chamber music concert in the Green Music Center’s Schro...
Chamber
ADVENTUROUS BACH AND PENDERECKI IN MUTTER-ORKIS WEILL RECITAL
by Terry McNeill
Friday, March 02, 2018
German violinist Anne-Sophie Mutter returned to Weill Hall March 2 in a recital curiously different than her appearance on the same stage several years ago, and also dissimilar to a recent San Francisco concert with a heroic Respighi Sonata performance. On a rainy night before 700 fans Ms. Mutter ...
Chamber
BEETHOVEN'S MAJESTY IN TAKACS QUARTET CONCERT
by Terry McNeill
Sunday, February 25, 2018
Greatness in a single musical composition carried the day Feb. 25 when the Takács String Quartet played Beethoven in Weill Hall. Sweeping aside two first half pieces, the Takács tackled Beethoven’s penultimate Quartet, the monumental C-Sharp Minor, Op. 131, written in 1826. From the first notes (<...
Chamber
KIM-PETERSEN DUO SHINE IN MILL VALLEY CHAMBER RECITAL
by Abby Wasserman
Sunday, February 18, 2018
“Bomsori” means “the sound of spring” in Korean, and violinist Bomsori Kim’s sound is like spring - fresh, clarion, and nuanced. Her expressiveness and obvious pleasure in engaging with audiences is substantial, and she partnered with pianist Drew Petersen in a Feb. 18 recital for the Mill Valley C...
Chamber
POWERHOUSE TANEYEV QUARTET IN TRIO NAVARRO CONCERT
by Sonia Tubridy
Sunday, February 18, 2018
Now in their 26th year of presenting chamber music as artists in residence at Sonoma State University, members of the Navarro Trio have performed, over the years, piano trios both famous and rarely performed, including many contemporary works. Mozart’s Piano Quartet in G Minor, K. 478 opened the Fe...
CHAMBER REVIEW
Mastercard Performance Series / Friday, February 24, 2017
Pinchas Zukerkman, violin; Amanda Forsyth, cello; Angela Cheng, piano

Zuckerman Trio

MUSIC AND ART MELD IN ZUCKERMAN TRIO CONCERT

by Nicki Bell
Friday, February 24, 2017

A Feb. 24 Weill Hall concert by the Pinchas Zuckerman Trio juxtaposed formidable music making with palpable associations about visual art.

Brahms’ C Minor "Sonatensatz” (Scherzo) is a short youthful work for violin and piano, and was an opening call to action. Lively and vigorous playing alternated with the tender and gentle, and pianist Angela Cheng and Mr. Zuckerman mastered the quickly shifting rhythms of the five-minute piece, originally a movement in a collaborative sonata. It was over in a flash.

Most of the first half of the program was Kodaly's remarkable Duo for Violin and Cello, Op. 7.
 Ms. Forsyth and Mr. Zuckerman are a striking stage couple. Like his fellow 
Hungarian Bartok, Kodaly's music is filled with references to Hungarian folk and gypsy rhythms and tunes. Written in 1914, the large-scale work in three movements gave each instrument a full range of expression and 
technical virtuosity. The allegro serioso was very dramatic with bursts of power, tempo changes and motifs passed back and forth. It ended in a whisper. A lovely searching and ruminating cello solo launched the adagio, 
then bursts of Magyar character.

The improvisatory opening of the finale leaps into a propulsive presto that quotes a Hungarian children's song. Mr. Zukerman has a mastery of violin tone color and the ability to make
 a single sustained note become eternity. It was difficult to believe there were only two instruments playing and not a small orchestra creating this world of sweeping passion with orchestra affects.

Schubert's B Flat Trio (Op. 99, D. 898) brought all three musicians together, and as a trio they have been together since 2013. The shifting balances of the instruments 
throughout the whole trio were beautifully crafted, and modulations were underscored and phrases balanced. The Zuckerman Trio captured the character of the music, written during Schubert’s last year, in every changing moment. Ms. Cheng joined the mix with with a sensitive touch and clear articulation. It was a three-way conversation: the luscious cello tone, the piano support and the warmth of the violin line. The playing had sparkle and easily reminded one of the “Trout” Quintet and much of the composer’s song output.

The first movement was full of yearning and joy and color. Ms. Forsyth’s warm cello sound was captivating in the andante, and the ensemble became a lullaby with Mr. Zuckerman’s rich violin tone and Ms. Cheng’s softly rocking piano line. One of the great slow movements of all classical music, this movement alone could seduce one to embrace Schubert. In the frolicking scherzo the playing was effervescent.

The performance of the finale was a joy to hear and the Trio traded off themes and phrases in a light-hearted manner. This was music with an artistic smile after each artistic frown.

Robert Schumann said "One glance at the Schubert Op. 99 Trio and the troubles of our human existence disappear 
and all the world is fresh and bright again." This exemplary performance proved the comment.

Prior to the concert a reception in Weill’s lobby was held to inaugurate the hanging of a painting, “The Tower,” by Sonoma State artist Mark Perlman. Situated behind the lobby bar, the work was described as embodying the close relationship of fine art and music.

Sonia Tubridy contributed to this review.