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HULKING MAHLER "TITAN" AT SO CO PHIL'S SEASON FINALE
by Terry McNeill
Saturday, April 08, 2017
A composer’s first symphony rarely gives a clear indication of what beautiful complexities will follow over the years. Early Mozart and Tchaikovsky are examples, and the big exceptions to this axiom are the “firsts” of Beethoven, Shostakovich and Mahler. Tackling Mahler ‘s D Major Symphony (No. 1,...
Symphony
SANTA ROSA SYMPHONY STAYS CLOSE TO HOME
by Steve Osborn
Sunday, March 26, 2017
Santa Rosa Symphony concerts usually feature high-powered soloists imported from afar, but for their recent “Bring on the Strings” concert set, they stuck close to home, thrusting their principal violin, viola and cello into the limelight. The violinist (Joseph Edelberg) and the violist (Elizabeth P...
Symphony
FOREIGN AFFAIRS CHARACTERS OF THE BAROQUE
by Sonia Morse Tubridy
Sunday, March 12, 2017
Akademie für Alte Musik Berlin, known as Akamus, played a Weill Hall concert March 12 in a program called "Foreign Affairs -Characters of the Baroque.” The ensemble, that began in 1984, has 15 musicians led by concert master Bernhard Forck. Attired in elegant black with red accents, ranging from tie...
Symphony
WHAT SOUND DO STAR-CROSSED LOVERS MAKE?
by Steve Osborn
Sunday, February 12, 2017
Valentine’s Day is just around the corner, so the Santa Rosa Symphony feted the occasion by telling and retelling the story of Romeo and Juliet, a tale ever the more poignant during our era of stark divisions. The first telling was from Berlioz; the second from Prokofiev. In between was Brahms’ monu...
Symphony
FUNG TRIUMPHS IN SHOSTAKOVICH CONCERTO WITH VSO
by Elizabeth Warnimont
Sunday, January 29, 2017
The Vallejo Symphony Orchestra presented their season’s second concert Jan. 29 in Vallejo’s Hogan Auditorium, devoted to early Haydn, middle Shostakovich and Beethoven’s ground-breaking “Eroica” Symphony. In remarks to the audiences of nearly 400, Conductor Marc Taddei characterized Haydn’s Sympho...
Symphony
SUBLIME MOZART CLARINET CONCERTO TOPS SO CO PHIL CONCERT
by Terry McNeill
Saturday, January 28, 2017
Sonoma County Philharmonic’s long history of featuring soloists from the neighborhood struck gold again Jan. 28 with a ravishing Mozart Clarinet Concerto performance with soloist Roy Zajac. Before an audience of 300 the Santa Rosa High School hall the A Major Concerto (K. 626) unfolded gracefully w...
Symphony
SYMPHONIC SPLENDOR AND HARP VIRTUOSITY AT SRS CONCERT
by Terry McNeill
Saturday, January 07, 2017
A rainy winter Weill Hall audience of 800 heard the Santa Rosa Symphony Jan. 7 in an eclectic program of four composers including a provocative harp concerto. The music was preceded by manifold stage announcements and somber recognition of SRS musicians that had recently died. A rollicking performa...
Symphony
HEAR THE TOLLING OF THE BELLS--IRON BELLS!
by Steve Osborn
Sunday, December 04, 2016
Thanks to the generosity of Don Green (as in Green Music Center), the Santa Rosa Symphony has for many years performed an annual choral program, usually during the holiday season. In keeping with this tradition, the orchestra and the SSU Symphonic Chorus featured Rachmaninoff’s choral symphony “The ...
Symphony
SENSUAL OPERATIC BON BONS AT SO CO PHIL CONCERT
by Alan Bloom
Saturday, November 19, 2016
Music Director Norman Gamboa never fails to come up with interesting programs for his Sonoma County Philharmonic concerts. It was all opera music for the second concert set of the 2016-2017 season Nov. 19 in the Santa Rosa High School Auditorium. From the romantic opening swells of the Berlioz’ Ov...
Symphony
ORION WEISS TAKES BARTÓK AT THE SPEED OF LIGHT
by Steve Osborn
Sunday, November 06, 2016
Gifted pianists are everywhere these days, but few have the prodigious speed, stamina, and musicality of Orion Weiss. He exhibited all these qualities in a memorable rendition of Béla Bartók’s second piano concerto with the Santa Rosa Symphony Nov. 6 in Weill. Weiss is a no-nonsense pianist. He sea...
SYMPHONY REVIEW
Green Music Center / Sunday, March 12, 2017
Akademie Fur Alte Musik Berlin

Akademie fur Alte Musik Berlin

FOREIGN AFFAIRS CHARACTERS OF THE BAROQUE

by Sonia Morse Tubridy
Sunday, March 12, 2017

Akademie für Alte Musik Berlin, known as Akamus, played a Weill Hall concert March 12 in a program called "Foreign Affairs -Characters of the Baroque.” The ensemble, that began in 1984, has 15 musicians led by concert master Bernhard Forck. Attired in elegant black with red accents, ranging from ties or shawls to socks and glass frames, the musicians, standing to play, engaged the audience immediately with sonic elegance, musical humor and clarity of purpose.

The opening piece was Telemann’s Overture Suite in B-flat, "Les Nations.” This suite set the stage for the theme of "foreign affairs." After a festive, then dance-like overture and  two minuets played with exquisite sensibility, the music contained character pieces depicting "Turcs, Suisse, Muscovites, Portugais Anciens, Portugais modernes, the lame and the runners."  Musical humor abounded with bold, rough and dramatic leaps for the Turks, then mournful moments alternating with lightness for the Swiss. The Muscovites were introduced with a silly and ominous bassoon bell sound alternating cleverly with cello and bass.

Then Portugal had the musicians smiling as they traded dotted rhythms and sudden accented motifs in the lower strings. Finally, the runners were fleet and the limping ones not. The audience found it all was entertaining and full of jolly sounds in good company.

Bach’s Brandenburg Concerto No. 4 in G major, BWV 1049, followed the Telemann.. This beloved piece, with three soloists, violin and two recorders (Anna Fusek and Xenia Loffler) juxtaposed with a larger string ensemble, soared in the Akamus performance and transcended traditional molds. The ensemble was clear and balanced. The musicians breathed and lived the rhythms and musical dialogues. The andante slow movement was heartbreaking in expressive power. Here, suspended  dissonances and chromatic gestures filled the air and were moving and consoling. It is said that Baroque audiences in the Baroque era were moved to tears by the affective power of music and this concert was testimony to that. The presto movement followed "attacca" with dazzling fugal counterpoint, jazz-like riffs and the solo violin bow of Mr. Forck seemingly on fire. Bach's compositional magic swept onward and went into ever-widening realms of imagination and musical discoveries.

A happy crowd returned after intermission for Handel's Suite from Almira, HWV 1, his first opera.. This suite was comprised of instrumental sections written at the age of nineteen. and contains an international group of dances including a set called "The Masque of the Continents.” The playing of the overture had grandeur, as did the wandering of the chaconne and a fast courante with Ms. Fusek’s recorder solo. The sarabande was outstanding for its plaintive and hushed beauty, allowing the lute solo responses between string motifs. A fast and noisy bourree led to a courtly minuet with two oboes, a lively Rigaudon, a Rondeau with busy cello and bass lines, and a Ritornello. Many varieties of instruments were featured.

Vivaldi's Concerto for two oboes in d minor featured Baroque oboists Michael Bosche and Xenia Loffler. There were beautiful interactions between soloists and orchestra. The largo with the two oboes and continuo was highly expressive and the allegro conclusion had exciting fireworks following unison statements. Vivaldi's music is always fresh.

Jean Fery Rebel, French composer in the court of Louis XIV, continued the afternoon's focus on the variety of dance forms of Europe. His suite, "Les Characteres de la Dance,” was performed in a lighthearted and joyous manner. The  fourteen dances were miniature treats linked together in a pastiche, some of the individual dances only eight measures long, with changes of meter and key defining the arrival of each next dance.

Loud applause and calls of bravo brought the orchestra back for a lively encore, “The Attack on the Windmill” from Telemann's seven-part “Don Quixote” Suite.