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Chamber
LUMINOUS FAURE TOPS LINCOLN TRIO'S SPRING LAKE VILLAGE CONCERT
by Terry McNeill
Wednesday, November 07, 2018
Familiarity in chamber music often evokes warm appreciation, and it was thus Nov. 7 when the Chicago-based Lincoln Piano Trio made one of their many Sonoma County appearances, this time on the Spring Lake Village Classical Music Series. Regularly presented by local impresario Robert Hayden, the Lin...
Chamber
ATOS TRIO IN MILL VALLEY CHAMBER CONCERT
by Abby Wasserman
Sunday, November 04, 2018
When the ATOS Piano Trio planned their all-Russian touring program at their Berlin home base, it had a strong elegiac, even tragic theme that surely resonated with their Mill Valley Chamber Music Society audience Nov. 4 in Mill Valley. Comprised of Annette von Hehn, violin; Thomas Hoppe, piano; and...
Chamber
ATOS TRIO IN OCCIDENTAL CHAMBER CONCERT
by Terry McNeill
Saturday, November 03, 2018
When the Berlin-based ATOS Piano Trio entered the cramped Occidental Performing Arts stage Nov. 3, the audience of 100 anticipated familiar works in the announced all-Russian program. What they got was a selection of rarely-plays trios, with a gamut of emotions. Then one-movement Rachmaninoff G Mi...
Chamber
HEROIC TRUMPET AND ORGAN MUSIC AT INCARNATION
by Jerry Dibble
Friday, October 12, 2018
The strong connections between Santa Rosa’s musical community and California State University Chico were on display Oct. 12 as David Rothe, Professor Emeritus in the Chico Music Department, and Ayako Nakamura, trumpet with the North State Symphony, presented a concert titled “Heroic Music for Trumpe...
Chamber
THORNY BARTOK AND ELEGANT MENDELSSOHN FOR THE BRENTANO
by Sonia Morse Tubridy
Sunday, September 30, 2018
In a minor masterpiece of programming choices the Brentano String Quartet played a Sept. 30 Weill Hall program with an emphasis on refinement, even with a challenging Bartok work in the mix. Dvorák’s Miniatures for Two Violins and Viola (Op. 75a) opened the concert with charm and gentle loveliness,...
Chamber
ECHO'S RICH MUSICAL TAPESTRY IN MARIN
by Abby Wasserman
Sunday, September 30, 2018
Marin’s Echo Chamber Orchestra unfurled a glorious tapestry of Mozart, Weber and Respighi music Sept. 30 in San Anselmo’s First Presbyterian Church. The church, located on the grounds of San Francisco Theological Seminary, boasts a ceiling high enough for angels to fly, and its quiet setting and aco...
Chamber
CELLO-PIANO DUO IN HUSKY SPRING LAKE VILLAGE PROGRAM
by Terry McNeill
Wednesday, September 05, 2018
Two thirds of the way through a stimulating 22-concert season the Spring Lake Village Classical Music Series Sept. 5 presented two splendid cello sonatas before 110 people in the Village’s Montgomery auditorium. A duo for more than a decade, East Bay musicians cellist Monica Scott and pianist Hadle...
Chamber
EXTRAVAGANT FUSION OF STYLES AT CHRIS BOTTI BAND WEILL HALL CONCERT
by Jerry Dibble
Sunday, August 12, 2018
Trumpeter Chris Botti still performs in jazz venues including SF Jazz and The Blue Note, but now appears mostly in cavernous halls or on outdoor stages like the Sonoma State University’s Green Music Center. He brought his unique road show to the packed Weill Hall August 12 in a concert of effusive e...
Chamber
SCHUBERT "MIT SCHLAG" AT VOM FESTIVAL MORNING CONCERT
by Abby Wasserman
Sunday, July 29, 2018
The spirit of 19th century Vienna was present July 29 on the final day of the Valley of the Moon Music Festival. The Festival in the second half of July glittered with innovative programming and the new, old sound of original instruments played by musicians who love music with historic instruments. ...
Chamber
PASSIONATE BRAHMS-SCHOENBERG MUSIC CLOSES VOM FESTIVAL SUMMER
by Abby Wasserman
Sunday, July 29, 2018
An extraordinary program of chamber music by Brahms and Schoenberg attracted a capacity crowd to the Valley of the Moon Music Festival’s final concert July 29th in Sonoma’s Hanna Center. It opened with a richly expressive reading by Festival Laureate violinist Rachell Wong and pianist Jeffrey LaDeur...
CHAMBER REVIEW
Redwood Arts Council / Saturday, April 29, 2017
Hermitage Piano Trio. Ilya Kazantsev, piano; Sergey Antonov, cello; Misch Keilen, violin

NOTES AND BARS DO NOT A PRISON MAKE

by Nicki Bell
Saturday, April 29, 2017

The Hermitage Piano Trio brought exuberant musicality and sumptuous sound to a packed house April 29 in Occidental's Performing Arts Center for the last concert in the Redwood Arts Council’s 37th season. With a wide interpretive range--from lush to delicate to passionate--these three young Russian virtuosos set the house on fire while tickling the audience to the tips of its toes. Now living in the United States, Misha Keylin (violin), Sergey Antonov (cello) and pianist Ilya Kazantsev are all noted soloists in their own right, and inspired interpreters of classic European repertoire, as well as contemporary American commissions.

The opener, Beethoven's Op. 11 piano trio, was full of character and color. Before playing the work, Mr. Keylin shared the story of the third movement, which is based on the then-popular song, "Before I start work, I must have something to eat!" Mr. Kazantsev created magic during the first movement, infusing a gentle breathing pulse that contrasted with the movement's quick and light playfulness. Mr. Antonov's luscious cello tone in the beginning of the second movement was intimate and warm, a love song, like a rose opening. All three musicians wove lyrical motifs around each other during the movement, leading to an ethereal ending. The third movement was skipping and full of fun, with a piano cadenza, a violin and cello due, and multiple variations.

Schubert's Nocturne in E flat, published after his death and seldom heard in concert, was composed as a possible adagio for his well-known Op. 99 piano trio. The song-like theme, with its unusual rhythmic character and Romantic outpouring, was quintessential Schubert: sad, sweet, innocent and ecstatic.

The final trio before intermission was by Gaspar Casssado, a Catalonian cellist who died 50 years ago. The trio was a Spanish hoe-down with constantly changing tempi, and the three movements had significant variations in mood and dynamics. One could see flamenco dancers, their stomping heels, their sinuous poses. It was passionate, then suddenly very light, always rhythmic and then a race to the end.

After intermission came an unusual musical treat, Tchaikovsky's “The Seasons.” These twelve pieces were originally written for the piano and were published in a Russian music magazine at the rate of one per month. They were subsequently arranged for piano trio by the Russian composer Alexander Goedike. This festive celebration of the year turned out to be a real crowd-pleaser. The blending timbres of the three instruments brought out a new clarity in the music, and moments from “The Nutcracker” echoed throughout. Festive and joyous, lyrical and calm, jaunty and bright, melancholy and celebratory, trolls to swans--all the moods of the year were there.

The audience did not want the evening to end. The trio’s encore, "Let's Play an Opera by Rossini" (1981), was composed by Rion Shchedrin, husband of the great Russian ballerina Maya Plisetskaya. It was a complete charmer, and the audience was giggling throughout.

Sonia Tubridy, who turned pages for pianist Ilya Kazantsev, contributed to this review.