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Chamber
SCHUBERT "MIT SCHLAG" AT VOM FESTIVAL MORNING CONCERT
by Abby Wasserman
Sunday, July 29, 2018
The spirit of 19th century Vienna was present July 29 on the final day of the Valley of the Moon Music Festival. The Festival in the second half of July glittered with innovative programming and the new, old sound of original instruments played by musicians who love music with historic instruments. ...
Chamber
PASSIONATE BRAHMS-SCHOENBERG MUSIC CLOSES VOM FESTIVAL SUMMER
by Abby Wasserman
Sunday, July 29, 2018
An extraordinary program of chamber music by Brahms and Schoenberg attracted a capacity crowd to the Valley of the Moon Music Festival’s final concert July 29th in Sonoma’s Hanna Center. It opened with a richly expressive reading by Festival Laureate violinist Rachell Wong and pianist Jeffrey LaDeur...
Chamber
PRAGUE AND VIENNA PALACE GEMS HIGHLIGHT VOM FESTIVAL CONCERT
by Sonia Morse Tubridy
Saturday, July 28, 2018
The remarkable Valley of the Moon Chamber Music Festival presented a concert called “Kinsky Palace” July 28 on their final Festival weekend in Sonoma’s Hanna Center. Two well-known treasures and one lesser gem were programmed. Starting the afternoon offerings were violinist Monica Huggett and Fest...
Chamber
INNOVATIVE CHAMBER WORKS IN HANNA CENTER CONCERT
by Sonia Morse Tubridy
Sunday, July 22, 2018
The Valley of the Moon Music Festival presented a July 22 concert featuring three giants: Haydn, Schubert and Schumann, composers who altered music of their time with creative innovations and artistic vision. In the fourth season the Festival’s theme this year is “Vienna in Transition”, and VOM Fes...
Chamber
VIENNA INSPIRATION FOR VOM FESTIVAL PROGRAM AT HANNA CENTER
by Nicki Bell
Saturday, July 21, 2018
A music-loving audience filled Sonoma’s Hanna Center Auditorium July 21 to begin a record weekend of three concerts, produced by the Valley of the Moon Music Festival. The Festival’s theme this summer is “Venice in Transition – From the Enlightenment to the Dawn of Modernism” Prior to Saturday’s m...
Chamber
VANHAL QUARTET AT VOM FESTIVAL DISCOVERY AT HANNA CENTER
by Abby Wasserman
Sunday, July 15, 2018
A near-capacity crowd of 220 filled the Sonoma Hanna Boys Center Auditorium July 15 for the opening concert of the fourth Valley of the Moon Music Festival. This Festival presents gems of the Classical and early Romantic periods performed on instruments of the composer’s era, which presents a few ch...
Opera
SPARKLING CIMAROSA OPERA HIGHLIGHTS MENDOCINO MUSIC FESTIVAL
by Kathryn Stewart
Friday, July 13, 2018
The Classical music era was a time of extraordinary innovation. Dominated by composers from the German-speaking countries, the period witnessed the handiwork of masterpieces by two classical giants, Haydn and Mozart. Both composers put forth a tremendous catalog of masterful works and perhaps to our...
Symphony
!PURA VIDA! A SONIC TRIUMPH FOR SO CO PHIL IN THRILLING COSTA RICA TOUR CONCERT
by Terry McNeill
Tuesday, June 19, 2018
Long anticipated events, such as a great sporting game, gourmet feast, holiday trip or a concert, occasionally fall way short of expectations. The results don’t measure to expectations. With the Sonoma County Philharmonic’s Costa Rica concert June 19, the performance exceeded any heated or tenuou...
Symphony
SO CO PHIL BON VOYAGE CONCERT AN ODYSSEY OF CONTRASTING SOUND
by Terry McNeill
Friday, June 15, 2018
In a splashy bon voyage concert June 15 the Sonoma County Philharmonic Orchestra launched its June 17-25 Costa Rica tour, performing gratis in Santa Rosa’s Jackson Theater the repertoire for tour concerts in San José, Costa Rica’s capital, and in surrounding towns. Conductor Norman Gamboa pr...
Chamber
COMMANDING CHOPIN AND DEBUSSY IN SLV RECITAL
by Terry McNeill
Wednesday, June 06, 2018
Concerts at the classy Spring Lake Village Retirement Home in Santa Rosa have admission limited to residents and a few guests, but the chance to hear a first cabin North Bay pianist June 6 brought a Classical Sonoma reviewer into the audience of 100. The crowd numbers were unusually low due to a ba...
RECITAL REVIEW
Green Music Center / Sunday, May 14, 2017
Benjamin Bellman, violin; Orion Weiss, piano

Benjamin Beilman and Orion Weiss May 14 in Schroeder Hall

DEMANDING VIOLIN SONATAS CONQUERED BY BEILMAN-WEISS DUO IN SCHROEDER

by Terry McNeill
Sunday, May 14, 2017

Violinist Benjamin Beilman’s ravishing Mozart performance at last summer’s Weill Hall ChamberFest finale lured an enthusiastic crowd to Schroeder Hall May 14 to hear if his secure virtuosity was up to a program of demanding sonatas. He did not disappoint.

With the powerful pianist Orion Weiss in the mix the Janácek and Bartok No. 2 Sonatas were the core of a demanding afternoon, with the former perhaps the most memorable. Written in 1922 with echoes of the composer’s two string quartets, the four-movement piece reflects anxiety and fear from the period, and Mr. Beilman made the most of the often-confusing changes in rhythm and mood. He was a master of soft phrase endings, sometimes with whispering codicils. The raucous contrasts in the opening con moto turned into bucolic lyricism in the ballada, a movement heard February in Christian Tetzlaff’s fine Weill recital.

In the third movement allegretto Mr. Beilman’s interpretation became snarling and pushy, and Mr. Weiss’s playing was insistent and propulsive. The playing in the adagio finale was more of the same, Mr. Beilman’s slashing and thrusting phrases having the required hard-edged tone, juxtaposed with a plaintive theme in both the piano and violin lines. The diminuendo at the conclusion was beautifully played. It was high-level virtuosity from the duo.

Following intermission Bartok’s tumultuous work was heard, and even for the prepared listener it can be a difficult task to embrace. Don’t look for long melodic lines in the two movements, as the Hungarian master was interested in unique instrumental effects in a rustic fabric of sound. This is complex music with concentrated fantasy and is mostly atonal, with many slides, portamento, melodic pizzicato and numerous short sections. The violinist and pianist met every challenge including menacing toccata-like playing in the final allegretto where Mr. Beilman seemed to often alter his usual razor-sharp pitch for calculated effects. His high register pianissimo was captivating, and it ended the thrilling but confounding work composed in the same year as the Janácek.

The recital opened with chaste and balanced interpretation of Mozart’s B-Flat Major Sonata, K. 378. Both musicians were in no rush and the tempos seemed just right, and the tentative opening violin phrase moved to a subtle crescendo. Clearly Mr. Beilman can make changes and swells in volume sound easily natural. Nothing was forced and each thematic line was distinct and perfectly “Mozartian.”

Schubert’s 11-minute B Minor Rondo, a favorite of violinists, sounded pretty tame after the Bartok, with alternating jolly and peasant sections ending in several deceptive cadences. It’s Schubert in a husky mood and the duo’s virtuosity plumbed every nuance in the piece.

An ovation recalled the duo to the stage for a one encore, Kreisler’s chestnut Liebeslied (Love’s Sorrows). It was perfectly played but perhaps without the last ounce of Viennese whipped cream that the composer’s recordings capture.