Home  Reviews  Articles  Calendar  Presenters  Add Event     
Recital
MTA BENEFIT CONCERT FEATURES FAURE, DVORAK, JANACEK AND BARBER WORKS
by Terry McNeill
Sunday, November 11, 2018
In a splendid concert Nov. 11 the Music Teachers Association of California, Sonoma County Chapter, presented their sixth annual benefit concert before 40 avid listeners in the Santa Rosa home of Helen Howard and Robert Yeats. Highlights of the performances, involving eight musicians in various perf...
Recital
SERKIN'S SINGULAR MOZART AND BACH PLAYING IN WEILL RECITAL
by Terry McNeill
Friday, November 09, 2018
Returning to Weill Hall following a fire-related recital cancellation in 2017, pianist Peter Serkin programmed just three works in his Nov. 7 concert, three masterworks that challenged both artist and audience alike. It needs to be said at the outset that Mr. Serkin takes a decidedly non-standard a...
Recital
LIN'S PIANISM AND PERSONA CHARM SCHROEDER HALL AUDIENCE
by Terry McNeill
Sunday, October 21, 2018
In somewhat of a surprise a sold out Schroeder Hall audience greeted pianist Steven Lin Oct. 21 in his local debut recital. Why a surprise? Because Mr. Lin was pretty much unknown in Northern California, and Schroeder is rarely, very rarely sold out for a single instrumentalist. But no matter, and...
Recital
IDIOMATIC SCHUMANN AND BEETHOVEN HIGHTLIGHT WALKER'S CONCERTS GRAND RECITAL
by Terry McNeill
Sunday, September 23, 2018
Mostly known as a concert producer and indefatigable promoter of Sonoma County music, pianist Judy Walker stepped into the soloist’s role Sept. 23 in a sold out recital for the Concerts Grand House recitals series. Two Scarlatti Sonatas, in D Minor (K. 213) and D Major (K. 29), began the hour-long ...
Recital
DEDIK'S POTENT BEETHOVEN AND CHOPIN AT SPRING LAKE VILLAGE RECITAL
by Terry McNeill
Monday, September 17, 2018
Anastasia Dedik returned Sept. 17 to the Spring Lake Village Classical Music Series in a recital that featured three familiar virtuoso works in potent interpretations. Chopin’s G Minor Ballade hasn’t been heard in Sonoma County public concerts since a long-ago Earl Wild performance, and Beethoven’s...
Recital
DUO WEST OPENS OCCIDENTAL CONCERT SEASON
by Terry McNeill
Sunday, September 09, 2018
Before a full house at the Occidental Performing Arts Center Sept. 9 the cello-piano Duo West, playing from score throughout, presented a recital that on paper looked stimulating and thoughtful. Beginning with MacDowell’s To A Wild Rose (from Woodland Sketches, Op. 51), the transcription by an unan...
Recital
MUSICAL ALCHEMY INSIDE A HIDDEN GEM
by Kayleen Asbo
Friday, May 25, 2018
The Petaluma Historical Library and Museum is a hidden gem of Sonoma County, a gracious building that is one of Sonoma County’s loveliest venues for chamber music concerts, with a fine period piano particularly suited to Romantic music.  Of the surprisingly large array of festivities there, one of t...
Recital
HEAVENLY SCHUBERT AND DEMONIC CHOPIN
by Terry McNeill
Saturday, April 21, 2018
One of the anomalies in the long ago “Golden Era” of romantic pianism (about 1905 to 1940) is that the virtuoso giants of the time didn’t play Schubert. It took the German pianist Artur Schnabel to bring the beauties of Schuber’s work to the public’s attention, and now they seem to be on almost ever...
Recital
KENNER'S ALL POLISH RECITAL HAS PADEREWSKI RARITY
by Abby Wasserman
Sunday, April 08, 2018
Kevin Kenner’s April 8 recital at Dominican University’s Angelico Hall had been advertised as all-Chopin, but he added a detour into another seminal Polish composer-pianist, Paderewski. Several of Mr. Kenner’s teachers were Poles, he speaks Polish, and he navigated at the piano both composers’ deman...
Recital
VIRTUOSIC VARIATIONS IN MORGAN'S SCHROEDER ORGAN RECITAL
by Paul Blanchard
Sunday, March 18, 2018
Organist Robert Huw Morgan’s artistry spun through the web of early variation form in a Mar. 18 recital on Schroeder Hall’s wonderful Brombaugh organ. Mr. Morgan, Stanford University’s resident organist, performs a wide range of repertoire, but as he said in comments to the audience, he loves when h...
RECITAL REVIEW
Numina Center for Spirituality and the Arts / Tuesday, July 18, 2017
Etienne Walhain, organ

Organist Etienne Walhain

ORGAN REGISTRATION MASTERY HEARD IN WALHAIN'S RECITAL

by Robert Young
Tuesday, July 18, 2017

A group of 65 lucky attendees July 18 had the pleasure of hearing Etienne Walhain’s recital at the Church of the Incarnation in Santa Rosa. Mr. Walhain is organist at the Cathedral of Notre Dame in Tournai, Belgium, and played to a varied program Bach, Franck, and Reger. He used the tonal resources of Incarnation’s Casavant organ to great effect, creating unique and interesting registrations (making, for instance, a gross tierce where none had previously existed!).

The program began with the blazing passage-work of Bach’s Chromatic Fantasy and Fugue, BWV 903. The scale and arpeggio figurations passing between the hands and going from upper to lower manuals were impressive, if perhaps a tick too rapid for complete enjoyment. Throughout the program, it was his pedal technique which stood out. He showed no upper body movement as he negotiated astonishing pedal figures with total clarity and no apparent difficulty.

We were then treated to some novel programming, hearing two Vivaldi concertos as transcribed by Bach and Mr. Walhain’s teacher Jean Guillou. The first, in a minor (BWV 593), was transcribed by Bach to better understand the Italian style of composition, and the second, in D major, was arranged by Guillou, a virtuoso organist. Although they are rather light music, they gave ample opportunity for clever and interesting registrations and again pointed to his faultless and easy pedal technique. With the three opening pieces, the audience was happy to hear Baroque-era German and Italian pieces played on a French disposition instrument by a talented Belgian romantic-style organist.

The final two pieces on the program seemed to bring out the best playing from this organist. The Piece Heroique by his countryman, Franck, was a lesson in romantic style playing. His handling of the form and texture of the work was outstanding, and understanding of the work’s complexities was enhanced throughout by his expert use of rubato. For me the highlight of the program was the Reger’s monumental Introduction and Passacaglia. It is a great work of art, and the artist played it with the respect it deserves, and the abandon it demands. Again, he made the thorny pedal part sound easy. Not one of the wild harmonic moments was lost and when near the end, he pushed the “tutti” button, we were lifted from our seats.

For an encore, he played a transcription (again by Guillou) of a toccata by Prokofiev. It was a typical virtuosic potboiler with presto passagework, lickety split repeated notes, hands crossing over and under each other and flying double-pedal work.

Thanks are due Incarnation Parish and Numina Center for Spirituality and the Arts for bringing this wonderful artist to Santa Rosa.