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Chamber
EXTRAVAGANT FUSION OF STYLES AT CHRIS BOTTI BAND WEILL HALL CONCERT
by Jerry Dibble
Sunday, August 12, 2018
Trumpeter Chris Botti still performs in jazz venues including SF Jazz and The Blue Note, but now appears mostly in cavernous halls or on outdoor stages like the Sonoma State University’s Green Music Center. He brought his unique road show to the packed Weill Hall August 12 in a concert of effusive e...
Chamber
SCHUBERT "MIT SCHLAG" AT VOM FESTIVAL MORNING CONCERT
by Abby Wasserman
Sunday, July 29, 2018
The spirit of 19th century Vienna was present July 29 on the final day of the Valley of the Moon Music Festival. The Festival in the second half of July glittered with innovative programming and the new, old sound of original instruments played by musicians who love music with historic instruments. ...
Chamber
PASSIONATE BRAHMS-SCHOENBERG MUSIC CLOSES VOM FESTIVAL SUMMER
by Abby Wasserman
Sunday, July 29, 2018
An extraordinary program of chamber music by Brahms and Schoenberg attracted a capacity crowd to the Valley of the Moon Music Festival’s final concert July 29th in Sonoma’s Hanna Center. It opened with a richly expressive reading by Festival Laureate violinist Rachell Wong and pianist Jeffrey LaDeur...
Chamber
PRAGUE AND VIENNA PALACE GEMS HIGHLIGHT VOM FESTIVAL CONCERT
by Sonia Morse Tubridy
Saturday, July 28, 2018
The remarkable Valley of the Moon Chamber Music Festival presented a concert called “Kinsky Palace” July 28 on their final Festival weekend in Sonoma’s Hanna Center. Two well-known treasures and one lesser gem were programmed. Starting the afternoon offerings were violinist Monica Huggett and Fest...
Chamber
INNOVATIVE CHAMBER WORKS IN HANNA CENTER CONCERT
by Sonia Morse Tubridy
Sunday, July 22, 2018
The Valley of the Moon Music Festival presented a July 22 concert featuring three giants: Haydn, Schubert and Schumann, composers who altered music of their time with creative innovations and artistic vision. In the fourth season the Festival’s theme this year is “Vienna in Transition”, and VOM Fes...
Chamber
VIENNA INSPIRATION FOR VOM FESTIVAL PROGRAM AT HANNA CENTER
by Nicki Bell
Saturday, July 21, 2018
A music-loving audience filled Sonoma’s Hanna Center Auditorium July 21 to begin a record weekend of three concerts, produced by the Valley of the Moon Music Festival. The Festival’s theme this summer is “Venice in Transition – From the Enlightenment to the Dawn of Modernism” Prior to Saturday’s m...
Chamber
VANHAL QUARTET AT VOM FESTIVAL DISCOVERY AT HANNA CENTER
by Abby Wasserman
Sunday, July 15, 2018
A near-capacity crowd of 220 filled the Sonoma Hanna Boys Center Auditorium July 15 for the opening concert of the fourth Valley of the Moon Music Festival. This Festival presents gems of the Classical and early Romantic periods performed on instruments of the composer’s era, which presents a few ch...
Opera
SPARKLING CIMAROSA OPERA HIGHLIGHTS MENDOCINO MUSIC FESTIVAL
by Kathryn Stewart
Friday, July 13, 2018
The Classical music era was a time of extraordinary innovation. Dominated by composers from the German-speaking countries, the period witnessed the handiwork of masterpieces by two classical giants, Haydn and Mozart. Both composers put forth a tremendous catalog of masterful works and perhaps to our...
Symphony
!PURA VIDA! A SONIC TRIUMPH FOR SO CO PHIL IN THRILLING COSTA RICA TOUR CONCERT
by Terry McNeill
Tuesday, June 19, 2018
Long anticipated events, such as a great sporting game, gourmet feast, holiday trip or a concert, occasionally fall way short of expectations. The results don’t measure to expectations. With the Sonoma County Philharmonic’s Costa Rica concert June 19, the performance exceeded any heated or tenuou...
Symphony
SO CO PHIL BON VOYAGE CONCERT AN ODYSSEY OF CONTRASTING SOUND
by Terry McNeill
Friday, June 15, 2018
In a splashy bon voyage concert June 15 the Sonoma County Philharmonic Orchestra launched its June 17-25 Costa Rica tour, performing gratis in Santa Rosa’s Jackson Theater the repertoire for tour concerts in San José, Costa Rica’s capital, and in surrounding towns. Conductor Norman Gamboa pr...
SYMPHONY REVIEW
Mendocino Music Festival / Saturday, July 22, 2017
Festival Chorus and Orchestra, Allan Pollack, conductor. Julie Kierstine, soprano;Donna Olson, also; Alex Boyer., tenor; Phil Meyer, bass

Verdi Requiem Performance July 22 in Festival Tent

SOARING VERDI REQUIEM CLOSES 31ST MENDOCINO FESTIVAL

by
Saturday, July 22, 2017

We speak frequently about how there is nothing like the experience of a live performance. Seldom was this truer than at the July 22 closing performance of the two-week Mendocino Music Festival. The Festival Orchestra, conducted by of Allan Pollack, joined with the Festival Chorus in a moving rendering of Verdi’s 1874 (“Manzoni”) Requiem to the delight of an enthusiastic audience of 800 inside the white Tent erected on the spectacular Mendocino bluff overlooking the Pacific Ocean.

The laboring oars in this monumental effort were the four featured singers who rose mightily to the occasion. Their solo and ensemble singing were the wind in the sails of Verdi’s over-the-top theatrical score which made maximum use of his virtuosity as a writer of dramatic compositions. Operatics aside, the performance avoided bombast with a sensitive reading of dynamic contrast and sonic color. Amazingly, Mr. Pollack was able to keep orchestra, singers and chorus in a wonderful symbiotic balance where each could be heard, no one drowning the others out, even in the busiest sections.

The chorus was particularly well prepared for the long concert. Lyrics were clear and communicative, sections entered appropriately on cue and harmonies and dynamics always delivered to maximize dramatic effect as appropriate. One perhaps not so unusual observation was of a female member singing in one of the men’s sections. The voices were clearly put where they were best used. The double chorus had taken the better part of a year to master the complex Requiem and their hard work was rewarded with a mesmerizing performance.

The orchestra itself was full of seasoned and Festival emeritus musicians and their playing was the seabed upon which the entire effort was based. Steady when necessary and full of power and sensuality as needed, the orchestra contributed spectacularly to the musical whole. From the ancient and anchoring Dies Irae to the Tuba Mirum, with its offstage trumpeting (in this case outside the tent) Mr. Pollack managed to bring out the best in all the participants. Pacing was always appropriate and each piece that composed the whole carefully thought out. Mr. Pollack’s careful direction and engagement with his performers was apparent.

Julie Kierstine, soprano. Donna Olson, mezzo-soprano. Alex Boyer, tenor, and bass Phil Meyer gave soaring performances that held the audience in hushed awe, and the singing helped navigate the way through Verdi’s complex score. Playing lightly off each other at times, and giving full voice to compellingly dramatic sections made the performance one to remember.

The solemnity of a Catholic Requiem Mass can be overwhelming at times and the listener is likely to become reflective and sober in subsequent thoughts. What the composer managed to accomplish is a grand salute to the passing of life, but with a tasteful celebration of life woven into the score. The net result, especially with the high caliber of performance witnessed at the Festival’s closure, provided the audience with a transcendental experience.