Home  Reviews  Articles  Calendar  Presenters  Add Event     
Symphony
MENDELSSOHN'S SCOTTISH SAVES THE EVENING IN SRS WEILL CONCERT
by Terry McNeill
Monday, February 11, 2019
The audience entering Weill Hall for Santa Rosa Symphony concerts Feb. 9-11 were presented with a program that on first glance appeared a curious patchwork – a great symphony mixed with a seldom heard concerto and two disparate overtures, and a guest conductor unknown locally. Monday night’s concer...
Recital
INTRIGUING BELL-HAYWOOD RECITAL BEFORE FULL HOUSE IN WEILL HALL
by Abby Wasserman
Friday, February 08, 2019
A big portion of the capacity audience in Weill Hall February 8th came to hear violinist Joshua Bell’s virtuosity, and were treated as well to splendid playing from Sam Haywood, Mr. Bell’s regular pianist since 2010. The duo performed three engaging sonatas, highlighted by Mr. Bell’s sterling techn...
Symphony
TRIPLE PLAY UKIAH SYMPHONY CONCERT AND TCHAIKOVSKY SERENADE
by Terry McNeill
Sunday, January 27, 2019
Over the years the Ukiah Symphony’s concerts have been in the Classical Sonoma Calendar sections, but rarely has this Orchestra, now in its 39th season, had a full winter season concert review. The provocative Jan. 27 program in Mendocino College’s Center Theater seemed a good reason to reacquaint ...
Symphony
JACKSON THEATER WELCOMES A NEW RESIDENT ORCHESTRA
by Terry McNeill
Saturday, January 26, 2019
Moving to a permanent new performance venue can be a perilous undertaking for an orchestra, with different acoustics, the loyal audience finding the new spot and infrastructure challenges of lighting and lobby and backstage operations. In their first concert Jan. 26 in Windsor’s Jackson Theater the...
Symphony
ECLECTIC PASSIONATE PROGRAMMING AT MARIN SYMPHONY CONCERT
by Abby Wasserman
Saturday, January 26, 2019
The Marin Symphony’s second Masterworks concert of the 2018-19 season featured works by John Adams, Sibelius and Brahms, a masterful assembly. In a spoken introduction before the program’s first half, conductor Alasdair Neale primed the audience for the “terra incognita” of Adams’ The Chairman Dance...
Symphony
A SLICE OF HEAVEN FROM THE SANTA ROSA SYMPHONY
by Steve Osborn
Sunday, January 13, 2019
Under its vibrant new music director, Francesco Lecce-Chong, the Santa Rosa Symphony this past Sunday offered a nearly perfect afternoon of Mozart (Symphony No. 40) and Mahler (Symphony No. 4). While the two works share a common digit, the only element uniting them is genius. They made for a dazzlin...
Recital
KHOZYAINOV'S BRILLIANT PIANISM IN MILL VALLEY RECITAL
by Abby Wasserman
Sunday, January 13, 2019
In its third concert of the season the Mill Valley Chamber Music Society Jan. 13 presented Russian virtuoso Nikolay Khozyainov. His intelligent and sensitive interpretations, masterful pedal work, and virtuoso technique left the near-capacity audience in Mt. Tamalpais Methodist Church astounded and ...
Chamber
A COMPLETE MUSICAL PACKAGE IN ARRON'S OAKMONT RECITAL
by Terry McNeill
Thursday, January 10, 2019
Cellist Edward Arron has been a welcome artist at the Music at Oakmont series, and after his Jan. 10 recital it’s easy to understand his popularity. His artistry is a complete package, with potent instrumental technique wedded to integral musical conceptions. In a nearly flawless concert with pian...
Choral and Vocal
COMPELLING WEILL HALL MESSIAH ORATORIO FROM THE ABS
by Terry McNeill
Saturday, December 15, 2018
Each holiday season when a Classical Sonoma reviewer is assigned to cover a concert with Handel’s seminal Oratorio The Messiah, the question arises about what new commentary can possibly apply to the often performed choral work. Well, if it’s the American Bach Soloists performing the piece, written...
Opera
PURCELL'S DIDO IN YOUTHFUL SSU OPERA
by Abby Wasserman
Wednesday, December 05, 2018
A doomed royal love affair, the theme of Purcell’s Dido and Aeneas, was brought to lovely life at Sonoma State University Dec. 5 in the school’s Schroeder Hall. Conducted by faculty member Zachary Gordin, who also played continuo, the performance was only the second opera production presented by the...
CHAMBER REVIEW
Piano Sonoma / Tuesday, August 01, 2017
Emi Ferguson, flute; Peter Dugan and Angie Zhang, piano; Down Na, violin; Julia Glenn, violin and viola; Michael Dahlberg, cello;

Flutist Emi Ferguson at Piano Sonoma Festival

YOUNG MUSICIANS SHINE AT PIANO SONOMA CONCERT

by
Tuesday, August 01, 2017

The third in a series of four concerts by Piano Sonoma artists in residence, part of the Vino and Vibrato Series, was held August 1 in Schroeder Hall at the Green Music Center. Entitled “The Masters,” the program included works by Bach, Beethoven, Mozart and Haydn. Piano Sonoma is a summer artist-in-residence program attracting young musicians from leading music schools.

The evening began with playing of a section of Bach’s Goldberg Variations (BWV 988), Nos. 16-24 and Aria, arranged for strings. A portion of the entire set was featured at each of the four concerts, this time with pianist Angie Zhang, flautist Emi Ferguson, violinist Doori Na, violist Julia Glenn and cellist Michael Dahlberg. From the grand 16th variation “Ouverture” with its pomp and circumstance through the lilting 24th variation “Canone All’ Ottava,” the ensemble playing was strikingly good. These are polished young musicians already equipped with the interpretive skills of seasoned players. It served as a great start to what was a spectacular evening of music making.

Pianist Peter Dugan then offered Beethoven’s Bagatelles, Opus 126, and he is an artist with great expressive skills and has that special performance gene that allows him to communicate directly with an audience. His animated playing was infectious and yet he did it without any of the tawdry pianistic stage gestures one often sees. These are quiet pieces filled with emotion and Mr. Dugan could not have played them any better.

Next came the duo of Ms. Na and Ms. Zhang in a moving exposition of Mozart’s E Minor Piano and Violin Sonata, K. 304. These two seemed to be musical soul mates, as the instruments blended together to create a glorious result in this short work (under 14 minutes) that was written in 1778. For such youthful artists to play at this level was a joy to hear and see. Ms. Zhang was particularly sensitive in her playing and exhibited a thorough understanding of the sonata and its challenges. Mr. Na followed suit with elegant playing in the often somber second movement, in a tasteful partnership with Ms. Zhang. The enthusiastic audience expressed its approval.

The program closed with Haydn’s Piano Trio in G Major, Hob. XV:15, featuring Ms. Ferguson, Mr. Dahlberg and Mr. Dugan. In pre-performance remarks it was stated that Haydn loved to laugh, and the audience was asked to see if they heard any musical jokes, so to speak, in the score. The 20-minute piece from 1790 is certainly light-hearted and frothy in parts, and yet what the ensemble playing revealed was the rich harmonic contours of the score, especially during the andante movement. One literally had to restrain oneself from humming along. Ms. Ferguson’s sprightly flute virtuosity conveyed the emotional content of each movement beautifully. The piano line never dominated the performance and the three musicians had excellent ensemble.

It’s clear that the Piano Sonoma program has attracted serious artists in a Festival of charming music making.