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Symphony
SANTA ROSA SYMPHONY HERALDS THE HOLIDAYS
by Steve Osborn
Sunday, December 02, 2018
Antlers are typical headgear during the holiday season, but the ushers and one bassist at the Santa Rosa Symphony concert on Dec. 2 sported apples atop their heads. The red fruits were festive but perplexing until the orchestra began Rossini’s “William Tell” overture, at which point even the dull-wi...
Symphony
A HERO'S ODYSSEY IN SO CO PHIL CONCERT
by Art Hofmann
Sunday, November 18, 2018
The audience at the Sonoma County Philharmonic’s Nov. 18 concert was warned at the outset that the old Santa Rosa High School auditorium boiler was turned off, and there was a steady eminently audible tone in the hall. Conductor Norman Gamboa said the tone was an A, a high one. But there it was, a...
Recital
MTA BENEFIT CONCERT FEATURES FAURE, DVORAK, JANACEK AND BARBER WORKS
by Terry McNeill
Sunday, November 11, 2018
In a splendid concert Nov. 11 the Music Teachers Association of California, Sonoma County Chapter, presented their sixth annual benefit concert before 40 avid listeners in the Santa Rosa home of Helen Howard and Robert Yeats. Highlights of the performances, involving eight musicians in various perf...
Recital
SERKIN'S SINGULAR MOZART AND BACH PLAYING IN WEILL RECITAL
by Terry McNeill
Friday, November 09, 2018
Returning to Weill Hall following a fire-related recital cancellation in 2017, pianist Peter Serkin programmed just three works in his Nov. 7 concert, three masterworks that challenged both artist and audience alike. It needs to be said at the outset that Mr. Serkin takes a decidedly non-standard a...
Chamber
LUMINOUS FAURE TOPS LINCOLN TRIO'S SPRING LAKE VILLAGE CONCERT
by Terry McNeill
Wednesday, November 07, 2018
Familiarity in chamber music often evokes warm appreciation, and it was thus Nov. 7 when the Chicago-based Lincoln Piano Trio made one of their many Sonoma County appearances, this time on the Spring Lake Village Classical Music Series. Regularly presented by local impresario Robert Hayden, the Lin...
Symphony
PEACE AND LOVE FROM THE SANTA ROSA SYMPHONY
by Steve Osborn
Sunday, November 04, 2018
Before the Santa Rosa Symphony’s Nov. 4 performance of Leonard Bernstein’s “Symphonic Dances from West Side Story,” Symphony CEO Alan Silow took a moment to acknowledge the victims of the Pittsburgh synagogue attack and to observe that music offers a more peaceful and loving view of the world. Mr. ...
Chamber
ATOS TRIO IN MILL VALLEY CHAMBER CONCERT
by Abby Wasserman
Sunday, November 04, 2018
When the ATOS Piano Trio planned their all-Russian touring program at their Berlin home base, it had a strong elegiac, even tragic theme that surely resonated with their Mill Valley Chamber Music Society audience Nov. 4 in Mill Valley. Comprised of Annette von Hehn, violin; Thomas Hoppe, piano; and...
Chamber
ATOS TRIO IN OCCIDENTAL CHAMBER CONCERT
by Terry McNeill
Saturday, November 03, 2018
When the Berlin-based ATOS Piano Trio entered the cramped Occidental Performing Arts stage Nov. 3, the audience of 100 anticipated familiar works in the announced all-Russian program. What they got was a selection of rarely-plays trios, with a gamut of emotions. Then one-movement Rachmaninoff G Mi...
Symphony
MIGHTY SHOSTAKOVICH 10TH OPENS MARIN SYMPHONY SEASON
by Terry McNeill
Sunday, October 28, 2018
Just two works were on the opening program of the Marin Symphony’s 67th season Oct. 28, Tchaikovsky’s iconic D Major Violin Concerto, and Shostakovich’s Tenth Symphony. Before a full house in the Marin Center Auditorium conductor Alasdair Neale set a judicious opening tempo in the brief orchestra i...
Symphony
VIVALDI FOR ALL SEASONS IN WEILL BAROQUE CONCERT
by Sonia Morse Tubridy
Saturday, October 27, 2018
The Venice Baroque Orchestra, a dozen superb musicians that include strings, harpsichord and recorder, played an uplifting concert Oct. 27 of mostly Vivaldi sinfonias and concertos. The Weill Hall audience of 600 had rapt attention throughout, and the playing was of the highest musical level. This r...
RECITAL REVIEW
Concerts Grand House Recitals / Sunday, September 03, 2017
Sandra Shen, piano

Pianist Sandra Shen July 3 in Santa Rosa

ELEGANT PIANISM IN WATER MUSIC CHARMS HOUSE RECITAL AUDIENCE

by Terry McNeill
Sunday, September 03, 2017

A standard component of house concerts often involve listeners hearing the music but also smelling the lasagna and seeing the champagne in the adjacent kitchen. But it was not the case Sept. 3 at Sandra Shen’s Concerts Grand House Recital performance, as her riveting piano playing enthralled the small audience in an East Santa Rosa home.

The South Bay-based artist has played in Santa Rosa before, at the Spring Lake Village series produced by Robert Hayden, but this was Ms. Shen’s local debut in an intimate setting, albeit with a garden party following the playing. Risotto “con fungi” and German potato salad had pride of place, not lasagna.

Bach’s B-Flat Partita opened the short recital and was given a studied reading with seemingly taking every repeat. Highlights were the vivacious two-voice Corrente and the wonderful clarity in the Gigue that was played at a moderate tempo with Scarlatti-like hand crossings. The artist added several catchy turns in the Allemande, always welcome in the Glenn Gould style of playing Bach.

She followed the Partita with Schubert’s ever-popular B Flat Impromptu from Op. 142, a work with a beguiling theme and five perfectly crafted variations. They were played chastely and with a natural rise and fall of phrase, with a quiet ending that brought loud applause. The reading had just a hint of nostalgia.

Artful and convincing shaping of phrase continued with Chopin’s great F Sharp Barcarolle, a work with an Italianate theme from the composer’s last years. It was the first of three compositions featuring water. In the Barcarolle Ms. Shen suppressed the often heard intimate interpretation in favor of more expansive playing, underscoring the work’s inner drama that peaked with a glorious melodic statement after the descending chords phrase that ends slowly in F Sharp. The reading produced the most extended ovation of the afternoon. Captivating.

Chinese composer’s bucolic Autumn Moon Reflection on a Lake was the penultimate work, and passed without much notice in four minutes of slow and vivid harmonic progressions that might have been soporific in the small concert room with its elevated temperature.

All the languor was swept away with a richly colored performance of Ravel’s Jeux d’Eau. As throughout the recital Ms. Shen’s damper pedal control of sound, especially in the piano’s upper registers, was graceful and florid. Under Ms. Shen’s deft fingers (and feet) fountain spray seemed everywhere in the impressionist sonority of the 1902 work.

No encore was offered, and the audience repaired to the cooler patio for food, and several had the opportunity to speak at length about the music with the elegant pianist.

The reviewer is also the producer of the Concerts Grand House Recitals series.