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Recital
RESPIGHI'S PUNGENT SONATA HIGHLIGHTS KENNEY-GUTMAN RECITAL
by Terry McNeill
Sunday, October 29, 2017
Respighiís B Minor Violin Sonata seems never to gain conventional repertoire status. Perhaps the great Heifetz recording is intimidating, and I can recall over many years just two local performances: Jason Todorov and William Corbett-Jones years go in Newman, and a titanic reading in March by Anne S...
Recital
PIANISTIC COMMAND IN SCHROEDER RECITAL
by Lee Ormasa
Sunday, October 08, 2017
Nikolay Khozyainovís Oct. 8 debut at the Green Music Centerís Schroeder Hall was one of those rare moments in a young artistís career when a performance approaches perfection. From the opening notes of Beethovenís A-Flat Major Sonata (Op. 110) through a delightful recital ending transcription, the ...
Recital
ELEGANT PIANISM IN WATER MUSIC CHARMS HOUSE RECITAL AUDIENCE
by Terry McNeill
Sunday, September 03, 2017
A standard component of house concerts often involve listeners hearing the music but also smelling the lasagna and seeing the champagne in the adjacent kitchen. But it was not the case Sept. 3 at Sandra Shenís Concerts Grand House Recital performance, as her riveting piano playing enthralled the sm...
Recital
ADAMS' PHRYGIAN GATES HIGHLIGHTS MORKOSKI FESTIVAL PERFORMANCE
by Lee Ormasa
Saturday, July 22, 2017
Attendees at the Molly Morkoski Mendocino Music Festival recital July 22 were in for a treat, both pianistically and if they happened to buy a tasty cookie during intermission. The program included Beethovenís Op. 27 Moonlight Sonata, Adamsí Phrygian Gates, a surprise add-on of Griegís Holberg Suit...
Recital
ORGAN REGISTRATION MASTERY HEARD IN WALHAIN'S RECITAL
by Robert Young
Tuesday, July 18, 2017
A group of 65 lucky attendees July 18 had the pleasure of hearing Etienne Walhainís recital at the Church of the Incarnation in Santa Rosa. Mr. Walhain is organist at the Cathedral of Notre Dame in Tournai, Belgium, and played to a varied program Bach, Franck, and Reger. He used the tonal resource...
Recital
NOVACEK'S 2ND HALF TRIFECTA SCORES AT MENDO MUSIC FESTIVAL
by Terry McNeill
Thursday, July 13, 2017
Modern classical piano recitals are in two parts, with longer and perhaps more profound music proceeding perhaps shorter and usually stimulating lighter fare. In John Novacekís July 13 Mendocino Music Festival recital the best playing came unexpectedly in the eight abbreviated works comprising the ...
Recital
STYLUS AND PLAYING FANTASTICUS IN YOUNG'S ORGAN RECITAL
by Paul Blanchard
Sunday, June 25, 2017
Organist Robert Young gave a wonderful tour through the stylus fantasticus (fantastic style) organ literature June 25 playing a recital on the Casavant organ at Church of the Incarnation in Santa Rosa. Mr. Young recently became the organist at the Church and previously served for 20 years as Music D...
Recital
DEMANDING VIOLIN SONATAS CONQUERED BY BEILMAN-WEISS DUO IN SCHROEDER
by Terry McNeill
Sunday, May 14, 2017
Violinist Benjamin Beilmanís ravishing Mozart performance at last summerís Weill Hall ChamberFest finale lured an enthusiastic crowd to Schroeder Hall May 14 to hear if his secure virtuosity was up to a program of demanding sonatas. He did not disappoint. With the powerful pianist Orion Weiss in t...
Recital
MASTERFUL PIANISM IN GOODE'S WEILL HALL RECITAL
by Sonia Morse Tubridy
Friday, May 05, 2017
Pianist Richard Goode programmed an evening of treasures May 5 from four great composers, and is an artist of intimacy and intelligence, power and passion, able to go deep and to soar. Hearing Mr. Goode play this literature was a reminder of how music does indeed bridge worlds and time. Bachís E m...
Recital
ELEGANT ORGAN SALUTE TO THE REFORMATION
by Paul Blanchard
Sunday, April 30, 2017
Organist Jonathan Dimmock presented an April 30 recital in homage to the 500th anniversary of the Reformation, playing Schroeder Hallís wonderful Brombaugh instrument. Mr. Dimmock is the organist for the San Francisco Symphony, principal organist for the Palace of the Legion of Honor and teaches at...
RECITAL REVIEW
Concerts Grand House Recitals / Sunday, September 03, 2017
Sandra Shen, piano

Pianist Sandra Shen July 3 in Santa Rosa

ELEGANT PIANISM IN WATER MUSIC CHARMS HOUSE RECITAL AUDIENCE

by Terry McNeill
Sunday, September 03, 2017

A standard component of house concerts often involve listeners hearing the music but also smelling the lasagna and seeing the champagne in the adjacent kitchen. But it was not the case Sept. 3 at Sandra Shenís Concerts Grand House Recital performance, as her riveting piano playing enthralled the small audience in an East Santa Rosa home.

The South Bay-based artist has played in Santa Rosa before, at the Spring Lake Village series produced by Robert Hayden, but this was Ms. Shenís local debut in an intimate setting, albeit with a garden party following the playing. Risotto ďcon fungiĒ and German potato salad had pride of place, not lasagna.

Bachís B-Flat Partita opened the short recital and was given a studied reading with seemingly taking every repeat. Highlights were the vivacious two-voice Corrente and the wonderful clarity in the Gigue that was played at a moderate tempo with Scarlatti-like hand crossings. The artist added several catchy turns in the Allemande, always welcome in the Glenn Gould style of playing Bach.

She followed the Partita with Schubertís ever-popular B Flat Impromptu from Op. 142, a work with a beguiling theme and five perfectly crafted variations. They were played chastely and with a natural rise and fall of phrase, with a quiet ending that brought loud applause. The reading had just a hint of nostalgia.

Artful and convincing shaping of phrase continued with Chopinís great F Sharp Barcarolle, a work with an Italianate theme from the composerís last years. It was the first of three compositions featuring water. In the Barcarolle Ms. Shen suppressed the often heard intimate interpretation in favor of more expansive playing, underscoring the workís inner drama that peaked with a glorious melodic statement after the descending chords phrase that ends slowly in F Sharp. The reading produced the most extended ovation of the afternoon. Captivating.

Chinese composerís bucolic Autumn Moon Reflection on a Lake was the penultimate work, and passed without much notice in four minutes of slow and vivid harmonic progressions that might have been soporific in the small concert room with its elevated temperature.

All the languor was swept away with a richly colored performance of Ravelís Jeux díEau. As throughout the recital Ms. Shenís damper pedal control of sound, especially in the pianoís upper registers, was graceful and florid. Under Ms. Shenís deft fingers (and feet) fountain spray seemed everywhere in the impressionist sonority of the 1902 work.

No encore was offered, and the audience repaired to the cooler patio for food, and several had the opportunity to speak at length about the music with the elegant pianist.

The reviewer is also the producer of the Concerts Grand House Recitals series.