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!PURA VIDA! A SONIC TRIUMPH FOR SO CO PHIL IN THRILLING COSTA RICA TOUR CONCERT
by Terry McNeill
Tuesday, June 19, 2018
Long anticipated events, such as a great sporting game, gourmet feast, holiday trip or a concert, occasionally fall way short of expectations. The results donít measure to expectations. With the Sonoma County Philharmonicís Costa Rica concert June 19, the performance exceeded any heated or tenuou...
Symphony
SO CO PHIL BON VOYAGE CONCERT AN ODYSSEY OF CONTRASTING SOUND
by Terry McNeill
Friday, June 15, 2018
In a splashy bon voyage concert June 15 the Sonoma County Philharmonic Orchestra launched its June 17-25 Costa Rica tour, performing gratis in Santa Rosaís Jackson Theater the repertoire for tour concerts in San Josť, Costa Ricaís capital, and in surrounding towns. Conductor Norman Gamboa pr...
Symphony
FERRANDIS BIDS ADIEU WITH MAHLERíS FINAL SYMPHONY
by Steve Osborn
Sunday, May 06, 2018
Sonoma State students in graduation robes posed for pictures and hugged each other at the universityís stone gates on Sunday afternoon, mirroring the prolonged farewells within the universityís Green Music Center, where Bruno Ferrandis bid adieu to the Santa Rosa Symphony after a dozen years at the ...
Symphony
SONIC SPLENDOR AT MARIN SYMPHONY SEASON FINALE
by Abby Wasserman
Tuesday, May 01, 2018
The Marin Symphony Orchestra ended the current season with a flourish, interpreting big and small works by Richard Strauss and Stravinsky. Strauss and Stravinsky were contemporaries for 40 years, but inhabited different worlds. Both composers were affected by cataclysmic changes and war, and musical...
Symphony
ORGAN SYMPHONY IN SSU ORCHESTRA CONCERT IN WEILL
by Terry McNeill
Sunday, April 29, 2018
Though Classical Sonoma seldom reviews student concerts, as ample North Coast concerts keep the staff of 11 reviewers busy. But the chance to hear the Sonoma State University Orchestra tackle St. SaŽnsí majestic Organ Symphony April 29 was a rare opportunity and not easily to be missed. Avec lí...
Symphony
SPLENDID JUPITER AND ZOOMING CONCERTO AT VALLEJO SYMPHONY SEASON FINALE
by Terry McNeill
Sunday, April 15, 2018
Over the past two years the Vallejo Symphony has made big changes, moving from a stark middle school auditorium to the snazzy remodeled 1911-era downtown Empress Theater, and engaging Marc Taddei as its seventh conductor. April 15 was the seasonís final concert of the 86th season. In a programmin...
Symphony
IT'S ALL ABOUT THE VOICE AT SANTA ROSA SYMPHONY
by Steve Osborn
Sunday, April 08, 2018
In an April 8 Santa Rosa Symphony concert filled to the brim with instruments--electric violin, vibraphone, marimba, xylophone, glockenspiel, keyboard samplers, harps, piano and myriad drums, gongs and bells, to say nothing of winds, brass and strings--the instrument that came out on top was the hum...
Symphony
HAMELIN'S HUSKY MOOD IN SCHROEDER RECITAL
by Terry McNeill
Sunday, March 25, 2018
Convention in piano recitals has the artist coming on stage and playing. Canadian pianist Charles Richard-Hamelin walked on Schroeder Hallís stage March 25 and didnít play for six minutes, chatting with the audience. A risk for some artists. Then most programs include a contemporary or rarely play...
Symphony
ORFF AND HINDEMITH SONIC SPLENDOR AT FINAL SO CO PHIL CONCERT
by Terry McNeill
Saturday, March 17, 2018
Sonoma County Philharmonic concerts are continually artistically successful but on the Santa Rosa High Schoolís stage the orchestra rarely numbers above 40, and in the 900-seat hall audiences can be scant. Violinists can be in short supply. An opposite scene occurred at the March 17/18 concert set...
Symphony
A FIFTH CONTENDER ENTERS THE RING FOR THE SANTA ROSA SYMPHONY
by Steve Osborn
Saturday, February 10, 2018
In these international times, what makes a piece of music American? For Michael Christie, the answer is that it needs to have at least premiered on these shores, if not been composed here. Thus the rationale for the ďall AmericanĒ program that Christie--the fifth and final conducting candidate for t...
SYMPHONY REVIEW
Sonoma County Philharmonic / Saturday, November 18, 2017
Norman Gamboa, conductor. Pam Otsuka, violin; Robby Morales, viola

Violist Robby Morales

SONIC SPLASH AND ENSEMBLE DELICACY AT SO CO PHIL CONCERT

by Terry McNeill
Saturday, November 18, 2017

Franckís wonderful D Minor Symphony is a rarity on todayís concert programs, and I canít remember a North Bay performance in many years from any of the six resident area orchestras. So it was good to see the Sonoma County Philharmonic feature it in their Nov. 18 and 19 concerts at Santa Rosa High School. The first of the set is reviewed here.

The Belgian composerís only Symphony is difficult structurally to perform, though underpinned by the recurring them in each of the three movements. To some itís a theme bordering on banality, and to others itís a theme of nobility crafted and ingeniously developed by the seasoned master in 1889, shortly before his death. Conductor Norman Gamboa drew from his Orchestra a performance of considerable power and excitement. The many short climaxes of the opening allegro gave cumulative cohesion to the sound, with faint references to the beguiling contemporary harmonies of Wagerís operas and Lisztís tone poems.

Christina Koprivaís harp solo opened the andante were Chris Kriveís elegant oboe solo over murmuring string pizzicato was a highlight. Tempos were judicious throughout, and the sonic momentum of the first movementís allegro returned in the finale. The brass sounded heroically and Anthony Perryís plaintive English horn solos were handsome. Mr. Gamboa built an apex of Franckís inspired drama, anticipating the cutoff at the ending that has always seemed to me too short and inconclusive. Audience response was warm and loud.

Mozartís E-Flat Major Symphonia Concertante (K. 364) was the capstone of the first half and featured as soloists two of the So Co Philís principals, violinist Pam Otsuka and violist Robby Morales. Jeffrey Kahane conducted a memorable performance of the work in Weill two summers ago, and Mr. Gamboaís interpretation shared many of the same felicities Ė attention to small details, chaste phrasing and soloist support. The music from 1779 is of course sharply different from the two other works on the program, with a reduced size ensemble and needing transparency of sound rather than robust volume and thick textures.

The long introduction (the soloists played through the tutti) to the allegro maestoso led to the opening solo entrances, both well played and indicating, especially in the cadenzas where seemingly ample rehearsal time was spent. The goal here is to capture the musicís delicacy, but always wrapped in impeccable instrumental technique and balance. Itís odd that pitch and phrase coordination in these luscious cadenzaduos mostly avoided the intonation deficiencies and blurring in short trills and turns that were often present when playing in the first movementís ensemble. Mr. Morales overcame these pesky problems in the lovely sadness and lament of the andante where his bottom register tone was burnished and secure.

Tricky horn phrases opened the presto finale and the orchestra exhibited some of the most cohesive playing of the evening, deftly controlled by the conductor. The slower-than-usual tempo allowed Ms. Otsukaís violin line to soar and carry to the back row of the acoustically lively hall. Her violin tone was lambent, alternatively melding and contrasting with Mr. Morales. Greeting the soloists after the final convincing chord were a standing ovation and several presentation bouquets.

Opening the evening was a rollicking eight-minute playing of Shostakovichís Festive Overture. It was a snazzy way to begin and always an audience favorite, as evidenced by recent local performances by the Santa Rosa Symphony, Russian National Orchestra, Mariinsky Orchestra and the Mendocino Music Festival Orchestra. Outstanding in this exciting romp were Mary Kemnecís piccolo playing, and the persuasive solos of flutists Debra Scheuerman and Emily Reynolds. Mr. Gamboa conducted without score.