Home  Reviews  Articles  Calendar  Presenters  Add Event     
Chamber
THREE SONG CYCLES HIGHLIGHT VIBRANT SLV RECITAL
by Pamela Hicks-Gailey
Wednesday, May 08, 2019
An ambitious recital of vocal and piano music was presented May 8 at Santa Rosa’s Spring Lake Village by mezzo-soprano Kindra Scharich and pianist Jeffrey LaDeur. The duo engaged the enthusiastic audience with scholarly friendliness and artistry in performances of Beethoven's short cycle of six song...
Chamber
RARE MAHLER QUARTET AT MILL VALLEY CHAMBER CONCERT
by Abby Wasserman
Sunday, March 24, 2019
Piano quartets are relatively rare in the classical literature, and there are only about 40 compositions for the combination of piano, violin, viola and cello, mostly from the Romantic period of the mid to late 1800s. It therefore was special March 24 to hear three great works of this medium, perfor...
Chamber
FLORESTAN TRIO'S MENDELSSOHN AT SPRING LAKE VILLAGE CONCERT
by Terry McNeill
Friday, March 08, 2019
Spring Lake Village’s monthly concerts usually clock in under an hour, but the March 8 Florestan Trio’s performance was more extended as so much good music was on tap for the 125 residents attending at Santa Rosa’s premiere retirement residence facility. Four short pieces made up the first half, be...
Chamber
TILDEN TRIO'S BOHEMIAN ENERGY AT DOMINICAN CONCERT
by Terry McNeill
Sunday, March 03, 2019
Hard on the heels of the Trio Navarro’s late February concert in Sonoma State’s Schroeder Hall, Northern California’s other premiere resident piano trio, the Tilden, played an equally convincing program March 3 in Dominican University’s Angelico Hall. Clearly each hall’s acoustics, stage pianos and...
Chamber
UNEXPECTED ARENSKY AND MENDELSSOHN BY THE NAVARRO
by Terry McNeill
Sunday, February 17, 2019
The 100 people entering Schroeder Hall Feb. 17 for a Trio Navarro concert were handed a program that appeared to feature two popular piano trios, Mendelssohn and Arensky. But continuing the Navarro’s tradition of repertoire exploration, the pieces were not the usual first Mendelssohn and first Aren...
Chamber
A COMPLETE MUSICAL PACKAGE IN ARRON'S OAKMONT RECITAL
by Terry McNeill
Thursday, January 10, 2019
Cellist Edward Arron has been a welcome artist at the Music at Oakmont series, and after his Jan. 10 recital it’s easy to understand his popularity. His artistry is a complete package, with potent instrumental technique wedded to integral musical conceptions. In a nearly flawless concert with pian...
Chamber
LUMINOUS FAURE TOPS LINCOLN TRIO'S SPRING LAKE VILLAGE CONCERT
by Terry McNeill
Wednesday, November 07, 2018
Familiarity in chamber music often evokes warm appreciation, and it was thus Nov. 7 when the Chicago-based Lincoln Piano Trio made one of their many Sonoma County appearances, this time on the Spring Lake Village Classical Music Series. Regularly presented by local impresario Robert Hayden, the Lin...
Chamber
ATOS TRIO IN MILL VALLEY CHAMBER CONCERT
by Abby Wasserman
Sunday, November 04, 2018
When the ATOS Piano Trio planned their all-Russian touring program at their Berlin home base, it had a strong elegiac, even tragic theme that surely resonated with their Mill Valley Chamber Music Society audience Nov. 4 in Mill Valley. Comprised of Annette von Hehn, violin; Thomas Hoppe, piano; and...
Chamber
ATOS TRIO IN OCCIDENTAL CHAMBER CONCERT
by Terry McNeill
Saturday, November 03, 2018
When the Berlin-based ATOS Piano Trio entered the cramped Occidental Performing Arts stage Nov. 3, the audience of 100 anticipated familiar works in the announced all-Russian program. What they got was a selection of rarely-plays trios, with a gamut of emotions. Then one-movement Rachmaninoff G Mi...
Chamber
HEROIC TRUMPET AND ORGAN MUSIC AT INCARNATION
by Jerry Dibble
Friday, October 12, 2018
The strong connections between Santa Rosa’s musical community and California State University Chico were on display Oct. 12 as David Rothe, Professor Emeritus in the Chico Music Department, and Ayako Nakamura, trumpet with the North State Symphony, presented a concert titled “Heroic Music for Trumpe...
RECITAL REVIEW
Green Music Center / Sunday, January 21, 2018
Greg Anderson and Elizabeth Joy Roe, piano

Greg Anderson and Elizabeth Joy Roe

ECLECTIC ANDERSON & ROE TRANSCRIPTIONS CAPTIVATE WEILL HALL AUDIENCE

by Nicki Bell
Sunday, January 21, 2018

From the first moment when Greg Anderson and Elizabeth Joy Roe walked Jan. 21 on the Weill Hall stage and spoke to the audience about their two-piano program, it was clear that an afternoon of drama, humor, virtuosity, warmth, transcendence and excitement was in store.

This dynamic and mesmerizing duo create many of their own arrangements, and the first half consisted of three opera fantasies.  Their first was based on the finale of Act I of Mozart’s “Cosi fan tutte” and enacted drama, romance, humor and scandal.  At one piano, their ten minute arrangement of pianistic Mozart was pure theater.  Mr. Anderson often glances at Ms. Roe at a seemingly cunning moment, and with her return glances the communication conveyed a sense of fun and even conspiracy.

The concert paraphrase from Ades’ opera “Powder Her Face” was taken from a real life story of the Duchess of Argyle who displayed lack of judgment, reckless behavior, narcissism and scandal, and who finally recognizes her errors and decadence. At the end a tango danced by an electrician and a maid over the Dutchess’ bed of shame, and the pianistic duo made the music glittering as though seen through shards of broken glass.  There were wonderful mixtures of colors, rhythms, melodies and dissonances, with soft chords building to loud and sometimes jazzy chords. The energy was palpable.

More drama and romance came with their “Carmen Fantasy” performance with themes taken from Bizet’s 1875 opera - jazzy, gypsy, sensuous, feverish, all full of virtuosity and speed.  Their two-piano performance was stunning.

Both the artists are warm and enlightening speakers with an audience, and at this performance the stories enhanced their instrumental skills. If the first half of the program was about scandal, drama and romance, the second was about transcendence, with musical statements addressing a human yearning. John Adams’ 16-minute “Hallelujah Junction” was built on repetition, the rhythm of the word “lujah” sounding over and over. At the end of the piece one could hear the whole word “hallelujah” at the climax.  This music was featured in the film “Call Me By Your Name”.  The repetition of the word led to a sense of timelessness and a hypnotic state similar to Catholic incantations or Buddhist chanting.  In three movements, each flowing into the next, the music became driving and intense.  

A very different mood was created with the duo’s arrangement of the Hallelujah Variations based on the cult
classic of Leonard Cohen’s song, the meaning of “Hallelujah” sifting through despair, yearning, ecstasy and praise  It was composed with the inspiration of Schubert and late Beethoven, a duet with eight variations. Through the Beethoven and Schubert mix the Cohen song was easily heard.

Paul McCartney’s song  “Let It Be” concluded the program.  Ms. Roe sang the song, with its gospel-inflected tone before they played their arrangement. It was dueling gospel pianists with an uplifting message and the full hall went crazy with stomping and yelling and clapping for more.

The encore was from Bernstein’s “West Side Story” and was played as a rollicking duet of “America” with the added percussion of hands slapping the piano and rapping knuckles against the instrument's wood fall board. Both artists hopped up to dance while trading places on stage. When the audience wouldn’t let them go, they played “What a Wonderful World”, a quiet work full of filigree scales that calmed the hall’s energy.