Home  Reviews  Articles  Calendar  Presenters  Add Event     
Chamber
OAKMONT SEASON CLOSES WITH STRAUSS' PASSIONATE SONATA
by Terry McNeill
Thursday, April 11, 2024
Chamber
MORE GOLD THAN KORN AT ALEXANDER SQ CONCERT
by Terry McNeill
Sunday, April 7, 2024
Chamber
NOT A SEVENTH BUT A FIRST AT SPRING LAKE VILLAGE CONCERT
by Terry McNeill
Wednesday, March 20, 2024
Chamber
SHAW'S MICROFICTIONS HIGHLIGHTS MIRO QUARTET'S SEBASTOPOL CONCERT
by Peter Lert
Friday, March 1, 2024
Chamber
FRY ST. SQ PLAYS A DEMANDING 222 GALLERY CONCERT
by Terry McNeill
Friday, March 1, 2024
Chamber
SPIRITUAL CHAMBER MUSIC MARIN TRIO CONCERT
by Abby Wasserman
Sunday, February 25, 2024
Chamber
SPIRITUAL STRING MUSIC IN BLACK OAK ENSEMBLE'S MARIN CONCERT
by Abby Wasserman
Sunday, January 28, 2024
Chamber
VIRTUOSIC HARP RECITAL AT SPRING LAKE VILLAGE SERIES
by Terry McNeill
Wednesday, January 24, 2024
Chamber
EMOTIONAL BLOCH PIECE HIGHLIGHTS PELED'S RAC RECITAL
by Peter Lert
Sunday, January 21, 2024
Chamber
OYSTER TRIO AT THE ROSE SIGNATURE SERIES
by Terry McNeill
Sunday, January 14, 2024
CHAMBER REVIEW

Delphi Trio: M. Kwon, J. LaDeur, L. Berube

BALCOM TRIO HIGHLIGHTS DELPHI'S RAC CONCERT IN OCCIDENTAL

by Sonia Morse Tubridy
Saturday, January 20, 2018


The Redwood Arts Council audience first met the Delphi Trio (Jeffrey LaDeur, (piano), Liana Berube (violin), and cellist Michelle Kwon) in 2013, and subsequent concerts in the same Occidental hall have become crowd favorites. The January 20th program before a capacity audience seemed to have enthusiasm flowing both ways, performers and listeners engaged in a musical partnership.

Opening with a dramatic flourish, the Brahms C Minor Trio (Op. 101) was played with warmth and clear nuanced phrasing. The instrumental balance was excellent throughout and the delightful freedom of expression never disturbed clarity of structure and form of the work composed in 1887.

The Bolcom Piano Trio (2014) was written for and dedicated to the Delphi, and is one of the more interesting and beautiful works to be composed for a trio ensemble in recent years. The first movement sounds as a stormy reflection on the Brahms C Minor Trio, and the transcendentally lovely second movement, described by the composer as “old man’s music,” seemed to touch the audience in a deeply spiritual way. The third and final movement was classic Bolcom with elements of the Great American Songbook and ragtime, full of surprises, wit, motion, and with a charming ending.

After an intermission full of lively audience discussion, the musicians returned for Beethoven’s E Flat Trio, Op. 70, No. 2. This is a fascinating work in which Beethoven looks back to an older and simpler compositional style that is combined with the complex musical discoveries of this period in his life. These musicians found and conveyed drama, darkness, light, sparkle, humor, folk elements and the great riches in the writing. It appears to be one of the Delphi’s favorite pieces, and having performed it for many years there was an ease of communication between the instrumentalists and thoughtful and natural community of interpretation. A long standing ovation followed.

Then, after a “Happy Birthday” for a local audience member, an encore was offered - a lullaby written by Evan Price of the Turtle Island Quartet for the birth of twins to a colleague. It was beautiful and touching ending to a memorable chamber music concert.

Nicki Bell contributed to this review.