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Chamber
A COMPLETE MUSICAL PACKAGE IN ARRON'S OAKMONT RECITAL
by Terry McNeill
Thursday, January 10, 2019
Cellist Edward Arron has been a welcome artist at the Music at Oakmont series, and after his Jan. 10 recital it’s easy to understand his popularity. His artistry is a complete package, with potent instrumental technique wedded to integral musical conceptions. In a nearly flawless concert with pian...
Chamber
LUMINOUS FAURE TOPS LINCOLN TRIO'S SPRING LAKE VILLAGE CONCERT
by Terry McNeill
Wednesday, November 07, 2018
Familiarity in chamber music often evokes warm appreciation, and it was thus Nov. 7 when the Chicago-based Lincoln Piano Trio made one of their many Sonoma County appearances, this time on the Spring Lake Village Classical Music Series. Regularly presented by local impresario Robert Hayden, the Lin...
Chamber
ATOS TRIO IN MILL VALLEY CHAMBER CONCERT
by Abby Wasserman
Sunday, November 04, 2018
When the ATOS Piano Trio planned their all-Russian touring program at their Berlin home base, it had a strong elegiac, even tragic theme that surely resonated with their Mill Valley Chamber Music Society audience Nov. 4 in Mill Valley. Comprised of Annette von Hehn, violin; Thomas Hoppe, piano; and...
Chamber
ATOS TRIO IN OCCIDENTAL CHAMBER CONCERT
by Terry McNeill
Saturday, November 03, 2018
When the Berlin-based ATOS Piano Trio entered the cramped Occidental Performing Arts stage Nov. 3, the audience of 100 anticipated familiar works in the announced all-Russian program. What they got was a selection of rarely-plays trios, with a gamut of emotions. Then one-movement Rachmaninoff G Mi...
Chamber
HEROIC TRUMPET AND ORGAN MUSIC AT INCARNATION
by Jerry Dibble
Friday, October 12, 2018
The strong connections between Santa Rosa’s musical community and California State University Chico were on display Oct. 12 as David Rothe, Professor Emeritus in the Chico Music Department, and Ayako Nakamura, trumpet with the North State Symphony, presented a concert titled “Heroic Music for Trumpe...
Chamber
THORNY BARTOK AND ELEGANT MENDELSSOHN FOR THE BRENTANO
by Sonia Morse Tubridy
Sunday, September 30, 2018
In a minor masterpiece of programming choices the Brentano String Quartet played a Sept. 30 Weill Hall program with an emphasis on refinement, even with a challenging Bartok work in the mix. Dvorák’s Miniatures for Two Violins and Viola (Op. 75a) opened the concert with charm and gentle loveliness,...
Chamber
ECHO'S RICH MUSICAL TAPESTRY IN MARIN
by Abby Wasserman
Sunday, September 30, 2018
Marin’s Echo Chamber Orchestra unfurled a glorious tapestry of Mozart, Weber and Respighi music Sept. 30 in San Anselmo’s First Presbyterian Church. The church, located on the grounds of San Francisco Theological Seminary, boasts a ceiling high enough for angels to fly, and its quiet setting and aco...
Chamber
CELLO-PIANO DUO IN HUSKY SPRING LAKE VILLAGE PROGRAM
by Terry McNeill
Wednesday, September 05, 2018
Two thirds of the way through a stimulating 22-concert season the Spring Lake Village Classical Music Series Sept. 5 presented two splendid cello sonatas before 110 people in the Village’s Montgomery auditorium. A duo for more than a decade, East Bay musicians cellist Monica Scott and pianist Hadle...
Chamber
EXTRAVAGANT FUSION OF STYLES AT CHRIS BOTTI BAND WEILL HALL CONCERT
by Jerry Dibble
Sunday, August 12, 2018
Trumpeter Chris Botti still performs in jazz venues including SF Jazz and The Blue Note, but now appears mostly in cavernous halls or on outdoor stages like the Sonoma State University’s Green Music Center. He brought his unique road show to the packed Weill Hall August 12 in a concert of effusive e...
Chamber
SCHUBERT "MIT SCHLAG" AT VOM FESTIVAL MORNING CONCERT
by Abby Wasserman
Sunday, July 29, 2018
The spirit of 19th century Vienna was present July 29 on the final day of the Valley of the Moon Music Festival. The Festival in the second half of July glittered with innovative programming and the new, old sound of original instruments played by musicians who love music with historic instruments. ...
CHAMBER REVIEW
Dominican University of California Guest Concert Series / Sunday, February 11, 2018
Tilden Trio. June Choi Oh, piano; Sarn Oliver,violin; Peter Wyrick, cello

Tilden Trio Feb. 11 in Angelico Hall

NOVEL AND FAMILIAR WORKS FROM THE TILDEN TRIO

by Terry McNeill
Sunday, February 11, 2018

North Coast chamber music fans have the luxury of two fine resident piano trios, with the frequently performing Trio Navarro at Sonoma State, and the Tilden Trio at San Rafael’s Dominican University. The Tilden plays less often, but their Feb. 11 performance brought several hundred to Angelico Hall to hear a sterling program.

A novelty opened the concert, Hummel’s E-Flat Major Trio, Op. 93, and it was probably a local premiere. There were flashes of his contemporary Beethoven in the expansive allegro, though taken at a slower than usual tempo. Pianist June Choi Oh played with smooth scales and prominence, and Peter Wyrick’s cello line sounded full. Violinist Sean Oliver had intonation problems in the initial thematic statements but quickly found his footing.

Hummel’s larghetto was played with careful emotion, and in the concluding finale the piano part was quite fast, with the left hand pedal point sporadically blurred (by design?). Much of the music had a fugal character and was a refreshing and convincing break from the more common period trios of Haydn, Mozart and early Beethoven.

From the stage Ms. Oh made announcements and the trio moved to Jennifer Higdon’s Pale Yellow, an 8-minute part of a 2003 composition. As with most of this composer’s work Pale Yellow was easily approachable, and in this case atmospheric. The cello and violin have the big themes, the latter mostly in the high register. The Tilden played it as a long-line lament, sad but also soaring with soft marching chords from Ms. Oh. Each instrument seamlessly rose and receded into the sonic mix, and this saturated-with-color score finally resolved with the musical sun coming out. A splendid choice.

As a consummate orchestral cellist Mr. Wyrick seldom is in the soloist spotlight, but was in this concert partnering with Ms. Oh and playing Chopin’s effervescent Op. 3 Introduction et Polonaise Brillante. It was performed at a very slow tempo and with the cellist’s well-known dynamic control, but was not note perfect. The operatic ending (Donizetti? Bellini?) was elegant. He played without score.

Concluding the program was Schubert’s seminal first Trio (Op. 99) in B-Flat Major, and here was the best ensemble playing of the afternoon. In the opening allegro a lot is going on, and Mr. Wyrick’s projection of the big second theme was lovely. In the famous andante the Tilden choose a pokey tempo, as in the classic Cortot/Casals/Thibaud recording, but as in current interpretations they avoided the latter Trio’s uber-romantic ritards and phrasing. The violin and cello duet over a slow rocking piano line was beguiling. There was even a nod towards ländler-like phrases, playful and exquisite. The scherzo playing was trim, breezy and not overplayed.

Tight ensemble continued in the rondo finale, a long but satisfying collection of lovely themes and effects. Often listeners new to Schubert are perplexed, saying “not another repeat!” or “it’s so long,” but for the Tilden musicians it was a heavenly length. The continual contrasts and urgent piano dissonances were compelling, and the 1828 work finished with flair and loud audience applause.

No encore was offered. Pianist Kevin Kenner continues the Guest Artist Series April 8 in Angelico with an all-Chopin program.