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Chamber
THREE SONG CYCLES HIGHLIGHT VIBRANT SLV RECITAL
by Pamela Hicks-Gailey
Wednesday, May 08, 2019
An ambitious recital of vocal and piano music was presented May 8 at Santa Rosa’s Spring Lake Village by mezzo-soprano Kindra Scharich and pianist Jeffrey LaDeur. The duo engaged the enthusiastic audience with scholarly friendliness and artistry in performances of Beethoven's short cycle of six song...
Chamber
RARE MAHLER QUARTET AT MILL VALLEY CHAMBER CONCERT
by Abby Wasserman
Sunday, March 24, 2019
Piano quartets are relatively rare in the classical literature, and there are only about 40 compositions for the combination of piano, violin, viola and cello, mostly from the Romantic period of the mid to late 1800s. It therefore was special March 24 to hear three great works of this medium, perfor...
Chamber
FLORESTAN TRIO'S MENDELSSOHN AT SPRING LAKE VILLAGE CONCERT
by Terry McNeill
Friday, March 08, 2019
Spring Lake Village’s monthly concerts usually clock in under an hour, but the March 8 Florestan Trio’s performance was more extended as so much good music was on tap for the 125 residents attending at Santa Rosa’s premiere retirement residence facility. Four short pieces made up the first half, be...
Chamber
TILDEN TRIO'S BOHEMIAN ENERGY AT DOMINICAN CONCERT
by Terry McNeill
Sunday, March 03, 2019
Hard on the heels of the Trio Navarro’s late February concert in Sonoma State’s Schroeder Hall, Northern California’s other premiere resident piano trio, the Tilden, played an equally convincing program March 3 in Dominican University’s Angelico Hall. Clearly each hall’s acoustics, stage pianos and...
Chamber
UNEXPECTED ARENSKY AND MENDELSSOHN BY THE NAVARRO
by Terry McNeill
Sunday, February 17, 2019
The 100 people entering Schroeder Hall Feb. 17 for a Trio Navarro concert were handed a program that appeared to feature two popular piano trios, Mendelssohn and Arensky. But continuing the Navarro’s tradition of repertoire exploration, the pieces were not the usual first Mendelssohn and first Aren...
Chamber
A COMPLETE MUSICAL PACKAGE IN ARRON'S OAKMONT RECITAL
by Terry McNeill
Thursday, January 10, 2019
Cellist Edward Arron has been a welcome artist at the Music at Oakmont series, and after his Jan. 10 recital it’s easy to understand his popularity. His artistry is a complete package, with potent instrumental technique wedded to integral musical conceptions. In a nearly flawless concert with pian...
Chamber
LUMINOUS FAURE TOPS LINCOLN TRIO'S SPRING LAKE VILLAGE CONCERT
by Terry McNeill
Wednesday, November 07, 2018
Familiarity in chamber music often evokes warm appreciation, and it was thus Nov. 7 when the Chicago-based Lincoln Piano Trio made one of their many Sonoma County appearances, this time on the Spring Lake Village Classical Music Series. Regularly presented by local impresario Robert Hayden, the Lin...
Chamber
ATOS TRIO IN MILL VALLEY CHAMBER CONCERT
by Abby Wasserman
Sunday, November 04, 2018
When the ATOS Piano Trio planned their all-Russian touring program at their Berlin home base, it had a strong elegiac, even tragic theme that surely resonated with their Mill Valley Chamber Music Society audience Nov. 4 in Mill Valley. Comprised of Annette von Hehn, violin; Thomas Hoppe, piano; and...
Chamber
ATOS TRIO IN OCCIDENTAL CHAMBER CONCERT
by Terry McNeill
Saturday, November 03, 2018
When the Berlin-based ATOS Piano Trio entered the cramped Occidental Performing Arts stage Nov. 3, the audience of 100 anticipated familiar works in the announced all-Russian program. What they got was a selection of rarely-plays trios, with a gamut of emotions. Then one-movement Rachmaninoff G Mi...
Chamber
HEROIC TRUMPET AND ORGAN MUSIC AT INCARNATION
by Jerry Dibble
Friday, October 12, 2018
The strong connections between Santa Rosa’s musical community and California State University Chico were on display Oct. 12 as David Rothe, Professor Emeritus in the Chico Music Department, and Ayako Nakamura, trumpet with the North State Symphony, presented a concert titled “Heroic Music for Trumpe...
CHAMBER REVIEW
Dominican University of California Guest Concert Series / Sunday, February 11, 2018
Tilden Trio. June Choi Oh, piano; Sarn Oliver,violin; Peter Wyrick, cello

Tilden Trio Feb. 11 in Angelico Hall

NOVEL AND FAMILIAR WORKS FROM THE TILDEN TRIO

by Terry McNeill
Sunday, February 11, 2018

North Coast chamber music fans have the luxury of two fine resident piano trios, with the frequently performing Trio Navarro at Sonoma State, and the Tilden Trio at San Rafael’s Dominican University. The Tilden plays less often, but their Feb. 11 performance brought several hundred to Angelico Hall to hear a sterling program.

A novelty opened the concert, Hummel’s E-Flat Major Trio, Op. 93, and it was probably a local premiere. There were flashes of his contemporary Beethoven in the expansive allegro, though taken at a slower than usual tempo. Pianist June Choi Oh played with smooth scales and prominence, and Peter Wyrick’s cello line sounded full. Violinist Sean Oliver had intonation problems in the initial thematic statements but quickly found his footing.

Hummel’s larghetto was played with careful emotion, and in the concluding finale the piano part was quite fast, with the left hand pedal point sporadically blurred (by design?). Much of the music had a fugal character and was a refreshing and convincing break from the more common period trios of Haydn, Mozart and early Beethoven.

From the stage Ms. Oh made announcements and the trio moved to Jennifer Higdon’s Pale Yellow, an 8-minute part of a 2003 composition. As with most of this composer’s work Pale Yellow was easily approachable, and in this case atmospheric. The cello and violin have the big themes, the latter mostly in the high register. The Tilden played it as a long-line lament, sad but also soaring with soft marching chords from Ms. Oh. Each instrument seamlessly rose and receded into the sonic mix, and this saturated-with-color score finally resolved with the musical sun coming out. A splendid choice.

As a consummate orchestral cellist Mr. Wyrick seldom is in the soloist spotlight, but was in this concert partnering with Ms. Oh and playing Chopin’s effervescent Op. 3 Introduction et Polonaise Brillante. It was performed at a very slow tempo and with the cellist’s well-known dynamic control, but was not note perfect. The operatic ending (Donizetti? Bellini?) was elegant. He played without score.

Concluding the program was Schubert’s seminal first Trio (Op. 99) in B-Flat Major, and here was the best ensemble playing of the afternoon. In the opening allegro a lot is going on, and Mr. Wyrick’s projection of the big second theme was lovely. In the famous andante the Tilden choose a pokey tempo, as in the classic Cortot/Casals/Thibaud recording, but as in current interpretations they avoided the latter Trio’s uber-romantic ritards and phrasing. The violin and cello duet over a slow rocking piano line was beguiling. There was even a nod towards ländler-like phrases, playful and exquisite. The scherzo playing was trim, breezy and not overplayed.

Tight ensemble continued in the rondo finale, a long but satisfying collection of lovely themes and effects. Often listeners new to Schubert are perplexed, saying “not another repeat!” or “it’s so long,” but for the Tilden musicians it was a heavenly length. The continual contrasts and urgent piano dissonances were compelling, and the 1828 work finished with flair and loud audience applause.

No encore was offered. Pianist Kevin Kenner continues the Guest Artist Series April 8 in Angelico with an all-Chopin program.