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Recital
DEDIK'S POTENT BEETHOVEN AND CHOPIN AT SPRING LAKE VILLAGE RECITAL
by Terry McNeill
Monday, September 17, 2018
Anastasia Dedik returned Sept. 17 to the Spring Lake Village Classical Music Series in a recital that featured three familiar virtuoso works in potent interpretations. Chopin’s G Minor Ballade hasn’t been heard in Sonoma County public concerts since a long-ago Earl Wild performance, and Beethoven’s...
Recital
DUO WEST OPENS OCCIDENTAL CONCERT SEASON
by Terry McNeill
Sunday, September 09, 2018
Before a full house at the Occidental Performing Arts Center Sept. 9 the cello-piano Duo West, playing from score throughout, presented a recital that on paper looked stimulating and thoughtful. Beginning with MacDowell’s To A Wild Rose (from Woodland Sketches, Op. 51), the transcription by an unan...
Chamber
CELLO-PIANO DUO IN HUSKY SPRING LAKE VILLAGE PROGRAM
by Terry McNeill
Wednesday, September 05, 2018
Two thirds of the way through a stimulating 22-concert season the Spring Lake Village Classical Music Series Sept. 5 presented two splendid cello sonatas before 110 people in the Village’s Montgomery auditorium. A duo for more than a decade, East Bay musicians cellist Monica Scott and pianist Hadle...
Chamber
EXTRAVAGANT FUSION OF STYLES AT CHRIS BOTTI BAND WEILL HALL CONCERT
by Jerry Dibble
Sunday, August 12, 2018
Trumpeter Chris Botti still performs in jazz venues including SF Jazz and The Blue Note, but now appears mostly in cavernous halls or on outdoor stages like the Sonoma State University’s Green Music Center. He brought his unique road show to the packed Weill Hall August 12 in a concert of effusive e...
Chamber
SCHUBERT "MIT SCHLAG" AT VOM FESTIVAL MORNING CONCERT
by Abby Wasserman
Sunday, July 29, 2018
The spirit of 19th century Vienna was present July 29 on the final day of the Valley of the Moon Music Festival. The Festival in the second half of July glittered with innovative programming and the new, old sound of original instruments played by musicians who love music with historic instruments. ...
Chamber
PASSIONATE BRAHMS-SCHOENBERG MUSIC CLOSES VOM FESTIVAL SUMMER
by Abby Wasserman
Sunday, July 29, 2018
An extraordinary program of chamber music by Brahms and Schoenberg attracted a capacity crowd to the Valley of the Moon Music Festival’s final concert July 29th in Sonoma’s Hanna Center. It opened with a richly expressive reading by Festival Laureate violinist Rachell Wong and pianist Jeffrey LaDeur...
Chamber
PRAGUE AND VIENNA PALACE GEMS HIGHLIGHT VOM FESTIVAL CONCERT
by Sonia Morse Tubridy
Saturday, July 28, 2018
The remarkable Valley of the Moon Chamber Music Festival presented a concert called “Kinsky Palace” July 28 on their final Festival weekend in Sonoma’s Hanna Center. Two well-known treasures and one lesser gem were programmed. Starting the afternoon offerings were violinist Monica Huggett and Fest...
Chamber
INNOVATIVE CHAMBER WORKS IN HANNA CENTER CONCERT
by Sonia Morse Tubridy
Sunday, July 22, 2018
The Valley of the Moon Music Festival presented a July 22 concert featuring three giants: Haydn, Schubert and Schumann, composers who altered music of their time with creative innovations and artistic vision. In the fourth season the Festival’s theme this year is “Vienna in Transition”, and VOM Fes...
Chamber
VIENNA INSPIRATION FOR VOM FESTIVAL PROGRAM AT HANNA CENTER
by Nicki Bell
Saturday, July 21, 2018
A music-loving audience filled Sonoma’s Hanna Center Auditorium July 21 to begin a record weekend of three concerts, produced by the Valley of the Moon Music Festival. The Festival’s theme this summer is “Venice in Transition – From the Enlightenment to the Dawn of Modernism” Prior to Saturday’s m...
Chamber
VANHAL QUARTET AT VOM FESTIVAL DISCOVERY AT HANNA CENTER
by Abby Wasserman
Sunday, July 15, 2018
A near-capacity crowd of 220 filled the Sonoma Hanna Boys Center Auditorium July 15 for the opening concert of the fourth Valley of the Moon Music Festival. This Festival presents gems of the Classical and early Romantic periods performed on instruments of the composer’s era, which presents a few ch...
CHAMBER REVIEW
Mill Valley Chamber Music Society / Sunday, February 18, 2018
Bomsori Kim, violin; Drew Petersen, piano

Violinist Bomsori Kim

KIM-PETERSEN DUO SHINE IN MILL VALLEY CHAMBER RECITAL

by Abby Wasserman
Sunday, February 18, 2018

“Bomsori” means “the sound of spring” in Korean, and violinist Bomsori Kim’s sound is like spring - fresh, clarion, and nuanced. Her expressiveness and obvious pleasure in engaging with audiences is substantial, and she partnered with pianist Drew Petersen in a Feb. 18 recital for the Mill Valley Chamber Music Society.

On stage at the Mill Valley United Methodist Church. Ms. Kim and Mr. Petersen chose a program that was technically demanding and aesthetically thrilling, with pieces by Beethoven, Schumann, Ravel, Wieniawski, and Ysäye. The pulse and arc of each of her phrases was exquisitely shaped. If one weren’t already in love with the violin, this concert would have been the heart-winning valentine.

Beethoven’s 8th Sonata in G, Op. 30, No. 3, begins with a pulsating, passionate allegro, where “Sturm und Drang” alternate with tender, singing passages. At first the tempo seemed too fast but Ms. Kim captured each pulse in the music, and it never spun out of control. When Beethoven composed the Sonata in 1802, he was dealing with impending deafness, and the terror, dread and shame are manifest in the violence of the movement. In the minuetto Mr. Petersen took the bright musical lead even as the violin line wove a tragic leitmotif. The furious finale (allegro vivace) was masterfully controlled.

Ms. Kim’s playing captured the character of Schumann’s grief and movement towards insanity in the A Minor Sonata from 1851. Unfortunately, the piano sound was occasionally too loud, covering the violin’s line. The house piano’s lid was fully open, and as the instrument had a brilliant sound, Mr. Petersen’s playing at times swamped that of Ms. Kim. The allegretto was nostalgic and sweet, evoking childhood play, and then came the lebhaft with its abrupt changes and mood swings, expressing with delicacy and anguish the composer’s complex emotional state.

A standout of the program was Ravel’s Sonata No. 2 (G Major), composed in 1927. The piano sound had a bell-like clarity and the violin line soared. Here the musical lines blend and diverge in a fascinating meander. In the first movement allegretto the two instruments created their own eccentric harmonies, parting and meeting again. The movement with blues character, with its sensual slides and jazzy pizzicato, was spellbinding, and midway through the stirring perpetuum mobile finale Ms. Kim’s playing was joyous and her joy was palpably shared with the Church’s audience.

The last two selections, a Wieniawski D Major Polonaise and Ysäye’s Caprice d’Apres l’Etude en Forme de Valse de Concert (St. Saëns), were pure, exuberant showpieces. The duo captured the panache and yearning of the Polonaise, and the Ysäye was a fascinating journey into the astonishing capabilities of the virtuoso violinist. Ms. Kim bowed and plucked through each surprise, relishing each joke, and glided through the tour-de-force acrobatics of the transcribed study as though they came freshly from her imagination.

It was a generous program and the audience responded with two standing ovations. Clearly touched, Ms. Kim and Mr. Petersen offered two encores - Ponce’s “Estrellita,” arranged by Heifitz, and Kreisler’s “Schoen Rosemarin.” With their transparent and lilting lines, both encores were effervescent and an audience delight.