Home  Reviews  Articles  Calendar  Presenters  Add Event     
Recital
DEDIK'S POTENT BEETHOVEN AND CHOPIN AT SPRING LAKE VILLAGE RECITAL
by Terry McNeill
Monday, September 17, 2018
Anastasia Dedik returned Sept. 17 to the Spring Lake Village Classical Music Series in a recital that featured three familiar virtuoso works in potent interpretations. Chopin’s G Minor Ballade hasn’t been heard in Sonoma County public concerts since a long-ago Earl Wild performance, and Beethoven’s...
Recital
DUO WEST OPENS OCCIDENTAL CONCERT SEASON
by Terry McNeill
Sunday, September 09, 2018
Before a full house at the Occidental Performing Arts Center Sept. 9 the cello-piano Duo West, playing from score throughout, presented a recital that on paper looked stimulating and thoughtful. Beginning with MacDowell’s To A Wild Rose (from Woodland Sketches, Op. 51), the transcription by an unan...
Chamber
CELLO-PIANO DUO IN HUSKY SPRING LAKE VILLAGE PROGRAM
by Terry McNeill
Wednesday, September 05, 2018
Two thirds of the way through a stimulating 22-concert season the Spring Lake Village Classical Music Series Sept. 5 presented two splendid cello sonatas before 110 people in the Village’s Montgomery auditorium. A duo for more than a decade, East Bay musicians cellist Monica Scott and pianist Hadle...
Chamber
EXTRAVAGANT FUSION OF STYLES AT CHRIS BOTTI BAND WEILL HALL CONCERT
by Jerry Dibble
Sunday, August 12, 2018
Trumpeter Chris Botti still performs in jazz venues including SF Jazz and The Blue Note, but now appears mostly in cavernous halls or on outdoor stages like the Sonoma State University’s Green Music Center. He brought his unique road show to the packed Weill Hall August 12 in a concert of effusive e...
Chamber
SCHUBERT "MIT SCHLAG" AT VOM FESTIVAL MORNING CONCERT
by Abby Wasserman
Sunday, July 29, 2018
The spirit of 19th century Vienna was present July 29 on the final day of the Valley of the Moon Music Festival. The Festival in the second half of July glittered with innovative programming and the new, old sound of original instruments played by musicians who love music with historic instruments. ...
Chamber
PASSIONATE BRAHMS-SCHOENBERG MUSIC CLOSES VOM FESTIVAL SUMMER
by Abby Wasserman
Sunday, July 29, 2018
An extraordinary program of chamber music by Brahms and Schoenberg attracted a capacity crowd to the Valley of the Moon Music Festival’s final concert July 29th in Sonoma’s Hanna Center. It opened with a richly expressive reading by Festival Laureate violinist Rachell Wong and pianist Jeffrey LaDeur...
Chamber
PRAGUE AND VIENNA PALACE GEMS HIGHLIGHT VOM FESTIVAL CONCERT
by Sonia Morse Tubridy
Saturday, July 28, 2018
The remarkable Valley of the Moon Chamber Music Festival presented a concert called “Kinsky Palace” July 28 on their final Festival weekend in Sonoma’s Hanna Center. Two well-known treasures and one lesser gem were programmed. Starting the afternoon offerings were violinist Monica Huggett and Fest...
Chamber
INNOVATIVE CHAMBER WORKS IN HANNA CENTER CONCERT
by Sonia Morse Tubridy
Sunday, July 22, 2018
The Valley of the Moon Music Festival presented a July 22 concert featuring three giants: Haydn, Schubert and Schumann, composers who altered music of their time with creative innovations and artistic vision. In the fourth season the Festival’s theme this year is “Vienna in Transition”, and VOM Fes...
Chamber
VIENNA INSPIRATION FOR VOM FESTIVAL PROGRAM AT HANNA CENTER
by Nicki Bell
Saturday, July 21, 2018
A music-loving audience filled Sonoma’s Hanna Center Auditorium July 21 to begin a record weekend of three concerts, produced by the Valley of the Moon Music Festival. The Festival’s theme this summer is “Venice in Transition – From the Enlightenment to the Dawn of Modernism” Prior to Saturday’s m...
Chamber
VANHAL QUARTET AT VOM FESTIVAL DISCOVERY AT HANNA CENTER
by Abby Wasserman
Sunday, July 15, 2018
A near-capacity crowd of 220 filled the Sonoma Hanna Boys Center Auditorium July 15 for the opening concert of the fourth Valley of the Moon Music Festival. This Festival presents gems of the Classical and early Romantic periods performed on instruments of the composer’s era, which presents a few ch...
CHAMBER REVIEW
Trio Navarro / Sunday, February 18, 2018
Victor Romasevich, violin; Jill Rachuy Brindel, cello; Wayne Roden, viola; Marilyn Thompson, piano

Trio Navarro

POWERHOUSE TANEYEV QUARTET IN TRIO NAVARRO CONCERT

by Sonia Tubridy
Sunday, February 18, 2018

Now in their 26th year of presenting chamber music as artists in residence at Sonoma State University, members of the Navarro Trio have performed, over the years, piano trios both famous and rarely performed, including many contemporary works.

Mozart’s Piano Quartet in G Minor, K. 478 opened the Feb. 18 program in Schroeder Hall with its dark, almost ominous unison statement followed by cascades of bright piano passages. The tempo was brisk and the attitude direct and clear. The ensemble sound ranged from lovely elegance to passionate exuberance with hints of contemplative sorrow. Individual solos blended often into a unity of ensemble befitting this masterpiece.

The andante was touchingly played. Pianist Marilyn Thompson’s sound was warm and drew the other instruments into a palette of subtle tone colors. The piano line did not overwhelm in this work that needs transparency. Victor Romasevich’s violin playing was by turns bright and soaring or dark and brooding, and violist Wayne Roden playing sang exquisitely when the viola blossomed out of the surrounding parts. Cellist Jill Brindel’s musical contribution was gracious and well balanced. The third movement Rondo was full of sparkle and musical wit, and the piano part alternated with the strings in lighthearted games of back and forth, providing many delicate surprises in the dynamics and rubatos. There was a delightful sense of ease, ending with effervescent excitement.

After intermission, the audience, which included many students, heard the monumental Piano Quartet, Op. 20, by Taneyev. The composer was the teacher of Rachmaninoff and Scriabin, and for a time Prokofiev. His works are not as well known and he was not drawn into Russian nationalist streams of composing. Taneyev looked to Mozart for inspiration and Bach for counterpoint, and he was considered a master of counterpoint by his contemporaries. Pairing Taneyev with Mozart in this program was a fitting gesture. The Quartet’s first movement (Allegro brillante is a world of fire and fury. There follow many abrupt changes, sweet meditation of the violin, a cello and piano duo, playfulness with dark piano rumbling. The writing is orchestral and ranges from diabolical to heroic. This is music of unrestrained romanticism played by musicians completely engaged in this rich expressive world.

Next was Adagio piu tosto largo, a very emotional musical journey. It starts starts with calm piano chords and soon plaintive viola and cello solos lead to a powerful climax. There is a fugue, viola solo with dazzling piano arpeggios, more rising to limits of sonority and a return to trio sound with piano chords accompanying. One of the memorable themes is closely related to a later famous pop song “Blue Moon.” The third movement was like a whirlwind with moments of calm - capricious, threatening, anguished. It sometimes evoked wandering through the wilderness with almost no rest. A fugue then carries the music until finally there is a return to the calm loving song from the second movement. The viola seems to sing that nature is beautiful and the cello joins with a heartfelt answer, leading all to join for the conclusion.

This Trio Navarro concert was a rich and inspiring experience.