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Recital
MUSICAL ALCHEMY INSIDE A HIDDEN GEM
by Kayleen Asbo
Friday, May 25, 2018
The Petaluma Historical Library and Museum is a hidden gem of Sonoma County, a gracious building that is one of Sonoma County’s loveliest venues for chamber music concerts, with a fine period piano particularly suited to Romantic music.  Of the surprisingly large array of festivities there, one of t...
Recital
HEAVENLY SCHUBERT AND DEMONIC CHOPIN
by Terry McNeill
Saturday, April 21, 2018
One of the anomalies in the long ago “Golden Era” of romantic pianism (about 1905 to 1940) is that the virtuoso giants of the time didn’t play Schubert. It took the German pianist Artur Schnabel to bring the beauties of Schuber’s work to the public’s attention, and now they seem to be on almost ever...
Recital
KENNER'S ALL POLISH RECITAL HAS PADEREWSKI RARITY
by Abby Wasserman
Sunday, April 08, 2018
Kevin Kenner’s April 8 recital at Dominican University’s Angelico Hall had been advertised as all-Chopin, but he added a detour into another seminal Polish composer-pianist, Paderewski. Several of Mr. Kenner’s teachers were Poles, he speaks Polish, and he navigated at the piano both composers’ deman...
Recital
VIRTUOSIC VARIATIONS IN MORGAN'S SCHROEDER ORGAN RECITAL
by Paul Blanchard
Sunday, March 18, 2018
Organist Robert Huw Morgan’s artistry spun through the web of early variation form in a Mar. 18 recital on Schroeder Hall’s wonderful Brombaugh organ. Mr. Morgan, Stanford University’s resident organist, performs a wide range of repertoire, but as he said in comments to the audience, he loves when h...
Recital
DEDIK RECITAL MARCH 12 IN SPRING LAKE VILLAGE SERIES
by Terry McNeill
Monday, March 12, 2018
Pianist Anastasia Dedik has been an occasional North Coast visitor, playing with her Trio in Ukiah, and in recitals in Sonoma and with the Spring Lake Village series. She returned March 12 to Spring Lake (a retirement community, with Impresario Robert Hayden) in an abbreviated recital before a pack...
Recital
CHOPIN BALLADES FEATURED IN CONCERTS GRAND RECITAL
by Terry McNeill
Saturday, February 24, 2018
Pianist Nancy Lee Harper made an elegant North Coast debut Feb. 24 in the Concerts Grand House Recitals series in a private Santa Rosa home. Ms. Harper, for decades a performer and teacher in Portugal, has recently relocated to Northern California, played an all-Chopin recital that was comprehensiv...
Recital
ROMANTIC MUSIC AND AMBIANCE AT SEB ARTS RECITAL
by Nicki Bell
Sunday, February 18, 2018
Sebastopol had is own musical salon Feb. 18 with visits to Paris of the 1830s, and side trips to Wales and Germany. Pianist Robyn Carmichael presented a concert of favorite romantic masters and their muses, loves and inspirations, with music of Chopin, Liszt Mendelssohn and Schumann. This was no c...
Recital
HAUNTING RACHMANINOFF WORKS IN HU'S MAO RECITAL
by Terry McNeill
Thursday, February 08, 2018
Ching-Yun Hu made a return Music at Oakmont appearance Feb. 8 in Berger Auditorium, reprising a recital she made in the same hall four years ago. Many of the recital’s trappings were the same, but the music Ms. Hu chose to play was decidedly different. All afternoon the pianist was in an aggressiv...
Recital
ZNAIDER-KULEK DUO CHARMS AND CHALLANGES WEILL AUDIENCE FEB. 2
by Terry McNeill
Friday, February 02, 2018
Weill hall has mounted several exceptional piano recitals, with Garrick Ohlsson’s titanic Liszt concert, and of course Lang Lang’s two insouciant but also compelling performances topping the list since 2013. But arguably the virtuoso violinists have on balance been more impressive, and thoughts g...
Recital
HOME RECITAL BACH COMPLETES HOLIDAY SEASON
by Terry McNeill
Saturday, December 30, 2017
The just closing 2017 year was a calamity for many, but locally in music there were joys galore, and it was fitting Dec. 30 have the balm of two Bach’s violin sonatas in a private Guerneville home recital hosted by the eminent musician Sonia Tubridy. Violinist Richard Heinberg joined Ms. Tubridy in...
RECITAL REVIEW
Spring Lake Village Classical Music Series / Monday, March 12, 2018
Anastasia Dedik, piano

Pianist Anastasia Dedik March 12 at Spring Lake Village

DEDIK RECITAL MARCH 12 IN SPRING LAKE VILLAGE SERIES

by Terry McNeill
Monday, March 12, 2018

Pianist Anastasia Dedik has been an occasional North Coast visitor, playing with her Trio in Ukiah, and in recitals in Sonoma and with the Spring Lake Village series. She returned March 12 to Spring Lake (a retirement community, with Impresario Robert Hayden) in an abbreviated recital before a packed Montgomery Center Hall of 200 attentive seniors.

Beginning with three Bach works, the pianist was in a lively mood and Petri’s popular “Sheep May Safely Graze” transcription had steady rhythm and showed the bright treble of the hall’s piano. Two monumental Preludes and Fugues from Book I of the Well Tempered Clavier came next, the C-Sharp Major and the B-Flat Minor. The Prelude of the first was played briskly, and the fugue slow with hidden charm and the novel touch of an arpeggiated last chord.

In the second Prelude Ms. Dedik opted for a somber character and played it like a chorale, with subtle crescendos and decrescendos. It was a study in dynamic control, and a recital highlight. The fugue was played songlike, with the charming theme shifting between the hands.

Beethoven’s “Moonlight” Sonata (C-Sharp Minor, Op. 27, No. 2) concluded the first half, and here the pianist gave a workmanlike performance with some attractive details, such as sporadically slightly broken chords in the too slow first movement adagio sostenuto. The following allegretto was also a little mundane in conception, lacking the lilt and charm that one can hear in the famous live Hofmann reading in the 1930s. I hear a dance unfolding in this movement.

Ms. Dedik redeemed herself in the finale by capturing the tumultuous presto agitato momentum with rumbling tremolos, interesting pauses and clarity of line. It was exciting playing that generated the evening’s loudest ovation.

Mikhail Pletnev’s wonderful 1978 transcription of Tchaikovsky’s Nutcracker ballet has been played in Santa Rosa several times, the last spiritually by Nareh Arghamanyan in Newman, and Ms. Dedik selected the Sugar Plum Fairy and Intermezzo parts from the original seven movements. The second received the most orchestral playing in the program, with a lush romantic sonority that at times had a brittle tone in forte passages. Her right-hand skips were unfailingly accurate.

Two popular Scriabin studies ended the short program – the C-Sharp Minor Etude from Op. 2, and arguably the composer’s most popular composition, the D Sharp Minor from Op. 8. The first, a Horowitz specialty, was played with lovely inner voices and a deft, languorous touch. Surprisingly in the super dramatic D Sharp Ms. Dedik didn’t master it technically, and at the points of maximum dramatic power where octave doubling is frequently used her conception had authority without the requisite punch and ecstasy.

Called for an encore, the pianist turned to Chopin’s F-Sharp Major Nocturne (Op. 15, No.2). It was a mildly agitated but not hurried performance with elegant ornamentation, and was a welcome respite from the elemental Scriabin Etude. Responding to more applause, Ms. Dedik gave a resounding reading of the Op. Posthumous Chopin Waltz in E Minor.