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Chamber
COMMANDING CHOPIN AND DEBUSSY IN SLV RECITAL
by Terry McNeill
Wednesday, June 06, 2018
Concerts at the classy Spring Lake Village Retirement Home in Santa Rosa have admission limited to residents and a few guests, but the chance to hear a first cabin North Bay pianist June 6 brought a Classical Sonoma reviewer into the audience of 100. The crowd numbers were unusually low due to a ba...
Chamber
FINAL VOM MUSICIANS CONCERT IN SCHROEDER A SCHUBERT DELIGHT
by Terry McNeill
Saturday, May 12, 2018
It's rare to have the opportunity to compare in a short period two performances of the same major Schubert work, in this case the great B Flat Piano Trio, D. 898. The chance came May 12 when the Valley of the Moon Festival musicians played it in Schroeder, just over a month since the Hall’s residen...
Chamber
VIRTUOSO CELLO AND GUITAR TRANSCRIPTIONS AT RAC SEBASTOPOL CONCERT
by Terry McNeill
Saturday, April 14, 2018
Listeners and yes even music critics usually prepare for a concert with research, checking recorded performances, looking at artist biographies and even reviewing sheet music. This was a difficult task for the April 14 Redwood Arts Council concert in Sebastopol’s Community Church, as the performers...
Chamber
TRIO NAVARRO'S POPULAR FARE IN SCHROEDER HALL CONCERT
by Terry McNeill
Sunday, April 08, 2018
Long time Classical Sonoma readers may recall many Trio Navarro concert reviews that lauded their virtuosity and interest in rarely played repertoire. The April 8 concert in Schroeder Hall before 85 chamber music fans featured sterling performances but had a mostly conservative menu of popular trio...
Chamber
VOM FESTIVAL TRIO CHARMS WITH CHAMBER MIX, AND HUMMEL
by Terry McNeill
Saturday, March 31, 2018
At the core of the group of Valley of the Moon Music Festival (VOM) musicians is an ensemble of trios and duos, and as a trio March 31 Festival founders cellist Tanya Tomkins and pianist Eric Zivian joined British violinist Monica Huggett for a chamber music concert in the Green Music Center’s Schro...
Chamber
ADVENTUROUS BACH AND PENDERECKI IN MUTTER-ORKIS WEILL RECITAL
by Terry McNeill
Friday, March 02, 2018
German violinist Anne-Sophie Mutter returned to Weill Hall March 2 in a recital curiously different than her appearance on the same stage several years ago, and also dissimilar to a recent San Francisco concert with a heroic Respighi Sonata performance. On a rainy night before 700 fans Ms. Mutter ...
Chamber
BEETHOVEN'S MAJESTY IN TAKACS QUARTET CONCERT
by Terry McNeill
Sunday, February 25, 2018
Greatness in a single musical composition carried the day Feb. 25 when the Takács String Quartet played Beethoven in Weill Hall. Sweeping aside two first half pieces, the Takács tackled Beethoven’s penultimate Quartet, the monumental C-Sharp Minor, Op. 131, written in 1826. From the first notes (<...
Chamber
KIM-PETERSEN DUO SHINE IN MILL VALLEY CHAMBER RECITAL
by Abby Wasserman
Sunday, February 18, 2018
“Bomsori” means “the sound of spring” in Korean, and violinist Bomsori Kim’s sound is like spring - fresh, clarion, and nuanced. Her expressiveness and obvious pleasure in engaging with audiences is substantial, and she partnered with pianist Drew Petersen in a Feb. 18 recital for the Mill Valley C...
Chamber
POWERHOUSE TANEYEV QUARTET IN TRIO NAVARRO CONCERT
by Sonia Tubridy
Sunday, February 18, 2018
Now in their 26th year of presenting chamber music as artists in residence at Sonoma State University, members of the Navarro Trio have performed, over the years, piano trios both famous and rarely performed, including many contemporary works. Mozart’s Piano Quartet in G Minor, K. 478 opened the Fe...
Chamber
NOVEL AND FAMILIAR WORKS FROM THE TILDEN TRIO
by Terry McNeill
Sunday, February 11, 2018
North Coast chamber music fans have the luxury of two fine resident piano trios, with the frequently performing Trio Navarro at Sonoma State, and the Tilden Trio at San Rafael’s Dominican University. The Tilden plays less often, but their Feb. 11 performance brought several hundred to Angelico Hall ...
CHAMBER REVIEW
Valley of the Moon Music Festival / Saturday, March 31, 2018
VOM Festival Musicians: Tanya Tomkins, cello; Monica Huggett violin; Eric Zivian, piano.

Monica Huggett, Tanya Tomkins, Eric Zivian March 31 in Schroeder Hall

VOM FESTIVAL TRIO CHARMS WITH CHAMBER MIX, AND HUMMEL

by Terry McNeill
Saturday, March 31, 2018

At the core of the group of Valley of the Moon Music Festival (VOM) musicians is an ensemble of trios and duos, and as a trio March 31 Festival founders cellist Tanya Tomkins and pianist Eric Zivian joined British violinist Monica Huggett for a chamber music concert in the Green Music Center’s Schroeder Hall.

The concert was the second in a series, and titled “The Little Orchestra.” As in past performances, a piano from the abbreviated period of the programmed music (1788-1802) was used, and the bowed instruments used gut rather than steel strings. This is standard fare for the VOM musicians, at their summer Sonoma Festival and at sporadic winter and spring season concerts in Northern California.

Often the lack of a modern concert grand and reduced string thematic projection are a sonic concern, but this afternoon I found the ensemble was balanced and the Schroeder acoustics warm and complimentary to the audience of 125.

Prior to the opening Mozart’s C Major Trio received Ms. Huggett’s remarks from the stage depicted the era of the afternoon’s works, and were concise and at turns humorous. So different from the fluff of many preconcert speeches. The K. 548 Trio received a lovely performance, though often the cello part was subsidiary and an occasional “extra voice” was given to Mr. Zivian’s piano line. Ms. Huggett doesn’t possess a commanding violin tone, and all day her intonation, especially at initial attacks, wandered off pitch. That said, her style and approach to Mozart and the Haydn G Major “Gypsy” trio that followed I found beguiling and irresistible.

The Haydn, from 1795, was more of the same lyrical simplicity, fast in the Hungarian Rondo finale. It’s that kind of work, and the brisk tempo with felicitous dynamic control from all three performers brought the first half to a close.

Ms. Huggett again addressed the audience prior to her and Mr. Zivian’s performance of Beethoven’s A Minor, Sonata, Op. 23, in three movements. Playing as throughout the concert from score, the violinist gave a warm and sometimes restrained reading, holding the bow (as did Ms. Tomkins) well up from the frog. She had inventive phrasing and in the andante scherzoso caught the composer’s humor during the quasi-fugal parts. Mr. Zivian provided excellent support, and never covered the violin, though his instrument has limited tonal sustain from the use of the knee-actuated damper pedal. The finale, similar in drama and ending to Beethoven’s “Tempest” Piano Sonata in D minor, explored distant keys and the performance was a highlight of the concert.

Hummel’s music is a stranger to the North Coast, but recently the Tilden Trio played a fine E Flat Major, Op. 93, at Dominican University in San Rafael, and the VOM Trio closed the concert with F Major Trio, Op. 22. The cello is used in novel ways in the piece. Here they used more rubato than in the Haydn and Mozart, and the theme and variations in the andante were elegantly performed, with a unison ending for three instruments. Mr. Zivian’s commanded fast scales here and in the more forceful final movement, played off the “Czardas” and gypsy rhythm inflections from Ms. Huggett. Well, the composer, though certainly cosmopolitan, was Hungarian.

Audience applause was robust, no encore ensued, and as at seemingly each VOM concert a gratis reception was provided in the Hall’s lobby with provocative conversations with the musicians.