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Chamber
THREE SONG CYCLES HIGHLIGHT VIBRANT SLV RECITAL
by Pamela Hicks-Gailey
Wednesday, May 08, 2019
An ambitious recital of vocal and piano music was presented May 8 at Santa Rosa’s Spring Lake Village by mezzo-soprano Kindra Scharich and pianist Jeffrey LaDeur. The duo engaged the enthusiastic audience with scholarly friendliness and artistry in performances of Beethoven's short cycle of six song...
Chamber
RARE MAHLER QUARTET AT MILL VALLEY CHAMBER CONCERT
by Abby Wasserman
Sunday, March 24, 2019
Piano quartets are relatively rare in the classical literature, and there are only about 40 compositions for the combination of piano, violin, viola and cello, mostly from the Romantic period of the mid to late 1800s. It therefore was special March 24 to hear three great works of this medium, perfor...
Chamber
FLORESTAN TRIO'S MENDELSSOHN AT SPRING LAKE VILLAGE CONCERT
by Terry McNeill
Friday, March 08, 2019
Spring Lake Village’s monthly concerts usually clock in under an hour, but the March 8 Florestan Trio’s performance was more extended as so much good music was on tap for the 125 residents attending at Santa Rosa’s premiere retirement residence facility. Four short pieces made up the first half, be...
Chamber
TILDEN TRIO'S BOHEMIAN ENERGY AT DOMINICAN CONCERT
by Terry McNeill
Sunday, March 03, 2019
Hard on the heels of the Trio Navarro’s late February concert in Sonoma State’s Schroeder Hall, Northern California’s other premiere resident piano trio, the Tilden, played an equally convincing program March 3 in Dominican University’s Angelico Hall. Clearly each hall’s acoustics, stage pianos and...
Chamber
UNEXPECTED ARENSKY AND MENDELSSOHN BY THE NAVARRO
by Terry McNeill
Sunday, February 17, 2019
The 100 people entering Schroeder Hall Feb. 17 for a Trio Navarro concert were handed a program that appeared to feature two popular piano trios, Mendelssohn and Arensky. But continuing the Navarro’s tradition of repertoire exploration, the pieces were not the usual first Mendelssohn and first Aren...
Chamber
A COMPLETE MUSICAL PACKAGE IN ARRON'S OAKMONT RECITAL
by Terry McNeill
Thursday, January 10, 2019
Cellist Edward Arron has been a welcome artist at the Music at Oakmont series, and after his Jan. 10 recital it’s easy to understand his popularity. His artistry is a complete package, with potent instrumental technique wedded to integral musical conceptions. In a nearly flawless concert with pian...
Chamber
LUMINOUS FAURE TOPS LINCOLN TRIO'S SPRING LAKE VILLAGE CONCERT
by Terry McNeill
Wednesday, November 07, 2018
Familiarity in chamber music often evokes warm appreciation, and it was thus Nov. 7 when the Chicago-based Lincoln Piano Trio made one of their many Sonoma County appearances, this time on the Spring Lake Village Classical Music Series. Regularly presented by local impresario Robert Hayden, the Lin...
Chamber
ATOS TRIO IN MILL VALLEY CHAMBER CONCERT
by Abby Wasserman
Sunday, November 04, 2018
When the ATOS Piano Trio planned their all-Russian touring program at their Berlin home base, it had a strong elegiac, even tragic theme that surely resonated with their Mill Valley Chamber Music Society audience Nov. 4 in Mill Valley. Comprised of Annette von Hehn, violin; Thomas Hoppe, piano; and...
Chamber
ATOS TRIO IN OCCIDENTAL CHAMBER CONCERT
by Terry McNeill
Saturday, November 03, 2018
When the Berlin-based ATOS Piano Trio entered the cramped Occidental Performing Arts stage Nov. 3, the audience of 100 anticipated familiar works in the announced all-Russian program. What they got was a selection of rarely-plays trios, with a gamut of emotions. Then one-movement Rachmaninoff G Mi...
Chamber
HEROIC TRUMPET AND ORGAN MUSIC AT INCARNATION
by Jerry Dibble
Friday, October 12, 2018
The strong connections between Santa Rosa’s musical community and California State University Chico were on display Oct. 12 as David Rothe, Professor Emeritus in the Chico Music Department, and Ayako Nakamura, trumpet with the North State Symphony, presented a concert titled “Heroic Music for Trumpe...
CHAMBER REVIEW
Valley of the Moon Music Festival / Saturday, May 12, 2018
Tanya Tomkins, cello; Eric Zivian, piano; Kyle Stegall, tenor; Joseph Maile, violin

Pianist Erick Zivian and Tenor Kyle Stegall (John Hefti Photo)

FINAL VOM MUSICIANS CONCERT IN SCHROEDER A SCHUBERT DELIGHT

by Terry McNeill
Saturday, May 12, 2018

It's rare to have the opportunity to compare in a short period two performances of the same major Schubert work, in this case the great B Flat Piano Trio, D. 898. The chance came May 12 when the Valley of the Moon Festival musicians played it in Schroeder, just over a month since the Hall’s resident Navarro Trio gave a compelling reading of the work from 1827.

Surprisingly, the differences were greater than the similarities. The estimable Navarro uses a modern concert grand and the violin and cello are fitted with steel strings. The VOM trio uses a piano from Mendelssohn’s era, and the bowed instruments have gut or synthetic strings. Many feel these types of strings have a dark and richer sound than steel-core strings, but there is seldom a consensus from listeners. Also there are seasoned music lovers that are not enamored of the period piano sound.

Violinist Joseph Maile took the place of the frequently performing VOM violinist Monica Huggett, and with pianist Erick Zivian and cellist Tanya Tomkins the Op. 99 work unfolded with Schubertian exuberance and brisk tempos. From the usual critic’s seat way back in Schroeder the cello and piano lacked projection and distinct instrumental lines, and no treble partials could be heard from the piano. So different from the Hall’s modern pianos. I’ll sit closer next time music is played with a small ensemble of period instruments, and presumably hear more.

A highlight of the performance came in the andante un pocco mossowhere the majestic theme first stated by Ms. Tomkins was heartfelt and spiritual, and her duos with Mr. Maile were splendid, with delicacy foremost. The scherzo received a reading more intimate than experienced in most Schubert scherzos, and the finale rondo allegro underscored fetching folk-song melodies.

Tenor Kyle Stegall and Mr. Zivian performed an extended group of Schubert songs, with a short Schumann piece, that constituted the entire first half. Mr. Stegall has sung at the VOM summer festivals and has a penetrating, elastic and clear tenor but at this recital lacked the round warm sound of iconic German lieder tenors. The opening Geheimes (D. 719) was perfection, with deft swelling on individual notes, and morphed into the furious tempo of Versunken, D. 715. The singer had the score but infrequently glanced at it, preferring to animate each song with varied facial expression and change in tone color. The postlude to a low piano note in Versunken was lovely.

These songs were written on Goethe’s poetry, and are less familiar than the popular Die Winterreise and Die Schöne Müllerin cycles. But sonic and dramatic contrasts were everywhere present in this masterful recital, from the slow and hesitant Erster Verlust (D. 226) and the stentorian Freudvall und Liedvoll, D. 201, to the chaste Nahe des Geliebten (D. 162) with different but mesmerizing repeats and phrases sung at half voice.

In the next section the performance of An Schwager Kronos (D. 369, and a Fischer-Dieskau specialty) was echt Schubert singing, and Liebhaber in allen Gestalten (D. 588) had more sonority than any song before, with refined rubato playing from Mr. Zivian.

Of course the performance of the famous Erlkönig (D. 328) generated excitement for the audience of 100, as the drama mounted in each of the eight stanzas and Mr. Zivian’s fast repeated chords hammered out perfect support for the tragic story of the fleeing child dying in his father’s arms. Mr. Stegall looked furtively around the stage during the increasing vocal histrionics, giving vocal emphasis (shrill at moments) to the story’s interplay of speeding horse, two riders and approaching lethal menace.

No encore was offered.