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Chamber
FLORESTAN TRIO'S MENDELSSOHN AT SPRING LAKE VILLAGE CONCERT
by Terry McNeill
Friday, March 08, 2019
Spring Lake Village’s monthly concerts usually clock in under an hour, but the March 8 Florestan Trio’s performance was more extended as so much good music was on tap for the 125 residents attending at Santa Rosa’s premiere retirement residence facility. Four short pieces made up the first half, be...
Chamber
TILDEN TRIO'S BOHEMIAN ENERGY AT DOMINICAN CONCERT
by Terry McNeill
Sunday, March 03, 2019
Hard on the heels of the Trio Navarro’s late February concert in Sonoma State’s Schroeder Hall, Northern California’s other premiere resident piano trio, the Tilden, played an equally convincing program March 3 in Dominican University’s Angelico Hall. Clearly each hall’s acoustics, stage pianos and...
Recital
24 SONGS IN A MENKE-THOMPSON RECITAL ODYSSEY
by Terry McNeill
Saturday, February 23, 2019
Sonoma County pop and country singing enjoys continued popularity but it rare to see a professional classical vocal concert announced. Diva Ruth Ann Swenson was once a local star, but she has long departed and not much virtuoso recital singing can be found in the North Bay. But the exception to th...
Chamber
UNEXPECTED ARENSKY AND MENDELSSOHN BY THE NAVARRO
by Terry McNeill
Sunday, February 17, 2019
The 100 people entering Schroeder Hall Feb. 17 for a Trio Navarro concert were handed a program that appeared to feature two popular piano trios, Mendelssohn and Arensky. But continuing the Navarro’s tradition of repertoire exploration, the pieces were not the usual first Mendelssohn and first Aren...
Recital
GLOVER'S ECLECTIC PROGRAMMING HIGHLIGHT'S CINNABAR RECITAL
by Terry McNeill
Sunday, February 17, 2019
Daniel Glover is arguably the busiest virtuoso pianist in the San Francisco Bay area, but rarely is heard in North Bay concerts. So 90 local pianophiles were anxious to hear him Feb. 17 in Petaluma’s charming small Cinnabar Theater, and they were rewarded with an eclectic program of sometimes unfam...
Symphony
MENDELSSOHN'S SCOTTISH SAVES THE EVENING IN SRS WEILL CONCERT
by Terry McNeill
Monday, February 11, 2019
The audience entering Weill Hall for Santa Rosa Symphony concerts Feb. 9-11 were presented with a program that on first glance appeared a curious patchwork – a great symphony mixed with a seldom heard concerto and two disparate overtures, and a guest conductor unknown locally. Monday night’s concer...
Recital
INTRIGUING BELL-HAYWOOD RECITAL BEFORE FULL HOUSE IN WEILL HALL
by Abby Wasserman
Friday, February 08, 2019
A big portion of the capacity audience in Weill Hall February 8th came to hear violinist Joshua Bell’s virtuosity, and were treated as well to splendid playing from Sam Haywood, Mr. Bell’s regular pianist since 2010. The duo performed three engaging sonatas, highlighted by Mr. Bell’s sterling techn...
Symphony
TRIPLE PLAY UKIAH SYMPHONY CONCERT AND TCHAIKOVSKY SERENADE
by Terry McNeill
Sunday, January 27, 2019
Over the years the Ukiah Symphony’s concerts have been in the Classical Sonoma Calendar sections, but rarely has this Orchestra, now in its 39th season, had a full winter season concert review. The provocative Jan. 27 program in Mendocino College’s Center Theater seemed a good reason to reacquaint ...
Symphony
JACKSON THEATER WELCOMES A NEW RESIDENT ORCHESTRA
by Terry McNeill
Saturday, January 26, 2019
Moving to a permanent new performance venue can be a perilous undertaking for an orchestra, with different acoustics, the loyal audience finding the new spot and infrastructure challenges of lighting and lobby and backstage operations. In their first concert Jan. 26 in Windsor’s Jackson Theater the...
Symphony
ECLECTIC PASSIONATE PROGRAMMING AT MARIN SYMPHONY CONCERT
by Abby Wasserman
Saturday, January 26, 2019
The Marin Symphony’s second Masterworks concert of the 2018-19 season featured works by John Adams, Sibelius and Brahms, a masterful assembly. In a spoken introduction before the program’s first half, conductor Alasdair Neale primed the audience for the “terra incognita” of Adams’ The Chairman Dance...
SYMPHONY REVIEW
Sonoma County Philharmonic / Friday, June 15, 2018
Norman Gamboa, conductor. Hans Brightbill, cello

Norma Gamboa Congratulates Hans Brightbill After the Elgar Cello Concerto

SO CO PHIL BON VOYAGE CONCERT AN ODYSSEY OF CONTRASTING SOUND

by Terry McNeill
Friday, June 15, 2018

In a splashy bon voyage concert June 15 the Sonoma County Philharmonic Orchestra launched its June 17-25 Costa Rica tour, performing gratis in Santa Rosa’s Jackson Theater the repertoire for tour concerts in San José, Costa Rica’s capital, and in surrounding towns.

Conductor Norman Gamboa programmed works that have partly been on past Orchestra concerts in Sonoma County, including Frank La Rocca’s Crossing the Rubicon, the Symphonic Picture from Porgy and Bess, and the Elgar Cello Concerto in E Minor, Op. 85.

The Elgar was the concert’s centerpiece, featuring the Orchestra’s principal cellist, Hans Brightbill. The soloist played the 1919 work in much the same way as he did in two late January performances, also directed by Mr. Gamboa, with a warm incisive sound. Tonal richness was greatest in the low registers, and Mr. Brightbill’s vibrato was varied, especially in the lyrical adagio, where he deftly increased or decreased its intensity for rich expressivity. Jackson’s acoustics are slightly dry and reverb is minimal, but the sound is direct and Mr. Brightbill’s cello line projected substantial sonority.

The plaintive theme in the second movement was reminiscent of the Schumann A Minor Concerto, with an extended and elegantly phrased cadenza. Different from Mr. Brightbill’s past readings was his consummate ability to play softly, even when the music had a faster tempo. In several places the soloist had unison phrases with the five section cellos, and his voice leading moved the Orchestra through efficacious modulations, each tinged with melancholy.

A standing ovation followed the performance’s conclusion, and a professional hug from Mr. Gamboa at the podium for Mr. Brightbill.

Costa Rican composer Julio Fonseca (1885-1950) orchestrates in a colorful manner, and his Tropical Suite: Fiesta Compestre has been a favorite of the conductor since childhood. There is a lot going on in the 12-minute work with continual section contrasts, and echoes here and there of Leoncavallo’s Pagliacci and Viennese dance hall charm. Clarinetist Nick Xenelis and violist Robby Morales played piquant solos with an identical ascending and slowing phrase, and that pattern was also played in the cellos. The five-person percussion section was active throughout. Cutoffs were crisp.

The evening’s concert had a reduced number of high string performers (just five each first violins and violas, seven second violins) and the insouciant brass section often covered with a vivid and rousing sound. The sonic impact of the brass and four horns bordered on histrionic, but the Tropical Suite is that kind of piece. Muscular indeed.

The reviewer was unable to stay for the second half.