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Recital
MTA BENEFIT CONCERT FEATURES FAURE, DVORAK, JANACEK AND BARBER WORKS
by Terry McNeill
Sunday, November 11, 2018
In a splendid concert Nov. 11 the Music Teachers Association of California, Sonoma County Chapter, presented their sixth annual benefit concert before 40 avid listeners in the Santa Rosa home of Helen Howard and Robert Yeats. Highlights of the performances, involving eight musicians in various perf...
Recital
SERKIN'S SINGULAR MOZART AND BACH PLAYING IN WEILL RECITAL
by Terry McNeill
Friday, November 09, 2018
Returning to Weill Hall following a fire-related recital cancellation in 2017, pianist Peter Serkin programmed just three works in his Nov. 7 concert, three masterworks that challenged both artist and audience alike. It needs to be said at the outset that Mr. Serkin takes a decidedly non-standard a...
Chamber
LUMINOUS FAURE TOPS LINCOLN TRIO'S SPRING LAKE VILLAGE CONCERT
by Terry McNeill
Wednesday, November 07, 2018
Familiarity in chamber music often evokes warm appreciation, and it was thus Nov. 7 when the Chicago-based Lincoln Piano Trio made one of their many Sonoma County appearances, this time on the Spring Lake Village Classical Music Series. Regularly presented by local impresario Robert Hayden, the Lin...
Symphony
PEACE AND LOVE FROM THE SANTA ROSA SYMPHONY
by Steve Osborn
Sunday, November 04, 2018
Before the Santa Rosa Symphony’s Nov. 4 performance of Leonard Bernstein’s “Symphonic Dances from West Side Story,” Symphony CEO Alan Silow took a moment to acknowledge the victims of the Pittsburgh synagogue attack and to observe that music offers a more peaceful and loving view of the world. Mr. ...
Chamber
ATOS TRIO IN MILL VALLEY CHAMBER CONCERT
by Abby Wasserman
Sunday, November 04, 2018
When the ATOS Piano Trio planned their all-Russian touring program at their Berlin home base, it had a strong elegiac, even tragic theme that surely resonated with their Mill Valley Chamber Music Society audience Nov. 4 in Mill Valley. Comprised of Annette von Hehn, violin; Thomas Hoppe, piano; and...
Chamber
ATOS TRIO IN OCCIDENTAL CHAMBER CONCERT
by Terry McNeill
Saturday, November 03, 2018
When the Berlin-based ATOS Piano Trio entered the cramped Occidental Performing Arts stage Nov. 3, the audience of 100 anticipated familiar works in the announced all-Russian program. What they got was a selection of rarely-plays trios, with a gamut of emotions. Then one-movement Rachmaninoff G Mi...
Symphony
MIGHTY SHOSTAKOVICH 10TH OPENS MARIN SYMPHONY SEASON
by Terry McNeill
Sunday, October 28, 2018
Just two works were on the opening program of the Marin Symphony’s 67th season Oct. 28, Tchaikovsky’s iconic D Major Violin Concerto, and Shostakovich’s Tenth Symphony. Before a full house in the Marin Center Auditorium conductor Alasdair Neale set a judicious opening tempo in the brief orchestra i...
Symphony
VIVALDI FOR ALL SEASONS IN WEILL BAROQUE CONCERT
by Sonia Morse Tubridy
Saturday, October 27, 2018
The Venice Baroque Orchestra, a dozen superb musicians that include strings, harpsichord and recorder, played an uplifting concert Oct. 27 of mostly Vivaldi sinfonias and concertos. The Weill Hall audience of 600 had rapt attention throughout, and the playing was of the highest musical level. This r...
Recital
LIN'S PIANISM AND PERSONA CHARM SCHROEDER HALL AUDIENCE
by Terry McNeill
Sunday, October 21, 2018
In somewhat of a surprise a sold out Schroeder Hall audience greeted pianist Steven Lin Oct. 21 in his local debut recital. Why a surprise? Because Mr. Lin was pretty much unknown in Northern California, and Schroeder is rarely, very rarely sold out for a single instrumentalist. But no matter, and...
Chamber
HEROIC TRUMPET AND ORGAN MUSIC AT INCARNATION
by Jerry Dibble
Friday, October 12, 2018
The strong connections between Santa Rosa’s musical community and California State University Chico were on display Oct. 12 as David Rothe, Professor Emeritus in the Chico Music Department, and Ayako Nakamura, trumpet with the North State Symphony, presented a concert titled “Heroic Music for Trumpe...
CHAMBER REVIEW
Valley of the Moon Music Festival / Saturday, July 21, 2018
Kyle Stegall, tenor; Nikki Einfield, soprano; Augusta McKay Lodge, Sarah Bleile and Anna Presler, violin; Phyllis Kamrin, viola; Tanya Tomkins, cello; Eric Zivian, piano. Apprentices TBA

E. Zivian, N. Einfield, K. Stegall June 21 at VOM Festival (J. Hill Photo)

VIENNA INSPIRATION FOR VOM FESTIVAL PROGRAM AT HANNA CENTER

by Nicki Bell
Saturday, July 21, 2018

A music-loving audience filled Sonoma’s Hanna Center Auditorium July 21 to begin a record weekend of three concerts, produced by the Valley of the Moon Music Festival. The Festival’s theme this summer is “Venice in Transition – From the Enlightenment to the Dawn of Modernism”

Prior to Saturday’s music UC Berkeley Professor Thomas Laquer lectured on composer Arnold Schoenberg’s Vienna, and the arts in the City’s first decade after 1900. Mentioned during the talk, in addition to Schoenberg, were Klimt, Mahler, Schiele, Kokoshka, Freud, Anna Mahler and Kandinsky.

Mozart’s F Major (K. 377) Violin Sonata opened the program in a deft performance by violinist Augusta McKay Lodge and pianist Eric Zivian. Mr. Zivian played his Mozart-era instrument copied from a piano of 1791, and produced a crisp bell-like sound throughout. The opening allegro with its repeated descending figures was light and fast, and Ms. Lodge’s phrasing was exemplary in the second movement’s Tema con Variazioni, and a lovely play of textures and moods.

Next was music with voice, and past Festival standouts soprano Nikki Einfield and tenor Kyle Stegall sang, beginning with two Schubert Duets, with Mr. Zivian switching to a Mendelssohn-era piano. The two Schubert works – Mignon unt der Harfner (D. 877) and Lichte unt Liebe (D. 352) - were sung with clear diction and elegant phrasing to audience acclaim.

Mr. Stegall continued solo with three Wolf Lieder and five songs of Brahms. His voice had ardor and lyricism and the poetry he conveyed, full of love and longing, was deeply affecting.

After intermission Wagner’s Im Treibhaus (from the Wesendonck Lieder) for soprano and string quartet was presented, in an arrangement by Mr. Zivian. Joining Ms. Einfield was Anna Presler and Sarah Bleile (violin), violist Phyllis Kamrin and cellist Tanya Tomkins. It was a reading of sustained and ethereal beauty, darkly anguished in places that finally rose to a philosophical end. It was a gorgeous performance.

Schoenberg’s Second String Quartet (F-Sharp Minor, Op.10) from 1908 closed the program, and seemed to come out of Wagner’s milieu with its passionate beauty. The warmth of the gut string sound, called for in the score but rarely heard today in performance, was striking. The performance generated a complex and romantic journey, seemingly always searching in throbs and surges. Ms. Einfield sang in the last two movements, “Litanei” and “Rapture.”

Each work on the program was greeted enthusiastically by the audience, with a final standing ovation that led to gratis finger foods and wine with the musicians on the auditorium’s patio. One more weekend (of three) remains for this fourth VOM Festival, with concerts listed in the Calendar Section of Classical Sonoma.