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Recital
MTA BENEFIT CONCERT FEATURES FAURE, DVORAK, JANACEK AND BARBER WORKS
by Terry McNeill
Sunday, November 11, 2018
In a splendid concert Nov. 11 the Music Teachers Association of California, Sonoma County Chapter, presented their sixth annual benefit concert before 40 avid listeners in the Santa Rosa home of Helen Howard and Robert Yeats. Highlights of the performances, involving eight musicians in various perf...
Recital
SERKIN'S SINGULAR MOZART AND BACH PLAYING IN WEILL RECITAL
by Terry McNeill
Friday, November 09, 2018
Returning to Weill Hall following a fire-related recital cancellation in 2017, pianist Peter Serkin programmed just three works in his Nov. 7 concert, three masterworks that challenged both artist and audience alike. It needs to be said at the outset that Mr. Serkin takes a decidedly non-standard a...
Chamber
LUMINOUS FAURE TOPS LINCOLN TRIO'S SPRING LAKE VILLAGE CONCERT
by Terry McNeill
Wednesday, November 07, 2018
Familiarity in chamber music often evokes warm appreciation, and it was thus Nov. 7 when the Chicago-based Lincoln Piano Trio made one of their many Sonoma County appearances, this time on the Spring Lake Village Classical Music Series. Regularly presented by local impresario Robert Hayden, the Lin...
Symphony
PEACE AND LOVE FROM THE SANTA ROSA SYMPHONY
by Steve Osborn
Sunday, November 04, 2018
Before the Santa Rosa Symphony’s Nov. 4 performance of Leonard Bernstein’s “Symphonic Dances from West Side Story,” Symphony CEO Alan Silow took a moment to acknowledge the victims of the Pittsburgh synagogue attack and to observe that music offers a more peaceful and loving view of the world. Mr. ...
Chamber
ATOS TRIO IN MILL VALLEY CHAMBER CONCERT
by Abby Wasserman
Sunday, November 04, 2018
When the ATOS Piano Trio planned their all-Russian touring program at their Berlin home base, it had a strong elegiac, even tragic theme that surely resonated with their Mill Valley Chamber Music Society audience Nov. 4 in Mill Valley. Comprised of Annette von Hehn, violin; Thomas Hoppe, piano; and...
Chamber
ATOS TRIO IN OCCIDENTAL CHAMBER CONCERT
by Terry McNeill
Saturday, November 03, 2018
When the Berlin-based ATOS Piano Trio entered the cramped Occidental Performing Arts stage Nov. 3, the audience of 100 anticipated familiar works in the announced all-Russian program. What they got was a selection of rarely-plays trios, with a gamut of emotions. Then one-movement Rachmaninoff G Mi...
Symphony
MIGHTY SHOSTAKOVICH 10TH OPENS MARIN SYMPHONY SEASON
by Terry McNeill
Sunday, October 28, 2018
Just two works were on the opening program of the Marin Symphony’s 67th season Oct. 28, Tchaikovsky’s iconic D Major Violin Concerto, and Shostakovich’s Tenth Symphony. Before a full house in the Marin Center Auditorium conductor Alasdair Neale set a judicious opening tempo in the brief orchestra i...
Symphony
VIVALDI FOR ALL SEASONS IN WEILL BAROQUE CONCERT
by Sonia Morse Tubridy
Saturday, October 27, 2018
The Venice Baroque Orchestra, a dozen superb musicians that include strings, harpsichord and recorder, played an uplifting concert Oct. 27 of mostly Vivaldi sinfonias and concertos. The Weill Hall audience of 600 had rapt attention throughout, and the playing was of the highest musical level. This r...
Recital
LIN'S PIANISM AND PERSONA CHARM SCHROEDER HALL AUDIENCE
by Terry McNeill
Sunday, October 21, 2018
In somewhat of a surprise a sold out Schroeder Hall audience greeted pianist Steven Lin Oct. 21 in his local debut recital. Why a surprise? Because Mr. Lin was pretty much unknown in Northern California, and Schroeder is rarely, very rarely sold out for a single instrumentalist. But no matter, and...
Chamber
HEROIC TRUMPET AND ORGAN MUSIC AT INCARNATION
by Jerry Dibble
Friday, October 12, 2018
The strong connections between Santa Rosa’s musical community and California State University Chico were on display Oct. 12 as David Rothe, Professor Emeritus in the Chico Music Department, and Ayako Nakamura, trumpet with the North State Symphony, presented a concert titled “Heroic Music for Trumpe...
CHAMBER REVIEW
Valley of the Moon Music Festival / Sunday, July 29, 2018
Monica Huggett, Sara Bleile and Susannah Foster, violin; Tanya Tomkins, cello; Kate Van Orden, bassoon; Anthony Manzo, double bass; Sadie Glass, horn; Eric Hoeprich, clarinet; Christian De Luca, piano

Brahms' G Minor Piano Quartet Performance July 29 at the Hanna Center

PASSIONATE BRAHMS-SCHOENBERG MUSIC CLOSES VOM FESTIVAL SUMMER

by Abby Wasserman
Sunday, July 29, 2018

An extraordinary program of chamber music by Brahms and Schoenberg attracted a capacity crowd to the Valley of the Moon Music Festival’s final concert July 29th in Sonoma’s Hanna Center. It opened with a richly expressive reading by Festival Laureate violinist Rachell Wong and pianist Jeffrey LaDeur of Brahms’ Scherzo in C Minor from the 1853 F.A.E. Sonata. Ms. Wong’s playing was especially sensitive, and paired with Mr. LaDeur’s clarion pianism, it was a real treat.

For the second selection, the Festival co-directors chose Arnold Schoenberg’s emotional tone poem Verklärte Nacht, (Transfigured Night), Op. 4, composed in three weeks in Vienna in 1899. Schoenberg greatly admired Brahms and chose a string sextet—the string quartet expanded by two that Brahms experimented with—for his stunning late-Romantic work. There is a popular version for string orchestra.

The composer’s inspiration was a narrative poem by the German writer Richard Dehmel (1863-1920). The poem presents a lovers’ dilemma: a young woman confesses during a night walk with her beloved that she’s pregnant by another man. Her trepidation is great as she awaits a response, while he fights to bring his emotions under control. When he answers, it is to say that he will accept the child as his own. The night is transfigured. Above them, the moon shimmers a blessing. All of this is subtly expressed in the music.

The ensemble was coached and led by violinist Owen Dalby, and most of the musicians had not previously played the work. But Mr. Dalby guided them masterfully, and all were superb.

Through the piece’s tremulous ascents and descents, crescendos and diminuendos, its deep shadows and ethereal lights, it was enthralling experience. The musicians breathed as one. Violists Lauren Nelson and Andrew Gonzalez played with a golden tone; Tanya Tomkins and Madeleine Bouissou’s cello sound was warmly burnished, and Mr. Dalby’s and Rachell Wong’s violins were luminous and emotional. Toward the end, Mr. Dalby played a solo of great sweetness over the rhythmic underpinning of the other musicians. When the music ended, the audience remained silent, not wanting to break the spell, until Mr. Dalby and the others lowered their bows. The listeners then rose to express their gratitude.

After an intermission, the audience returned for the culminating work, Brahms’ Piano Quartet No. 1 in G Minor, Op. 25, written in 1861. This exploratory masterpiece still challenges the listener after 150 years. Written in traditional structure (allegro –intermezzo – andante con moto – rondo alla zingarese: presto), it altered many traditions of chamber music. Open-ended motifs are introduced, explored briefly and abandoned to make way for other motifs that seem to owe no allegiance to any but themselves. On first hearing it isn’t an easy work to initially grasp. One could consider it a whirlwind tour of Brahms’ music vocabulary.
The most dominant flavor is Hungarian, particularly in the second and fourth movements. The fourth (rondo alla zingarese) is a wild gypsy dance alive with mixed rhythms—sensual, jumpy and romantic. The Mendelssohn-era piano and the violin, viola and cello with gut strings and horsehair bows, achieved a perfect sonorous balance, and the musicians—Eric Zivian, Mr. Dalby, Mr. Gonzalez and Ms. Tomkins—were a consummate ensemble. After the last notes died, the audience immediately jumped to its feet. It was a triumphal conclusion to a splendid Festival.

In the late afternoon sun on the Hall’s lovely patio the performers, Festival staff, and members of the audience mixed and enjoyed the final Festival gratis wine and appetizers.
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