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Chamber
FLORESTAN TRIO'S MENDELSSOHN AT SPRING LAKE VILLAGE CONCERT
by Terry McNeill
Friday, March 08, 2019
Spring Lake Village’s monthly concerts usually clock in under an hour, but the March 8 Florestan Trio’s performance was more extended as so much good music was on tap for the 125 residents attending at Santa Rosa’s premiere retirement residence facility. Four short pieces made up the first half, be...
Chamber
TILDEN TRIO'S BOHEMIAN ENERGY AT DOMINICAN CONCERT
by Terry McNeill
Sunday, March 03, 2019
Hard on the heels of the Trio Navarro’s late February concert in Sonoma State’s Schroeder Hall, Northern California’s other premiere resident piano trio, the Tilden, played an equally convincing program March 3 in Dominican University’s Angelico Hall. Clearly each hall’s acoustics, stage pianos and...
Recital
24 SONGS IN A MENKE-THOMPSON RECITAL ODYSSEY
by Terry McNeill
Saturday, February 23, 2019
Sonoma County pop and country singing enjoys continued popularity but it rare to see a professional classical vocal concert announced. Diva Ruth Ann Swenson was once a local star, but she has long departed and not much virtuoso recital singing can be found in the North Bay. But the exception to th...
Chamber
UNEXPECTED ARENSKY AND MENDELSSOHN BY THE NAVARRO
by Terry McNeill
Sunday, February 17, 2019
The 100 people entering Schroeder Hall Feb. 17 for a Trio Navarro concert were handed a program that appeared to feature two popular piano trios, Mendelssohn and Arensky. But continuing the Navarro’s tradition of repertoire exploration, the pieces were not the usual first Mendelssohn and first Aren...
Recital
GLOVER'S ECLECTIC PROGRAMMING HIGHLIGHT'S CINNABAR RECITAL
by Terry McNeill
Sunday, February 17, 2019
Daniel Glover is arguably the busiest virtuoso pianist in the San Francisco Bay area, but rarely is heard in North Bay concerts. So 90 local pianophiles were anxious to hear him Feb. 17 in Petaluma’s charming small Cinnabar Theater, and they were rewarded with an eclectic program of sometimes unfam...
Symphony
MENDELSSOHN'S SCOTTISH SAVES THE EVENING IN SRS WEILL CONCERT
by Terry McNeill
Monday, February 11, 2019
The audience entering Weill Hall for Santa Rosa Symphony concerts Feb. 9-11 were presented with a program that on first glance appeared a curious patchwork – a great symphony mixed with a seldom heard concerto and two disparate overtures, and a guest conductor unknown locally. Monday night’s concer...
Recital
INTRIGUING BELL-HAYWOOD RECITAL BEFORE FULL HOUSE IN WEILL HALL
by Abby Wasserman
Friday, February 08, 2019
A big portion of the capacity audience in Weill Hall February 8th came to hear violinist Joshua Bell’s virtuosity, and were treated as well to splendid playing from Sam Haywood, Mr. Bell’s regular pianist since 2010. The duo performed three engaging sonatas, highlighted by Mr. Bell’s sterling techn...
Symphony
TRIPLE PLAY UKIAH SYMPHONY CONCERT AND TCHAIKOVSKY SERENADE
by Terry McNeill
Sunday, January 27, 2019
Over the years the Ukiah Symphony’s concerts have been in the Classical Sonoma Calendar sections, but rarely has this Orchestra, now in its 39th season, had a full winter season concert review. The provocative Jan. 27 program in Mendocino College’s Center Theater seemed a good reason to reacquaint ...
Symphony
JACKSON THEATER WELCOMES A NEW RESIDENT ORCHESTRA
by Terry McNeill
Saturday, January 26, 2019
Moving to a permanent new performance venue can be a perilous undertaking for an orchestra, with different acoustics, the loyal audience finding the new spot and infrastructure challenges of lighting and lobby and backstage operations. In their first concert Jan. 26 in Windsor’s Jackson Theater the...
Symphony
ECLECTIC PASSIONATE PROGRAMMING AT MARIN SYMPHONY CONCERT
by Abby Wasserman
Saturday, January 26, 2019
The Marin Symphony’s second Masterworks concert of the 2018-19 season featured works by John Adams, Sibelius and Brahms, a masterful assembly. In a spoken introduction before the program’s first half, conductor Alasdair Neale primed the audience for the “terra incognita” of Adams’ The Chairman Dance...
CHAMBER REVIEW
Spring Lake Village Classical Music Series / Wednesday, September 05, 2018
Monica Scott, cello; Hadley McCarroll, piano

H. McCarroll and M. Scott

CELLO-PIANO DUO IN HUSKY SPRING LAKE VILLAGE PROGRAM

by Terry McNeill
Wednesday, September 05, 2018

Two thirds of the way through a stimulating 22-concert season the Spring Lake Village Classical Music Series Sept. 5 presented two splendid cello sonatas before 110 people in the Village’s Montgomery auditorium.

A duo for more than a decade, East Bay musicians cellist Monica Scott and pianist Hadley McCarroll began with Shostakovich’s D Minor Sonata, Op. 40, in a performance that captured the composer’s contrasts of contemplation and drama. Playing from score, as they did throughout, the duo’s sound carried well in the acoustically bright hall, and they chose in the opening allegro a judicious tempo that continued into the slow march with a hint of menace. Ms. Scott wove a lovely threnody above the piano, though often the tone was harsh. But this music supports this often-raw string sound. A slower than expected tempo continued into the scherzo, giving the music a little less frenzy and more air but lacking sonic punch.

Ms. Scott’s best playing came in the wonderful largo with rich bottom-end register sonority. There was a beguiling ascending phrase at the end, followed by a descending one with thirds to close. The finale (allegro) was well played and Ms. McCarroll’s fast scales half pedaled and clear. A witty reading of the 1934 work.

Beethoven’s short C Major Sonata (Op. 102, No. 1) doesn’t have the impact of the Shostakovich, or the Ginastera that followed, but in two extended movements the two instruments were treated with consummate beauty. The stately introductory andante was lovely, the syncopated rhythms robust, though Ms. McCarroll’s trills were often muddy. The extended adagio allegro vivace again had a quiet beginning, leading to sharp thematic contrasts and phrasing that was “cat and mouse.” The duo’s playing in this inventive movement caught the composer’s humor and joy and, though often subtle, was for me the recital’s highlight.

Ginastera’s early music, especially the Piano Sonata and the Danzas Argentinas, are never subtle and never lacking in energy. The Op. 21, No. 2, Pampeanas is popular with cellists, was written in 1951, and is in three large sections. It’s a short work that featured Ms. Scott’s long, wailing high-register phrases and efficient bow control, with double stops. The ostinato piano part supported Ms. Scott’s virtuosic and propulsive playing, especially in fast repeated notes. The duo made the thick textures and frantic momentum palpable, and received a loud ovation.

No encore was played.

The Shostakovich Sonata, with Fauré’s First Sonata, will be played Sept. 9 in a recital in the Occidental Performing Arts Center in Occidental.