Home  Reviews  Articles  Calendar  Presenters  Add Event     
Chamber
HEROIC TRUMPET AND ORGAN MUSIC AT INCARNATION
by Jerry Dibble
Friday, October 12, 2018
The strong connections between Santa Rosa’s musical community and California State University Chico were on display Oct. 12 as David Rothe, Professor Emeritus in the Chico Music Department, and Ayako Nakamura, trumpet with the North State Symphony, presented a concert titled “Heroic Music for Trumpe...
Symphony
LECCE-CHONG PROVES HIS METTLE WITH SANTA ROSA SYMPHONY
by Steve Osborn
Sunday, October 07, 2018
Francesco Lecce-Chong was handed two warhorses for his debut as conductor of the Santa Rosa Symphony, and he rode them both to thrilling victory. For the first win, Brahms’ violin concerto, he owed much to soloist Arnaud Sussman, but for the other triumph, Beethoven’s fifth symphony, he and his musi...
Chamber
THORNY BARTOK AND ELEGANT MENDELSSOHN FOR THE BRENTANO
by Sonia Morse Tubridy
Sunday, September 30, 2018
In a minor masterpiece of programming choices the Brentano String Quartet played a Sept. 30 Weill Hall program with an emphasis on refinement, even with a challenging Bartok work in the mix. Dvorák’s Miniatures for Two Violins and Viola (Op. 75a) opened the concert with charm and gentle loveliness,...
Chamber
ECHO'S RICH MUSICAL TAPESTRY IN MARIN
by Abby Wasserman
Sunday, September 30, 2018
Marin’s Echo Chamber Orchestra unfurled a glorious tapestry of Mozart, Weber and Respighi music Sept. 30 in San Anselmo’s First Presbyterian Church. The church, located on the grounds of San Francisco Theological Seminary, boasts a ceiling high enough for angels to fly, and its quiet setting and aco...
Recital
IDIOMATIC SCHUMANN AND BEETHOVEN HIGHTLIGHT WALKER'S CONCERTS GRAND RECITAL
by Terry McNeill
Sunday, September 23, 2018
Mostly known as a concert producer and indefatigable promoter of Sonoma County music, pianist Judy Walker stepped into the soloist’s role Sept. 23 in a sold out recital for the Concerts Grand House recitals series. Two Scarlatti Sonatas, in D Minor (K. 213) and D Major (K. 29), began the hour-long ...
Symphony
SAKAKEENY'S LION AND ROSE HIGHLIGHTS SO CO PHIL'S 20TH SEASON OPENER
by Terry McNeill
Saturday, September 22, 2018
Fresh from a triumphant tour in Latin America the Sonoma County Philharmonic opened its 20th season Sept. 22 in a celebratory concert in the Santa Rosa High School Auditorium. Keeping to the evening’s orchestra history and past performance, conductor emeritus Gabriel Sakakeeny, who led the So Co Ph...
Recital
DEDIK'S POTENT BEETHOVEN AND CHOPIN AT SPRING LAKE VILLAGE RECITAL
by Terry McNeill
Monday, September 17, 2018
Anastasia Dedik returned Sept. 17 to the Spring Lake Village Classical Music Series in a recital that featured three familiar virtuoso works in potent interpretations. Chopin’s G Minor Ballade hasn’t been heard in Sonoma County public concerts since a long-ago Earl Wild performance, and Beethoven’s...
Recital
DUO WEST OPENS OCCIDENTAL CONCERT SEASON
by Terry McNeill
Sunday, September 09, 2018
Before a full house at the Occidental Performing Arts Center Sept. 9 the cello-piano Duo West, playing from score throughout, presented a recital that on paper looked stimulating and thoughtful. Beginning with MacDowell’s To A Wild Rose (from Woodland Sketches, Op. 51), the transcription by an unan...
Chamber
CELLO-PIANO DUO IN HUSKY SPRING LAKE VILLAGE PROGRAM
by Terry McNeill
Wednesday, September 05, 2018
Two thirds of the way through a stimulating 22-concert season the Spring Lake Village Classical Music Series Sept. 5 presented two splendid cello sonatas before 110 people in the Village’s Montgomery auditorium. A duo for more than a decade, East Bay musicians cellist Monica Scott and pianist Hadle...
Chamber
EXTRAVAGANT FUSION OF STYLES AT CHRIS BOTTI BAND WEILL HALL CONCERT
by Jerry Dibble
Sunday, August 12, 2018
Trumpeter Chris Botti still performs in jazz venues including SF Jazz and The Blue Note, but now appears mostly in cavernous halls or on outdoor stages like the Sonoma State University’s Green Music Center. He brought his unique road show to the packed Weill Hall August 12 in a concert of effusive e...
RECITAL REVIEW
Redwood Arts Council / Sunday, September 09, 2018
Sonja Myklebust, cello; Abbie Gabrielson, piano

A. Gabrielson and S. Myklebust Acknowledge Applause Sept. 9 in Occidental (J. McNeill photo)

DUO WEST OPENS OCCIDENTAL CONCERT SEASON

by Terry McNeill
Sunday, September 09, 2018

Before a full house at the Occidental Performing Arts Center Sept. 9 the cello-piano Duo West, playing from score throughout, presented a recital that on paper looked stimulating and thoughtful.

Beginning with MacDowell’s To A Wild Rose (from Woodland Sketches, Op. 51), the transcription by an unannounced arranger made little impact and probably was something novel to most of the audience. An odd choice not explained, but the Fauré D Minor Sonata (Op. 109) that followed was explained by the artists wielding two microphones with an extended interplay of commentary. The audience seemed to enjoy the descriptions of simplistic ideas of contrast in musical composition.

A work from late in the composer’s life, the Sonata’s charms and harmonies are complex and elusive, and cellist Sonja Myklebust’s round sound was well placed for the uneven phrases and unique rhythms. Pianist Abbie Gabrielson had good ensemble with Mr. Myklebust but her playing lacked individuality, and wasn’t helped by the hall’s sub-professional instrument with its wooden sonority and subdued treble.

The Sonata’s best playing was in the lovely andante’s long line and wandering melodies. Bow control here was good and the playing had rich tone in the many modulations. In the finale the duo chose a tempo that was too slow for bringing out the urgency of the music, especially at the end where the momentum in the cello part builds to a joyful climax. The composer’ sobriquet is “Old Arpeggio,” and Ms. Gabrielson added a few inner voices to the delightful swirl of arpeggiated chords.

Before intermission Arvo Pärt’s ten-minute Spiegel im Spiegel was an audience favorite, with Ms. Myklebust’s vibrato widening and the long minimalist exposed line captivating. Cello intonation was very good and the vital clarity of the long-held note changes was excellent. Mild dissonances in the piano part added to the piece’s mystery, with just one blurred cello entry point note and a fetching swelling of vibrato at the concluding fermata. The ovation was long and loud.

Shostakovich’s popular 2nd Sonata, Op.40, came after intermission, and echoed a performance four days earlier at Santa Rosa’s Spring Lake Village Concert Series. In both performances the tempos were on the slow side, diluting the momentum and often sarcasm of the composer. But there is rhapsody in this music, and none of the banality of the cello’s theme in the First Cello Concerto. But Shostakovich does wonders with banal themes, and Ms. Myklebust projected themes alluringly with fine control in pianissimo passages. Pitch was sporadically off when coming down from a high-register quiet notes. There were references here to the composer’s Fourth Symphony, something I had not heard a cellist do before in the D Minor Sonata.

The exciting scherzo was played with an appropriate harshness and again a judicious tempo, leading into the long phrases of the largo. The Duo West gave it a gripping reading, underscoring the dissonances and strange transitions. Sadness trumped melancholy. A program highlight

The finale’s dramatic juxtaposition with the largo followed, with a much lighter instrumental texture, acerbic tunes and a cascade of piano notes.

Ginastera’s Pampeana (Op. 21, No. 2) closed the concert, a bravura work reminiscent of the composer’s Danzes Argentinas. The playing had the right amount of frantic rhythms and heavy textures, but also some leavening fantasy. Repeated phrases and raucous sforzandos from Ms. Gabrielson were telling additions to Ms. Myklebust’s double stops and admirable virtuosity.