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Recital
MTA BENEFIT CONCERT FEATURES FAURE, DVORAK, JANACEK AND BARBER WORKS
by Terry McNeill
Sunday, November 11, 2018
In a splendid concert Nov. 11 the Music Teachers Association of California, Sonoma County Chapter, presented their sixth annual benefit concert before 40 avid listeners in the Santa Rosa home of Helen Howard and Robert Yeats. Highlights of the performances, involving eight musicians in various perf...
Recital
SERKIN'S SINGULAR MOZART AND BACH PLAYING IN WEILL RECITAL
by Terry McNeill
Friday, November 09, 2018
Returning to Weill Hall following a fire-related recital cancellation in 2017, pianist Peter Serkin programmed just three works in his Nov. 7 concert, three masterworks that challenged both artist and audience alike. It needs to be said at the outset that Mr. Serkin takes a decidedly non-standard a...
Chamber
LUMINOUS FAURE TOPS LINCOLN TRIO'S SPRING LAKE VILLAGE CONCERT
by Terry McNeill
Wednesday, November 07, 2018
Familiarity in chamber music often evokes warm appreciation, and it was thus Nov. 7 when the Chicago-based Lincoln Piano Trio made one of their many Sonoma County appearances, this time on the Spring Lake Village Classical Music Series. Regularly presented by local impresario Robert Hayden, the Lin...
Symphony
PEACE AND LOVE FROM THE SANTA ROSA SYMPHONY
by Steve Osborn
Sunday, November 04, 2018
Before the Santa Rosa Symphony’s Nov. 4 performance of Leonard Bernstein’s “Symphonic Dances from West Side Story,” Symphony CEO Alan Silow took a moment to acknowledge the victims of the Pittsburgh synagogue attack and to observe that music offers a more peaceful and loving view of the world. Mr. ...
Chamber
ATOS TRIO IN MILL VALLEY CHAMBER CONCERT
by Abby Wasserman
Sunday, November 04, 2018
When the ATOS Piano Trio planned their all-Russian touring program at their Berlin home base, it had a strong elegiac, even tragic theme that surely resonated with their Mill Valley Chamber Music Society audience Nov. 4 in Mill Valley. Comprised of Annette von Hehn, violin; Thomas Hoppe, piano; and...
Chamber
ATOS TRIO IN OCCIDENTAL CHAMBER CONCERT
by Terry McNeill
Saturday, November 03, 2018
When the Berlin-based ATOS Piano Trio entered the cramped Occidental Performing Arts stage Nov. 3, the audience of 100 anticipated familiar works in the announced all-Russian program. What they got was a selection of rarely-plays trios, with a gamut of emotions. Then one-movement Rachmaninoff G Mi...
Symphony
MIGHTY SHOSTAKOVICH 10TH OPENS MARIN SYMPHONY SEASON
by Terry McNeill
Sunday, October 28, 2018
Just two works were on the opening program of the Marin Symphony’s 67th season Oct. 28, Tchaikovsky’s iconic D Major Violin Concerto, and Shostakovich’s Tenth Symphony. Before a full house in the Marin Center Auditorium conductor Alasdair Neale set a judicious opening tempo in the brief orchestra i...
Symphony
VIVALDI FOR ALL SEASONS IN WEILL BAROQUE CONCERT
by Sonia Morse Tubridy
Saturday, October 27, 2018
The Venice Baroque Orchestra, a dozen superb musicians that include strings, harpsichord and recorder, played an uplifting concert Oct. 27 of mostly Vivaldi sinfonias and concertos. The Weill Hall audience of 600 had rapt attention throughout, and the playing was of the highest musical level. This r...
Recital
LIN'S PIANISM AND PERSONA CHARM SCHROEDER HALL AUDIENCE
by Terry McNeill
Sunday, October 21, 2018
In somewhat of a surprise a sold out Schroeder Hall audience greeted pianist Steven Lin Oct. 21 in his local debut recital. Why a surprise? Because Mr. Lin was pretty much unknown in Northern California, and Schroeder is rarely, very rarely sold out for a single instrumentalist. But no matter, and...
Chamber
HEROIC TRUMPET AND ORGAN MUSIC AT INCARNATION
by Jerry Dibble
Friday, October 12, 2018
The strong connections between Santa Rosa’s musical community and California State University Chico were on display Oct. 12 as David Rothe, Professor Emeritus in the Chico Music Department, and Ayako Nakamura, trumpet with the North State Symphony, presented a concert titled “Heroic Music for Trumpe...
CHAMBER REVIEW
Absolute Music / Sunday, March 08, 2009
Norma Brown, Piano
Joe Edelberg, Violin
Carol Menke, Soprano
Kati Kyme, Viola
Thalia Moore, Cello
Ken Miller, Bass

Soprano Carol Menke

SUNSHINE IN MUSIC

by Terry McNeill
Sunday, March 08, 2009

After a week of rain, a “mostly Schubert” concert on March 8 in Santa Rosa’s Friedman Center was a welcome blue-sky tonic. As the Russian virtuoso Anton Rubinstein once said, “Ah, Schubert, sunshine in music.”

Produced by Absolute Music, the concert honored founders Alfred and Susanne Batzdorff on their 65th wedding anniversary, and the 150 attending came to applaud the ever-young couple and sample some of the Viennese composer’s best works for small ensemble.

The short Sonatina in D for Piano and Violin, D. 384, began the program with the proper Schubertian lilt. Violinist Joseph Edelberg combined with the rhythmic certainty of pianist Norma Brown to shape the lovely themes. Though the piece was shaky in the first movement, all was secure in the fetching Andante. Edelberg never tries to project the big line, content to let his chaste sound make subtle musical points. The piece turns dramatic in the concluding Allegro vivace, and the musicians made the many tempo variations effective and colorful.

Soprano Carol Menke joined Brown in three Schubert songs, along with four from Vaughn Williams (with Edelberg), to conclude the first half. Menke is the sine qua non of Sonoma County singers, always dependably delivering the musical goods with faultless diction, piquant phrasing and tonal opulence. In Schubert’s “Der Neugierige,” she exhibited faultless control of pianissimos, and in his “Die Gebusche,” she followed the many modulations with yearning, floating high-register notes.

The Vaughn Williams songs, to poems by A.E. Housman, were mostly short and beguiling. “We’ll to the Woods No More” felt like the famous “Lark Ascending” for violin and orchestra, and Edelberg proved a deft, dead-on pitch partner. The darker “In the Morning, in the Morning” and the lively “Good-Bye” were objects lessons in restrained and masterful singing.

Following an intermission where all kinds of food and drink (for purchase) were consumed, Menke returned for a final song, Schubert’s “Die Forelle,” whose melody is used in the fourth movement of the “Trout” Quintet, Op. 114, which closed the concert. Each stanza of the song had a different texture, the final two lines settling in a convincing way the plight of the angler contesting the wary fish.

In the opening Allegro of the quintet, bassist Ken Miller used the high stage’s resonance to project a larger-than-usual low sound. The approach adjusted quickly as pianist Brown brought the balances into order, allowing the treble to sound warm and letting the playful nature of the music shine through. Schubert never wrote a happier work. The Andante and Scherzo were well played, not note perfect, but stylistically assured. Swooping ritards were not part of the performance, and the phrasing eschewed large variations. Violinist Edelberg led the pastoral but at times wild finale, trading voice leading with violist Kati Kyme. The big false cadence in this Allegro Giusto leads back to what some may find a banal theme, but what wonders Schubert weaves into it! The players seemed to give it a Hungarian twist, with the piano runs sparkling and pushing to a forceful conclusion.

No encores were offered, but the audience was more than sated with such melodic richness and proficient virtuosity from singer and players alike.