Home  Reviews  Articles  Calendar  Presenters  Add Event     
Chamber
JASPER'S LUSH PERFORMANCES OF STILL, DVORAK AND FUNG QUARTETS
by Abby Wasserman
Sunday, November 10, 2024
Chamber
TWO CHAMBER MUSIC WORKS AT MARIN'S MT. TAM CHURCH
by Abby Wasserman
Sunday, October 13, 2024
Chamber
FINAL ALEXANDER SQ CONCERT AT MUSIC AT OAKMONT
by Terry McNeill
Thursday, October 10, 2024
Chamber
BRASS OVER BRIDGES AT SPRING LAKE SERIES
by Terry McNeill
Wednesday, August 21, 2024
Chamber
A FAURE TO REMEMBER
by Terry McNeill
Thursday, July 25, 2024
Chamber
DYNAMIC MENDELSSOHN AND SUBTLE BRAHMS AT FINAL PIANOSONOMA CONCERT
by Pamela Hicks Gailey
Thursday, July 25, 2024
Chamber
GUITAR UPSTAGES PIANO AT BRAZILIAN VOM CONCERT
by Terry McNeill
Sunday, July 21, 2024
Chamber
GRIEG SONATA HIGHLIGHTS ECLECTIC VOM FESTIVAL PROGRAM
by Terry McNeill
Sunday, July 14, 2024
Chamber
TWO BIG WORKS IN BOEPPLE'S MUSIC AT OAKMONT RECITAL
by Terry McNeill
Saturday, June 8, 2024
Chamber
BURST OF FLIGHT WITH THE VIANO QUARTET IN MARIN
by Abby Wasserman
Sunday, May 5, 2024
CHAMBER REVIEW
Spring Lake Village Concert Series / Wednesday, August 21, 2024
Brass over Bridges. Brass Quintet. Two trumpets, two trombones, horn, tuba

Brass Over Bridges Quintet

BRASS OVER BRIDGES AT SPRING LAKE SERIES

by Terry McNeill
Wednesday, August 21, 2024

Innovative programming is alive at the Spring Lake Village Concert Series, with the usual piano trios and vocal groups upstaged by a recent formal solo harp recital and August 21 by Brass Over Bridges, an all brass quintet.

The short program in Montgomery Auditorium West included works by one of the performers and concluded with transcriptions of three of Ellington’s most memorable tunes – In a Sentimental Mood, Take the A Train and especially Satin Doll.

Surprisingly there was even a brass quintet work from the Romantic era, Victor Ewald’s Number One of four written in the 1890s. Musicians included trumpeters Ari Micich and John Freeman; Sophia Chen (horn); trombonists Esther Armendariz and Sam Wamhoff; and the dynamic tuba playing of Jonathan Seiberlich. Mr. Seiberlich’s instrument sounded wonderfully resonant in the Hall’s famously dry acoustics and was the strong supporting sound of Thomas Morley’s Four Elizabethan Ayers – Fyre, Fyre!; Good Morrow, fair ladies of the May; Gaude Maria Virgo and When lo, by breake of morning.

The audience of 85 applauded the unusual sound of five strident brass, though at one hour curiosity for some was surely sated.