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Symphony
MOZART THE SUBLIME IN UKIAH SYMPHONY'S CONCERT
by Terry McNeill
Sunday, September 22, 2024
Symphony
POTENT TCHAIKOVSKY INTERPRETATION IN PHILHARMONIC'S 25TH ANNIVERSARY OPENER
by Terry McNeill
Saturday, September 21, 2024
Recital
SPANISH MUSIC AT SPRING LAKE VILLAGE
by Terry McNeill
Wednesday, September 18, 2024
Chamber
BRASS OVER BRIDGES AT SPRING LAKE SERIES
by Terry McNeill
Wednesday, August 21, 2024
CALLEJA AND SANIKIDZE CHARGE THE ATMOSPHERE IN WEILL WITH SUMMER FAVORITES
by Pamela Hicks Gailey
Saturday, August 3, 2024
ENERGETIC SINGING IN CALLEJA/SANIKIDZE WEILL RECITAL
by Mark Kratz
Saturday, August 3, 2024
Chamber
MUSICAL CALM IN A WORLD OF POLITICAL IDIOTS
by Terry McNeill
Friday, August 2, 2024
Chamber
SUNBEAMS ON THE FESTIVAL DEL SOLE FROM THE FAR NORTH
by Terry McNeill
Thursday, August 1, 2024
Chamber
A FAURE TO REMEMBER
by Terry McNeill
Thursday, July 25, 2024
Chamber
DYNAMIC MENDELSSOHN AND SUBTLE BRAHMS AT FINAL PIANOSONOMA CONCERT
by Pamela Hicks Gailey
Thursday, July 25, 2024
CHAMBER REVIEW
Roses Signature Concert Series / Sunday, January 14, 2024
The Oyster Trio. Jennifer Cho, violin; Judiyaba, cello; Marilyn Thompson, piano

Violinist Jennifer Cho

OYSTER TRIO AT THE ROSE SIGNATURE SERIES

by Terry McNeill
Sunday, January 14, 2024

There is surprisingly a new piano trio around, The Oyster, supplementing pianist Marilyn Thompson’s preeminent North Coast Trio Navarro. Wait, Ms. Thompson was also at the piano for the Oyster’s Jan. 14 concert in Santa Rosa’s Church of the Roses, playing two of her favorite Beethoven “Geister” and Brahms’ Op. 87 trios.

Joined by colleagues violinist Jennifer Cho and Judiyaba (cello) the ensemble jumped right into the Beethoven Allegro with its rhythmic first unison theme and a lovely cantabile phrase from Ms. Judiyaba. The piano sound in the high-ceiling and expansive church carried well, but often covered the cello line that lacked sonic projection. Tension and suspense were heard in the long Largo, dark and moody. Ms. Thompson used the shift pedal throughout, her muted scales easily heard from the church’s
efficacious instrument.

The concluding movement was played with the requisite warmth and energy, the ensemble controlled and Ms. Cho’s playing flowing easily in the high register, the Presto tempo never too brisk and contrasts minimal. Applause from the audience of 80 was moderate.

Contrasts galore were heard in Brahms’s C Major Trio’s performance, its four movements unfolding with plucked strings, strong rhythmic themes from the piano, short variations in the Andante, eerie and delicate sounds in the Scherzo and rich melodic projections throughout. The musicians generated a thick texture in the opening movement and the climaxes had impact. Control was especially good in the mysterious Scherzo, played quietly and with two effective instrumental rumbles.

The finale was played intensely but at times lighter in spirit, in almost a celebratory character. The two strings seemed to be pitted against the piano part, a fervid interpretation but also expressive and ultimately convincing. Violin phrase repeats were clear in the high register.

The performance was clocked in just under one hour, and there was no encore.

The Roses Signature Concert Series continues Feb. 25 with soprano Carol Menke and pianist Ms. Thompson in an art song recital of Berg, Brahms, Fauré and Spanish music. Local young musicians perform March 17, and the eagerly awaited annual Good Friday concert March 29 features composer Dan Forrest’s 40-minute Requiem, written in 2013.