Chamber
JASPER'S LUSH PERFORMANCES OF STILL, DVORAK AND FUNG QUARTETS
by Abby Wasserman
Sunday, November 10, 2024
Symphony
A SHOUT AND SONIC WARHORSES AT NOVEMBER'S SRS CONCERT
by Peter Lert
Saturday, November 9, 2024
Choral and Vocal
ECLECTIC WORKS IN CANTIAMO SONOMA'S SEASON OPENING CONCERT
by Pamela Hicks Gailey
Sunday, October 27, 2024
Symphony
FRANKENSTEIN THRILLS IN UNIQUE SO CO PHIL CONCERT IN JACKSON THEATER
by Peter Lert
Saturday, October 26, 2024
Choral and Vocal
BAROQUE EXTRAVAGANZA AT AMERICAN BACH MARIN CONCERT
by Abby Wasserman
Friday, October 25, 2024
Recital
LARGE AUDIENCE HEARS AX IN WEILL PIANO RECITAL
by Terry McNeill
Thursday, October 24, 2024
Symphony
SRS' NEW SEASON OPENS WITH BEETHOVEN AND COPLAND IN WEILL
by Terry McNeill
Saturday, October 19, 2024
Chamber
TWO CHAMBER MUSIC WORKS AT MARIN'S MT. TAM CHURCH
by Abby Wasserman
Sunday, October 13, 2024
CALLISTO'S ELEGANCE IN UPBEAT 222 GALLERY CONCERT
by Terry McNeill
Friday, October 11, 2024
Chamber
FINAL ALEXANDER SQ CONCERT AT MUSIC AT OAKMONT
by Terry McNeill
Thursday, October 10, 2024
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Violinist Jennifer Cho |
OYSTER TRIO AT THE ROSE SIGNATURE SERIES
by Terry McNeill
Sunday, January 14, 2024
There is surprisingly a new piano trio around, The Oyster, supplementing pianist Marilyn Thompson’s preeminent North Coast Trio Navarro. Wait, Ms. Thompson was also at the piano for the Oyster’s Jan. 14 concert in Santa Rosa’s Church of the Roses, playing two of her favorite Beethoven “Geister” and Brahms’ Op. 87 trios.
Joined by colleagues violinist Jennifer Cho and Judiyaba (cello) the ensemble jumped right into the Beethoven Allegro with its rhythmic first unison theme and a lovely cantabile phrase from Ms. Judiyaba. The piano sound in the high-ceiling and expansive church carried well, but often covered the cello line that lacked sonic projection. Tension and suspense were heard in the long Largo, dark and moody. Ms. Thompson used the shift pedal throughout, her muted scales easily heard from the church’s
efficacious instrument.
The concluding movement was played with the requisite warmth and energy, the ensemble controlled and Ms. Cho’s playing flowing easily in the high register, the Presto tempo never too brisk and contrasts minimal. Applause from the audience of 80 was moderate.
Contrasts galore were heard in Brahms’s C Major Trio’s performance, its four movements unfolding with plucked strings, strong rhythmic themes from the piano, short variations in the Andante, eerie and delicate sounds in the Scherzo and rich melodic projections throughout. The musicians generated a thick texture in the opening movement and the climaxes had impact. Control was especially good in the mysterious Scherzo, played quietly and with two effective instrumental rumbles.
The finale was played intensely but at times lighter in spirit, in almost a celebratory character. The two strings seemed to be pitted against the piano part, a fervid interpretation but also expressive and ultimately convincing. Violin phrase repeats were clear in the high register.
The performance was clocked in just under one hour, and there was no encore.
The Roses Signature Concert Series continues Feb. 25 with soprano Carol Menke and pianist Ms. Thompson in an art song recital of Berg, Brahms, Fauré and Spanish music. Local young musicians perform March 17, and the eagerly awaited annual Good Friday concert March 29 features composer Dan Forrest’s 40-minute Requiem, written in 2013.
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