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MOZART THE SUBLIME IN UKIAH SYMPHONY'S CONCERT
by Terry McNeill
Sunday, September 22, 2024
Symphony
POTENT TCHAIKOVSKY INTERPRETATION IN PHILHARMONIC'S 25TH ANNIVERSARY OPENER
by Terry McNeill
Saturday, September 21, 2024
Recital
SPANISH MUSIC AT SPRING LAKE VILLAGE
by Terry McNeill
Wednesday, September 18, 2024
Chamber
BRASS OVER BRIDGES AT SPRING LAKE SERIES
by Terry McNeill
Wednesday, August 21, 2024
CALLEJA AND SANIKIDZE CHARGE THE ATMOSPHERE IN WEILL WITH SUMMER FAVORITES
by Pamela Hicks Gailey
Saturday, August 3, 2024
ENERGETIC SINGING IN CALLEJA/SANIKIDZE WEILL RECITAL
by Mark Kratz
Saturday, August 3, 2024
Chamber
MUSICAL CALM IN A WORLD OF POLITICAL IDIOTS
by Terry McNeill
Friday, August 2, 2024
Chamber
SUNBEAMS ON THE FESTIVAL DEL SOLE FROM THE FAR NORTH
by Terry McNeill
Thursday, August 1, 2024
Chamber
A FAURE TO REMEMBER
by Terry McNeill
Thursday, July 25, 2024
Chamber
DYNAMIC MENDELSSOHN AND SUBTLE BRAHMS AT FINAL PIANOSONOMA CONCERT
by Pamela Hicks Gailey
Thursday, July 25, 2024
SYMPHONY REVIEW
Spring Lake Village Classical Music Series / Wednesday, February 28, 2024
Santa Rosa Symphony Youth Orchestra. Bobby Rogers, conductor. Henry Miller, violin; Samuel Oryn, narrator

YOUTH ORCHESTRA CHARMS BIG SPRING LAKE AUDIENCE

by Terry McNeill
Wednesday, February 28, 2024

Usually the Spring Lake Village auditorium stage is pretty empty, with a small chamber music ensembles. In February it was a solo harpist, and April’s concert will be a solo pianist. All that changed Feb. 28 when the 53 musicians of Santa Rosa Symphony’s Youth Orchestra took the stage before a packed hall of 150. Eighteen schools provided the performers.

Conducted by Bobby Rogers, the 53 players began with Smetana’s Moldau Suite from Má Vlast, and completed the first part with part of Ravel’s Tzigane, with violinist soloist concertmaster Henry Miller.

Playing in the abbreviated 1874 Moldau Suite was properly Wagnerian with Rheingold sonorities, the strings light and the percussion (Nathra Kem) loud. A shortened Tzigane excerpt caught the gypsy character of the music and Mr. Rogers’ tempo was brisk.

Oboist Samuel Oryn was the narrator for Prokofiev’s venerable Children’s Suite Peter and the Wolf, written in 1936 and popular since. Classy solos were heard throughout by Cheyeon Shin (flute); bassoonist Fisher Lamborn; Damian Burgess (clarinet) and hornist Remy Desjarlais. Instruments were placed both on the hall’s floor and the stage, winning the acoustic battle of the auditorium’s famously dry and un reverberant sound. Balances were good with lower string sound prevailing, especially the double basses.

Flute and bassoon duos were lovely and convincing, and as Mr. Oryn’s final words stated at the happy march to the zoo, the duck was still alive in the wolf’s stomach.