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Chamber
FAMILIAR AND NEW - TRIO NAVARRO'S SPRING CONCERT IN WEILL
by Terry McNeill
Sunday, April 21, 2024
Symphony
MONUMENTAL MAHLER 5TH IN SO CO PHIL'S SEASON ENDING CONCERT
by Terry McNeill
Sunday, April 14, 2024
Chamber
OAKMONT SEASON CLOSES WITH STRAUSS' PASSIONATE SONATA
by Terry McNeill
Thursday, April 11, 2024
Chamber
MORE GOLD THAN KORN AT ALEXANDER SQ CONCERT
by Terry McNeill
Sunday, April 7, 2024
Choral and Vocal
VIBRANT GOOD FRIDAY REQUIEM AT CHURCH OF THE ROSES
by Pamela Hicks Gailey
Friday, March 29, 2024
TWO OLD, TWO NEW AT THE SR SYMPHONY'S MARCH CONCERT IN WEILL
by Peter Lert
Saturday, March 23, 2024
Chamber
NOT A SEVENTH BUT A FIRST AT SPRING LAKE VILLAGE CONCERT
by Terry McNeill
Wednesday, March 20, 2024
THIRTY-THREE PLUS VARIATIONS AND AN OCEAN VIEW
by Terry McNeill
Saturday, March 16, 2024
Choral and Vocal
A ST. JOHN PASSION FOR THE AGES
by Abby Wasserman
Friday, March 8, 2024
Choral and Vocal
SPLENDID SCHUBERT SONGS IN SANET ALLEN RECITAL
by Terry McNeill
Saturday, March 2, 2024
SYMPHONY REVIEW
Spring Lake Village Classical Music Series / Wednesday, February 28, 2024
Santa Rosa Symphony Youth Orchestra. Bobby Rogers, conductor. Henry Miller, violin; Samuel Oryn, narrator

YOUTH ORCHESTRA CHARMS BIG SPRING LAKE AUDIENCE

by Terry McNeill
Wednesday, February 28, 2024

Usually the Spring Lake Village auditorium stage is pretty empty, with a small chamber music ensembles. In February it was a solo harpist, and April’s concert will be a solo pianist. All that changed Feb. 28 when the 53 musicians of Santa Rosa Symphony’s Youth Orchestra took the stage before a packed hall of 150. Eighteen schools provided the performers.

Conducted by Bobby Rogers, the 53 players began with Smetana’s Moldau Suite from Má Vlast, and completed the first part with part of Ravel’s Tzigane, with violinist soloist concertmaster Henry Miller.

Playing in the abbreviated 1874 Moldau Suite was properly Wagnerian with Rheingold sonorities, the strings light and the percussion (Nathra Kem) loud. A shortened Tzigane excerpt caught the gypsy character of the music and Mr. Rogers’ tempo was brisk.

Oboist Samuel Oryn was the narrator for Prokofiev’s venerable Children’s Suite Peter and the Wolf, written in 1936 and popular since. Classy solos were heard throughout by Cheyeon Shin (flute); bassoonist Fisher Lamborn; Damian Burgess (clarinet) and hornist Remy Desjarlais. Instruments were placed both on the hall’s floor and the stage, winning the acoustic battle of the auditorium’s famously dry and un reverberant sound. Balances were good with lower string sound prevailing, especially the double basses.

Flute and bassoon duos were lovely and convincing, and as Mr. Oryn’s final words stated at the happy march to the zoo, the duck was still alive in the wolf’s stomach.