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Chamber
JASPER'S LUSH PERFORMANCES OF STILL, DVORAK AND FUNG QUARTETS
by Abby Wasserman
Sunday, November 10, 2024
Symphony
A SHOUT AND SONIC WARHORSES AT NOVEMBER'S SRS CONCERT
by Peter Lert
Saturday, November 9, 2024
Choral and Vocal
ECLECTIC WORKS IN CANTIAMO SONOMA'S SEASON OPENING CONCERT
by Pamela Hicks Gailey
Sunday, October 27, 2024
Symphony
FRANKENSTEIN THRILLS IN UNIQUE SO CO PHIL CONCERT IN JACKSON THEATER
by Peter Lert
Saturday, October 26, 2024
Choral and Vocal
BAROQUE EXTRAVAGANZA AT AMERICAN BACH MARIN CONCERT
by Abby Wasserman
Friday, October 25, 2024
Recital
LARGE AUDIENCE HEARS AX IN WEILL PIANO RECITAL
by Terry McNeill
Thursday, October 24, 2024
Symphony
SRS' NEW SEASON OPENS WITH BEETHOVEN AND COPLAND IN WEILL
by Terry McNeill
Saturday, October 19, 2024
Chamber
TWO CHAMBER MUSIC WORKS AT MARIN'S MT. TAM CHURCH
by Abby Wasserman
Sunday, October 13, 2024
CALLISTO'S ELEGANCE IN UPBEAT 222 GALLERY CONCERT
by Terry McNeill
Friday, October 11, 2024
Chamber
FINAL ALEXANDER SQ CONCERT AT MUSIC AT OAKMONT
by Terry McNeill
Thursday, October 10, 2024
RECITAL REVIEW

Pianist Adonis Gonzalez

TENTH SEASON VOM FESTIVAL OPENER AT THE HANNA CENTER

by Terry McNeill
Thursday, July 11, 2024

Valley of the Moon’s ebullient Music Festival launched its tenth season July 11 at Sonoma’s Hanna Center, a last minute opening concert relocation from the Valley’s Bartholomew Park location due to the 100 degree weather.

Air conditioning was indeed needed for a select group of kindly doners and supporters of the Festival that often features quirky repertoire performed on conventional instruments in unconventional guises – gut strings, fortepianos, copious transcriptions. Things got going with a lavish pre-concert buffet (tasty empanadas) and Festival announcements by Board President Cindi King and artistic directors Tanya Tomkins and Eric Zivian.

Cuban American pianist Adonis Gonzalez was the featured performer in the 30 minute program, and through eight short pieces his interpretative mood was continually aggressive and frequently overloud. Hanna’s Hall has a flat tile floor and wide spread of seats, leading to minimal reverberation and often roaring sonority from the house piano’s bright top end. Well, the program’s music of Villa-Lobos, Teresa Carreño, Ravel and Lecuona seemed to demand the determined pounding Mr. Gonzalez gave it.

Highlights in the playing were Carreño’s Un Bal en rêve and four contrasting Lecuona works that closed the program: Ante el Escorial, Mazurka in Glissando, La Comparsa and Gitanerías. Here the pianist seemed to relax and gave the piquant pieces shape and a modicum of tone color, throttling back the volume and pace..

Two surprise and welcome program additions came at the end, both for violin – a lovely Carreño Romance and José White’s Zamacueca. Juliet Greer paired with Eric Zivian in the charming Romance, and Mr. Gonzales returned with violinist Jennifer Frautschi in the four-minute Latin flavored dance, the repetitive phrases in the piano line alternating with the svelte and swaying fascination of White’s innocuous piece.