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Chamber
JASPER'S LUSH PERFORMANCES OF STILL, DVORAK AND FUNG QUARTETS
by Abby Wasserman
Sunday, November 10, 2024
Symphony
A SHOUT AND SONIC WARHORSES AT NOVEMBER'S SRS CONCERT
by Peter Lert
Saturday, November 9, 2024
Choral and Vocal
ECLECTIC WORKS IN CANTIAMO SONOMA'S SEASON OPENING CONCERT
by Pamela Hicks Gailey
Sunday, October 27, 2024
Symphony
FRANKENSTEIN THRILLS IN UNIQUE SO CO PHIL CONCERT IN JACKSON THEATER
by Peter Lert
Saturday, October 26, 2024
Choral and Vocal
BAROQUE EXTRAVAGANZA AT AMERICAN BACH MARIN CONCERT
by Abby Wasserman
Friday, October 25, 2024
Recital
LARGE AUDIENCE HEARS AX IN WEILL PIANO RECITAL
by Terry McNeill
Thursday, October 24, 2024
Symphony
SRS' NEW SEASON OPENS WITH BEETHOVEN AND COPLAND IN WEILL
by Terry McNeill
Saturday, October 19, 2024
Chamber
TWO CHAMBER MUSIC WORKS AT MARIN'S MT. TAM CHURCH
by Abby Wasserman
Sunday, October 13, 2024
CALLISTO'S ELEGANCE IN UPBEAT 222 GALLERY CONCERT
by Terry McNeill
Friday, October 11, 2024
Chamber
FINAL ALEXANDER SQ CONCERT AT MUSIC AT OAKMONT
by Terry McNeill
Thursday, October 10, 2024
CHAMBER REVIEW
Spring Lake Village Concert Series / Wednesday, August 21, 2024
Brass over Bridges. Brass Quintet. Two trumpets, two trombones, horn, tuba

Brass Over Bridges Quintet

BRASS OVER BRIDGES AT SPRING LAKE SERIES

by Terry McNeill
Wednesday, August 21, 2024

Innovative programming is alive at the Spring Lake Village Concert Series, with the usual piano trios and vocal groups upstaged by a recent formal solo harp recital and August 21 by Brass Over Bridges, an all brass quintet.

The short program in Montgomery Auditorium West included works by one of the performers and concluded with transcriptions of three of Ellington’s most memorable tunes – In a Sentimental Mood, Take the A Train and especially Satin Doll.

Surprisingly there was even a brass quintet work from the Romantic era, Victor Ewald’s Number One of four written in the 1890s. Musicians included trumpeters Ari Micich and John Freeman; Sophia Chen (horn); trombonists Esther Armendariz and Sam Wamhoff; and the dynamic tuba playing of Jonathan Seiberlich. Mr. Seiberlich’s instrument sounded wonderfully resonant in the Hall’s famously dry acoustics and was the strong supporting sound of Thomas Morley’s Four Elizabethan Ayers – Fyre, Fyre!; Good Morrow, fair ladies of the May; Gaude Maria Virgo and When lo, by breake of morning.

The audience of 85 applauded the unusual sound of five strident brass, though at one hour curiosity for some was surely sated.