Home  Reviews  Articles  Calendar  Presenters  Add Event     
Chamber
FRISSON DELIVERS SHIVERS OF DELIGHT
by Abby Wasserman
Sunday, March 30, 2025
Chamber
THE PARKER CAPTURES DEMANDING ADES QUARTET AT RAC SEBASTOPOL CONCERT
by Peter Lert
Saturday, February 15, 2025
Chamber
SPLENDID ECHOES ACROSS THE BAY
by Abby Wasserman
Sunday, February 9, 2025
ETHEREAL DUO IN WEILL HALL RECITAL
by Pamela Hicks Gailey
Thursday, February 6, 2025
ESPANA SEGURO AT SO CO PHIL'S JACKSON THEATER CONCERT
by Terry McNeill
Sunday, February 2, 2025
Choral and Vocal
MASTERFUL SINGING CLASS IN SCHROEDER HALL
by Pamela Hicks Gailey
Sunday, February 2, 2025
Recital
MUSICAL POT POURRI AT SPRING LAKE VILLAGE RECITAL
by Terry McNeill
Friday, January 31, 2025
CELLO AND CLARINET HIGHLIGHT TRIO NAVARRO'S CONCERT
by Ron Teplitz
Sunday, January 26, 2025
SONGS OF LOVE, IN A WARM TRIO
by Pamela Hicks Gailey
Sunday, January 26, 2025
Symphony
EARTHLY PLEASURES AT THE VALLEJO SYMPHONY
by Peter Lert
Sunday, January 19, 2025
CHAMBER REVIEW
Spring Lake Village Concert Series / Wednesday, August 21, 2024
Brass over Bridges. Brass Quintet. Two trumpets, two trombones, horn, tuba

Brass Over Bridges Quintet

BRASS OVER BRIDGES AT SPRING LAKE SERIES

by Terry McNeill
Wednesday, August 21, 2024

Innovative programming is alive at the Spring Lake Village Concert Series, with the usual piano trios and vocal groups upstaged by a recent formal solo harp recital and August 21 by Brass Over Bridges, an all brass quintet.

The short program in Montgomery Auditorium West included works by one of the performers and concluded with transcriptions of three of Ellington’s most memorable tunes – In a Sentimental Mood, Take the A Train and especially Satin Doll.

Surprisingly there was even a brass quintet work from the Romantic era, Victor Ewald’s Number One of four written in the 1890s. Musicians included trumpeters Ari Micich and John Freeman; Sophia Chen (horn); trombonists Esther Armendariz and Sam Wamhoff; and the dynamic tuba playing of Jonathan Seiberlich. Mr. Seiberlich’s instrument sounded wonderfully resonant in the Hall’s famously dry acoustics and was the strong supporting sound of Thomas Morley’s Four Elizabethan Ayers – Fyre, Fyre!; Good Morrow, fair ladies of the May; Gaude Maria Virgo and When lo, by breake of morning.

The audience of 85 applauded the unusual sound of five strident brass, though at one hour curiosity for some was surely sated.