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Chamber
JASPER'S LUSH PERFORMANCES OF STILL, DVORAK AND FUNG QUARTETS
by Abby Wasserman
Sunday, November 10, 2024
Symphony
A SHOUT AND SONIC WARHORSES AT NOVEMBER'S SRS CONCERT
by Peter Lert
Saturday, November 9, 2024
Choral and Vocal
ECLECTIC WORKS IN CANTIAMO SONOMA'S SEASON OPENING CONCERT
by Pamela Hicks Gailey
Sunday, October 27, 2024
Symphony
FRANKENSTEIN THRILLS IN UNIQUE SO CO PHIL CONCERT IN JACKSON THEATER
by Peter Lert
Saturday, October 26, 2024
Choral and Vocal
BAROQUE EXTRAVAGANZA AT AMERICAN BACH MARIN CONCERT
by Abby Wasserman
Friday, October 25, 2024
Recital
LARGE AUDIENCE HEARS AX IN WEILL PIANO RECITAL
by Terry McNeill
Thursday, October 24, 2024
Symphony
SRS' NEW SEASON OPENS WITH BEETHOVEN AND COPLAND IN WEILL
by Terry McNeill
Saturday, October 19, 2024
Chamber
TWO CHAMBER MUSIC WORKS AT MARIN'S MT. TAM CHURCH
by Abby Wasserman
Sunday, October 13, 2024
CALLISTO'S ELEGANCE IN UPBEAT 222 GALLERY CONCERT
by Terry McNeill
Friday, October 11, 2024
Chamber
FINAL ALEXANDER SQ CONCERT AT MUSIC AT OAKMONT
by Terry McNeill
Thursday, October 10, 2024
RECITAL REVIEW
Spring Lake Village Classical Music Series / Wednesday, September 18, 2024
Daniel Glover, pianist

Pianist Daniel Glover

SPANISH MUSIC AT SPRING LAKE VILLAGE

by Terry McNeill
Wednesday, September 18, 2024

San Francisco-based pianist Daniel Glover has played often in Santa Rosa, for Concerts Grand and Music at Oakmont, and Sept. 18 he returned to the Spring Lake Village Concerts series in a short program featuring Spanish music. One hundred attended.

Playing in an acoustically dry flat hard floor hall with an overfly bright piano, the pianist’s power was on nearly continual display, heavily pedaled, with little attention paid to the elegance, repose and warmth of many of the works. Highlights of the playing included Mompou’s Canción y Danza No. 6; Granados’ ethereal Intermezzo (from his opera “Goyescas”); Albéniz’ D Major Tango (not in the Godowsky transcription); and an unfamiliar work from Ravel - Piece In the Form of a Habanera.

There was one encore, another Falla work, a Nocturne in F from 1900.

The artist is a witty raconteur of musical history related to the chosen composers, knows prominent facts and had prescient insights into Spanish music that charmed his audience.